english stringlengths 2 3.06k | non_english stringlengths 1 2.84k | language stringclasses 52
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Drove the pilings against the tide of the sand, plank by plank. | 모래 물결을 헤치며 판자 하나하나를 말뚝박았지 | en-ko |
But do they call me MacGregor the pier builder? No. | "Mas eles chamam-me MacGregor, o construtor do cais? | en-pt |
But you fuck one goat ... " (Laughter) Storytelling -- (Laughter) is joke telling. | Tidak. Tapi kalau kamu meniduri seekor kambing ... " (Tawa) Bercerita -- (Tawa) adalah memberitahukan lelucon. | en-id |
It's knowing your punchline, your ending, knowing that everything you're saying, from the first sentence to the last, is leading to a singular goal, and ideally confirming some truth that deepens our understandings of who we are as human beings. | คุณต้องรู้ประโยคทีเด็ด ประโยคปิดท้ายของคุณ ต้องรู้ว่าทุกสิ่งที่คุณเล่า จากประโยคแรกถึงสุดท้าย จะนำไปสู่จุดหมายเดียวกัน ซึ่งยืนยันความจริง ให้เราเข้าใจมากขึ้น ถึงความเป็นมนุษย์ของเรา | en-th |
We all love stories. | Всі ми любимо історії. | en-uk |
We're born for them. | با آنها متولد میشویم. | en-fa |
Stories affirm who we are. | Hikayeler kim olduğumuzu doğrular. | en-tr |
We all want affirmations that our lives have meaning. | Nous voulons tous qu'on nous affirme que nos vies ont un sens. | en-fr |
And nothing does a greater affirmation than when we connect through stories. | En niets geeft een betere bevestiging dan wanneer we verbinding maken met verhalen. | en-nl |
It can cross the barriers of time, past, present and future, and allow us to experience the similarities between ourselves and through others, real and imagined. | Elles peuvent traverser les barrières du temps, passé, présent et futur, et nous permettent de découvrir les similitudes entre nous et par les autres, réels et imaginaires. | en-fr |
The children's television host Mr. Rogers always carried in his wallet a quote from a social worker that said, "Frankly, there isn't anyone you couldn't learn to love once you've heard their story." | Egy gyerekműsor műsorvezetője, Mr. Rogers mindig hordott magánál a pénztárcájában egy idézetet egy szociális munkástól, miszerint: "Őszintén szólva, nincs olyan, akit nem tudnál megszeretni, miután meghallgattad a történetét." | en-hu |
And the way I like to interpret that is probably the greatest story commandment, which is "Make me care" -- please, emotionally, intellectually, aesthetically, just make me care. | Интерпретируя эту цитату по-своему, я получаю главную заповедь повествования — «Заинтересуй меня». Пожалуйста, эмоционально, интеллектуально, эстетически — заинтересуй меня. | en-ru |
We all know what it's like to not care. | Всички знаем какво е да не ни е грижа. | en-bg |
You've gone through hundreds of TV channels, just switching channel after channel, and then suddenly you actually stop on one. | Je hebt al naar honderden kanalen gezapt, gewoon zappen van kanaal naar kanaal, en opeens stop je bij een programma. | en-nl |
It's already halfway over, but something's caught you and you're drawn in and you care. | 興味を引ければ 半分は 終わったようなものです 何かが心を捉え チャンネルに 引き込まれ 気になって見ます | en-ja |
That's not by chance, that's by design. | ليس تلك صدفة، ذلك تصميم. | en-ar |
So it got me thinking, what if I told you my history was story, how I was born for it, how I learned along the way this subject matter? | پس این مرا به فکر وا داشت، چه می شود اگر به شما بگویم داستان من، قصهی زندگیام است، اینکه چگونه متولد شدم، چگونه در طول مسیر این مقوله را آموختم. | en-fa |
And to make it more interesting, we'll start from the ending and we'll go to the beginning. | Y para hacerlo más interesante empezaremos por el final e iremos hasta el principio. | en-es |
And so if I were going to give you the ending of this story, it would go something like this: And that's what ultimately led me to speaking to you here at TED about story. | そうですね 結末を 教えてしまうとしたら それはこんな感じです 「そんなわけで こうして TED で 皆さんに 物語について語るまでになったのです」 | en-ja |
And the most current story lesson that I've had was completing the film I've just done this year in 2012. | והשיעור הטרי ביותר שלמדתי על אמנות הסיפור היה כשסיימתי לעבוד על הסרט האחרון שלי השנה, ב-2012. | en-he |
The film is "John Carter." It's based on a book called "The Princess of Mars," which was written by Edgar Rice Burroughs. | หนังชื่อว่า "จอห์น คาร์เตอร์" ซึ่งดัดแปลงมา จากหนังสือ "เจ้าหญิงแห่งดาวอังคาร" ประพันธ์โดย Edgar Rice Burroughs | en-th |
And Edgar Rice Burroughs actually put himself as a character inside this movie, and as the narrator. | Edgar Rice Burroughs hat sich selbst als Figur und als den Erzähler in diesen Film eingebaut. | en-de |
And he's summoned by his rich uncle, John Carter, to his mansion with a telegram saying, "See me at once." | E ele é chamado pelo seu tio rico, John Carter, à sua mansão através de um telegrama a dizer: "Vem ver-me já". | en-pt |
But once he gets there, he's found out that his uncle has mysteriously passed away and been entombed in a mausoleum on the property. | Але коли він приїхав, то з'ясовує, що дядько його помер за таємничих обставин і був похований у мавзолеї біля маєтку. | en-uk |
(Video) Butler: You won't find a keyhole. | (Video) Butler: Je zal geen sleutelgat vinden. | en-nl |
Thing only opens from the inside. | 这东西只能从里面打开 | en-zh-cn |
He insisted, no embalming, no open coffin, no funeral. | Той настоя, без балсамиране, без отворен ковчег, без погребение. | en-bg |
You don't acquire the kind of wealth your uncle commanded by being like the rest of us, huh? | Kamu tidak mendapat kekayaan yang pamanmu punya dengan cara menjadi seperti kita, huh? | en-id |
Come, let's go inside. | بیاید به داخل برویم. | en-fa |
AS: What this scene is doing, and it did in the book, is it's fundamentally making a promise. | ЕС: Ова сцена, као и у књизи, у основи даје обећање. | en-sr |
It's making a promise to you that this story will lead somewhere that's worth your time. | היא מבטיחה לכם שהסיפור הזה יוליך למקום ששווה את הזמן שלכם. | en-he |
And that's what all good stories should do at the beginning, is they should give you a promise. | A to je to, čo by mali všetky dobré príbehy robiť na začiatku - dať vám prísľub. | en-sk |
You could do it an infinite amount of ways. | אפשר לעשות זאת באינספור דרכים. | en-he |
Sometimes it's as simple as "Once upon a time ... " These Carter books always had Edgar Rice Burroughs as a narrator in it. | أحيانا يكون بمثل بساطة "كان يا ما كان ..." كتب كارت هاته دائما ما يكون فيها إدغار رايس بوروز راويا. | en-ar |
And I always thought it was such a fantastic device. | És mindig nagyszerű módszernek tartottam. | en-hu |
It's like a guy inviting you around the campfire, or somebody in a bar saying, "Here, let me tell you a story. | 그건 어떤 사람이 여러분을 캠프파이어에 초대하거나, 또는 술집에 있는 누군가가 말하길, "이봐, 내가 이야기를 하나 해줄게. | en-ko |
It didn't happen to me, it happened to somebody else, but it's going to be worth your time." | Não aconteceu comigo, aconteceu com outra pessoa, mas vai valer a pena." | en-pt-br |
A well told promise is like a pebble being pulled back in a slingshot and propels you forward through the story to the end. | Una promessa mantenuta è come caricare una fionda per proiettarvi, attraverso la storia, verso la sua fine. | en-it |
In 2008, I pushed all the theories that I had on story at the time to the limits of my understanding on this project. | 2008年， 我把當時對故事的所有理論 在這項目上推到我能理解的極限 | en-zh-tw |
(Video) (Mechanical Sounds) ♫ And that is all ♫ ♫ that love's about ♫ ♫ And we'll recall ♫ ♫ when time runs out ♫ ♫ That it only ♫ (Laughter) AS: Storytelling without dialogue. | (Video) (Mekanik Sesler) ♫Ve işte aşkın♫ ♫anlamı bu♫ ♫Ve zaman tükendiğinde♫ ♫hatırlayacağız♫ ♫Sadece♫ (Gülüşmeler) AS: Diyalog olmadan hikaye anlatmak. | en-tr |
It's the purest form of cinematic storytelling. | זו הצורה הטהורה ביותר של אמנות הסיפור הקולנועי. | en-he |
It's the most inclusive approach you can take. | Je to najobsažnejší prístup, aký môžete použiť. | en-sk |
It confirmed something I really had a hunch on, is that the audience actually wants to work for their meal. | Επιβεβαίωσε μια διαίσθηση που είχα, ότι το κοινό στην πραγματικότητα θέλει να βασανίσει το νου του. | en-el |
They just don't want to know that they're doing that. | Они просто не хотят, чтобы об этом знали. | en-ru |
That's your job as a storyteller, is to hide the fact that you're making them work for their meal. | È il lavoro del narratore, è nascondergli il fatto che si sta guadagnando il pane. | en-it |
We're born problem solvers. | 人は問題を解こうとします | en-ja |
We're compelled to deduce and to deduct, because that's what we do in real life. | ما ناگزیر به تجزیه و تحلیل هستیم زیرا این کاری است که در زندگی روزمره انجام میدهیم. | en-fa |
It's this well-organized absence of information that draws us in. | Je to dobre organizovaný nedostatok informácii, ktorý nás ťahá dnu. | en-sk |
There's a reason that we're all attracted to an infant or a puppy. | 人が幼児や子犬に惹かれるのには 理由があります | en-ja |
It's not just that they're damn cute; it's because they can't completely express what they're thinking and what their intentions are. | Ce n'est pas seulement qu'ils sont sacrément mignons ; c'est parce qu'ils ne peuvent pas exprimer complètement ce qu'ils pensent et quelles sont leurs intentions. | en-fr |
And it's like a magnet. | 像吸铁石一样吸引我们 | en-zh-cn |
We can't stop ourselves from wanting to complete the sentence and fill it in. | Nous ne pouvons pas nous arrêter de vouloir compléter la phrase et remplir les blancs. | en-fr |
I first started really understanding this storytelling device when I was writing with Bob Peterson on "Finding Nemo." | بدأت أولا في فهم وسيلة رواية القصص حقا حين كنت أكتب "البحث عن نيمو" مع بوب بيترسون | en-ar |
And we would call this the unifying theory of two plus two. | 我們稱之為二加二的統一理論。 | en-zh-tw |
Make the audience put things together. | Βάλε το κοινό να κάνει την πρόσθεση. | en-el |
Don't give them four, give them two plus two. | لا تعطهم أربعة، أعطهم اثنين زائد اثنين. | en-ar |
The elements you provide and the order you place them in is crucial to whether you succeed or fail at engaging the audience. | Елементи које дајете и њихов редослед су кључни за успех у ангажовању публике. | en-sr |
Editors and screenwriters have known this all along. | Střihači a scénáristi to vědí celou dobu. | en-cs |
It's the invisible application that holds our attention to story. | มันคือสิ่งล่องหน ที่ทำให้เราหยุดอยู่กับเรื่องราวนั้นๆ | en-th |
I don't mean to make it sound like this is an actual exact science, it's not. | Не желим да поручим да је то егзактна наука, јер није. | en-sr |
That's what's so special about stories, they're not a widget, they aren't exact. | และนั่นคือสิ่งพิเศษเกี่ยวกับเรื่องราว มันไม่แน่นอนเสมอไป | en-th |
Stories are inevitable, if they're good, but they're not predictable. | Les histoires sont inévitables, si elles sont bonnes, mais elles ne sont pas prévisibles. | en-fr |
I took a seminar in this year with an acting teacher named Judith Weston. | 저는 주디스 워스턴이라고 하는 연극선생님과 올해 세미나를 하나 청강했습니다. | en-ko |
And I learned a key insight to character. | Och lärde mig en viktig insikt om rolltolkning. | en-sv |
She believed that all well-drawn characters have a spine. | Ona göre bütün iyi yaratılmış karakterlerin bir omurgası var. | en-tr |
And the idea is that the character has an inner motor, a dominant, unconscious goal that they're striving for, an itch that they can't scratch. | E a ideia é que a personagem possui um motor interno, um objetivo dominante, inconsciente, pelo qual lutam, um desejo irreprimível. | en-pt |
She gave a wonderful example of Michael Corleone, Al Pacino's character in "The Godfather," and that probably his spine was to please his father. | Hun brukte Michael Corleone som et flott eksempel, Al Pacinos rollefigur i "Gudfaren," og at hans bjelke antakelig var ønsket om å tilfredsstille sin far. | en-nb |
And it's something that always drove all his choices. | چیزی که همواره در جهتگیری تصمیماتش نقش داشت. | en-fa |
Even after his father died, he was still trying to scratch that itch. | 심지어 그의 아버지가 죽은 이후에도, 그것을 지키려고 계속 노력했습니다. | en-ko |
I took to this like a duck to water. | Dette passet meg som fot i hose. | en-nb |
Wall-E's was to find the beauty. | Wall-E a fost despre găsirea frumuseții. | en-ro |
Marlin's, the father in "Finding Nemo," was to prevent harm. | Motivasi Marlin, sang ayah dalam "Finding Nemo," adalah untuk menghindari bahaya. | en-id |
And Woody's was to do what was best for his child. | และวู๊ดดี้ พยายามทำทุกสิ่งที่ดีที่สุดเพื่อเพื่อนพ้อง | en-th |
And these spines don't always drive you to make the best choices. | Αυτοί οι άξονες δεν σε οδηγούν πάντα στις καλύτερες επιλογές. | en-el |
Sometimes you can make some horrible choices with them. | Uneori puteţi face alegeri oribile cu ele. | en-ro |
I'm really blessed to be a parent, and watching my children grow, I really firmly believe that you're born with a temperament and you're wired a certain way, and you don't have any say about it, and there's no changing it. | Sono fortunato ad essere genitore, e vedere mio figlio crescere mi fa credere fermamente che si nasca con un certo temperamento, e che siamo fatti in un certo modo, su cui non si discute, e che non si può cambiare. | en-it |
All you can do is learn to recognize it and own it. | Sólo podemos aprender a reconocerlo y hacerlo propio. | en-es |
And some of us are born with temperaments that are positive, some are negative. | A niektorí z nás sú narodení s povahami, ktoré sú pozitívne, niektoré sú negatívne. | en-sk |
But a major threshold is passed when you mature enough to acknowledge what drives you and to take the wheel and steer it. | Ми переступаємо важливий рубіж, коли ми стаємо достатньо дорослими, аби визнати, що ж нами керує, і самотужки стати до стерна. | en-uk |
As parents, you're always learning who your children are. | Sebagai orang tua, Anda selalu belajar siapa anak-anak Anda. | en-id |
They're learning who they are. | Они стараются, а вы продолжаете | en-ru |
And you're still learning who you are. | ولا تزالون تتعلمون من أنتم. | en-ar |
So we're all learning all the time. | Donc, nous sommes apprenons tous le temps. | en-fr |
And that's why change is fundamental in story. | وبسبب هذا فإن التغيير أساسي في القصة. | en-ar |
If things go static, stories die, because life is never static. | Если события не меняются, история умирает, ведь жизнь не бывает статичной. | en-ru |
In 1998, I had finished writing "Toy Story" and "A Bug's Life" and I was completely hooked on screenwriting. | سنة 1998، كنت قد أنهيت كتابة "حكاية لعبة" و "حياة حشرة" وقد كنت مدمنا جدا لكتابة السيناريوهات. | en-ar |
So I wanted to become much better at it and learn anything I could. | وبالتالي أردت أن أصبح أفضل بكثير في المجال وأن أتعلم أي شيء أستطيع. | en-ar |
So I researched everything I possibly could. | Astfel, am studiat cât am putut de mult. | en-ro |
And I finally came across this fantastic quote by a British playwright, William Archer: "Drama is anticipation mingled with uncertainty." | Och snubblade slutligen över detta fantastiska citat av en Engelsk pjäsförfattare, William Archer. "Drama är väntan blandad med osäkerhet." | en-sv |
It's an incredibly insightful definition. | » Il s'agit d'une définition incroyablement perspicace. | en-fr |
When you're telling a story, have you constructed anticipation? | Quando está contando uma história, você elaborou a antecipação? | en-pt-br |
In the short-term, have you made me want to know what will happen next? | En el corto plazo, ¿me han hecho querer saber que pasará después? | en-es |
But more importantly, have you made me want to know how it will all conclude in the long-term? | Ancora più importante, mi avete fatto venire voglia di sapere come si concluderà il tutto a lungo termine? | en-it |
Have you constructed honest conflicts with truth that creates doubt in what the outcome might be? | Bạn đã xây dựng mối mâu thuẫn chân thật với hiện thực có thể sinh ra sự hồ nghi về kết cục? | en-vi |
An example would be in "Finding Nemo," in the short tension, you were always worried, would Dory's short-term memory make her forget whatever she was being told by Marlin. | 「ファインディング・ニモ」を例に出すなら 瞬間瞬間には マーリンに言われたことを ドーリーがすぐに忘れてしまうことに 常にやきもきさせられます | en-ja |
But under that was this global tension of will we ever find Nemo in this huge, vast ocean? | 하지만 그 이면에는 이 거대하고 방대한 바다에서, 니모를 언젠가는 찾을것인가라는 전체적인 긴장감이 있었습니다 | en-ko |
In our earliest days at Pixar, before we truly understood the invisible workings of story, we were simply a group of guys just going on our gut, going on our instincts. | في أيامنا الأولى في بيكسار، قبل أن نكون قد فهمنا أساليب العمل الخفية للقصة، كنا ببساطة مجموعة من الأشخاص نعتمد على حدسنا، نعتمد على غريزتنا. | en-ar |
And it's interesting to see how that led us places that were actually pretty good. | ומעניין לראות איך זה הוביל אותנו למקומות שהיו למעשה די טובים. | en-he |
You've got to remember that in this time of year, 1993, what was considered a successful animated picture was "The Little Mermaid," "Beauty and the Beast," "Aladdin," "Lion King." | Recuerden que en ese año, 1993, se consideraban exitosas animaciones como "La Sirenita", "La Bella y la Bestia", "Aladín" y "El rey león". | en-es |
So when we pitched "Toy Story" to Tom Hanks for the first time, he walked in and he said, "You don't want me to sing, do you?" | Така че когато за първи път говорихме с Том Ханкс за "Играта на Играчките," той влезе и попита: "Няма да искате да пея, нали?" | en-bg |
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