text stringlengths 0 353 | EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID stringlengths 1 7 | Gender stringclasses 3
values |
|---|---|---|---|---|---|---|
you know? and i was looking at the safari lounge, thinking that place looks really cool. | X | 4 | 4.4 | 4.4 | 897 | Male |
far out, man. | X | 3.8 | 4.6 | 4.6 | 897 | Male |
and this lady came across, a middle-aged lady. she'd been in there drinking all afternoon. | N | 4.2 | 4.4 | 4.2 | 897 | Male |
but this chick on the bus, she's looking at me. she keeps looking at me and think i've got one of them got one of them. and as a performer - | H | 5.181818 | 4.090909 | 4.818182 | 897 | Male |
you're always looking to just get one person who... that i've got this guy on my side, fuck, i'm in there. you know what i mean? might get laid tonight. | X | 5 | 3.2 | 5.4 | 897 | Male |
after a while, i played a bunch of songs and she keeps on looking me. and then eventually this guy leans over the bar - | H | 5 | 4.555556 | 4.666667 | 897 | Male |
"you're wasting your time with that one. she's deep and dumb." | X | 6.090909 | 4.272727 | 5.727273 | 897 | Male |
no, she was. she really was. and so that was that. | N | 4 | 4 | 4 | 897 | Male |
yeah, that was the best pale tale i could come up with. it painted me in the best possible light. thank you. | N | 4.2 | 4.4 | 4.6 | 897 | Male |
disadvantage as a blues musician, which is, if you ever say anything awkward, you can just be like (mimics guitar). | H | 5.4 | 6.2 | 4.8 | 893 | Female |
isn't that my show or the whole time. the way things have been happening, i've been like, "i'm a blues man. i'm just going to use it in my art." | H | 5.4 | 5.3 | 4.9 | 897 | Male |
stories of people that you thought you were going to go home with after a gig that well - | N | 5.2 | 4.2 | 4.8 | 893 | Female |
move. fucking move. i'm going to do the mad thing. | X | 5.6 | 3.8 | 5.4 | 897 | Male |
and they were kind of like, "oh, well, okay." and they moved. and i jumped in the air and i decided i'm going to do... i don't even do somersaults. i went to do a fucking somersault. | U | 5.2 | 4.4 | 5.2 | 897 | Male |
"are you okay?" and then the son was like "oh, fuck off, would you?" | H | 6.083333 | 5 | 6 | 897 | Male |
and as i said, there are other stories, but they don't pay me in a very good light. ho ho, ho, merry christmas. sorry. don't come and see my show. | H | 5.4 | 5.1 | 5.3 | 897 | Male |
okay, my show is very good because the stage is only this high. | H | 5.272727 | 5.454545 | 5.363636 | 897 | Male |
and everybody is just falling forwards like that. | H | 6 | 5 | 5.8 | 897 | Male |
there's some flyers you can, if you want to roll one up afterwards, we can roach them and i'll meet you in the alleyway. | C | 4.6 | 4.6 | 4.8 | 897 | Male |
every night at the banshee. live, true storytelling every evening. | H | 6.363636 | 6 | 5.909091 | 894 | Male |
where there's a will, there's a dead person. | X | 4.4 | 3.8 | 4 | 942 | Male |
where there's a dead person, there's a bill. | H | 4.375 | 5.375 | 4.375 | 942 | Male |
i don't think i've read this out before, but i'll read it now. it's called "flower power". | N | 3 | 4.6 | 3 | 942 | Male |
you slid your hand down my throat with remarkable ease. | N | 3.8 | 4.2 | 4.8 | 942 | Male |
i could feel you fiddling with my ventricles. | N | 3.6 | 4.2 | 4 | 942 | Male |
and then with a quick tug, you whipped out my heart. | X | 3.2 | 3.4 | 4.4 | 942 | Male |
i remained surprisingly conscious. | N | 3.727273 | 4.272727 | 4.272727 | 942 | Male |
you dropped it into your food processor - | N | 3 | 3.2 | 3.4 | 942 | Male |
with a tablespoon of flour. | D | 4.8 | 4 | 4.6 | 942 | Male |
and blended it. and so you had a pink plasticine-like consistency. | N | 4.2 | 3.8 | 3.4 | 942 | Male |
you then transferred it onto the work surface and molded it into the shape of your new boyfriend. | D | 3 | 3.4 | 4.8 | 942 | Male |
i wanted to write a poem about my kettle, right? | H | 5.3 | 5.8 | 4.2 | 942 | Male |
so i've got this red kettle, innit. when i first bought it out of blue light that came on when you pressed it down. | N | 3.8 | 4 | 3.8 | 942 | Male |
i wanted to write a poem about my kettle, but i was listening to a lot of leonard cohen at the time. | X | 4.2 | 5 | 5 | 942 | Male |
and it kind of rubbed off on the piece. right? okay. here we go. | X | 5 | 4 | 5 | 942 | Male |
it's called "poem about a kettle, written when listening to a lot of leonard cohen." | X | 3.8 | 3.8 | 4.6 | 942 | Male |
kettle with tears. the tears - | N | 2.8 | 2.8 | 2.2 | 942 | Male |
from your eyes when you weren't looking. | S | 3.6 | 3.2 | 4 | 942 | Male |
clicked it to boil. | N | 4.2 | 4.4 | 4 | 942 | Male |
came the cries. | N | 3.2 | 2.6 | 4 | 942 | Male |
before long, the kitchen was full. | N | 1.8 | 4 | 3 | 942 | Male |
of bubbling screams. | N | 3.4 | 4 | 3.4 | 942 | Male |
the kettle peaked. | N | 3.8 | 3.4 | 4.2 | 942 | Male |
extinguishing the little light it had. | N | 2.333333 | 3.833333 | 3.166667 | 942 | Male |
i poured your sorrow onto the teabag of my life. | S | 2.363636 | 2.636364 | 3.636364 | 942 | Male |
and drank the sadness of your being. | N | 3 | 4.2 | 4 | 942 | Male |
this book's got drawings in it too. people really listened to their pillows. | U | 5 | 4.2 | 5 | 942 | Male |
fish in the sea. why do you got to be so free? | D | 3.8 | 3.6 | 3.8 | 942 | Male |
fish in the bowl. why do you get to be so gold? fish in the supermarket. why do you get to be so dead? | N | 3.4 | 4.4 | 3.8 | 942 | Male |
fish in my stomach. why do you get to be so nutritious? | N | 2.4 | 3.6 | 2.2 | 942 | Male |
milk. this is cold milk. | H | 4 | 5 | 4.4 | 942 | Male |
this milk tastes like it's off. but it's on. | N | 4.4 | 3.8 | 4.4 | 942 | Male |
no, but it's called stand-up tragedy, isn't it? | H | 5.333333 | 5.166667 | 4.25 | 942 | Male |
so i've got to... i can't read out... all my- | N | 3.8 | 3.6 | 3.6 | 942 | Male |
also, a bit of admin. i'm really sorry. every show- | N | 5.6 | 4.4 | 5.2 | 943 | Female |
jay came back from basra with a video. | X | 4.4 | 4.4 | 5 | 943 | Female |
his very own snuff film horror show. he showed up back home with six months to go on his third tour in a row. | A | 5.6 | 3.2 | 5.6 | 943 | Female |
questions like, "so did you shoot anybody?" | A | 5.6 | 2.6 | 5.6 | 943 | Female |
"yo, how many of them hajis did you kill?" | X | 5.2 | 3.2 | 5.6 | 943 | Female |
i want to show you something. | N | 3.4 | 4.2 | 3 | 943 | Female |
rising from his seat. jay approached the tv. | N | 3.2 | 4.6 | 3.6 | 943 | Female |
filmed from his perch in the tank's gun turret. the dvd captured the first weeks incursion. | N | 5 | 4.2 | 4.8 | 943 | Female |
day one showed homes bombed down like dominoes. cars explode. everything destroyed in the tanks forward roll. | C | 5 | 3.4 | 5 | 943 | Female |
day two showed dismembered torsos. | N | 3 | 3.2 | 3.4 | 943 | Female |
pulps of skin and shattered bone. | D | 5.2 | 3.2 | 5 | 943 | Female |
overturned cars were funeral homes. rubble piles with lives inside became burning pyres. | F | 5.4 | 3.6 | 5.2 | 943 | Female |
by this point, the drinks had been put away. | N | 3.4 | 4 | 4 | 943 | Female |
even the backwoods blunts were stomped out. | X | 3.6 | 3.4 | 3.8 | 943 | Female |
the room was totally silent- | N | 3.8 | 4 | 3.6 | 943 | Female |
save the screams of agony and ammunition. thundering from that audio. | A | 5.4 | 2.2 | 6.2 | 943 | Female |
no one asked any more questions. | X | 4.2 | 3.8 | 3.6 | 943 | Female |
somebody switched the film off, but- | X | 4 | 2.6 | 4 | 943 | Female |
it was clear to all of us. jay- | N | 3 | 2.8 | 4 | 943 | Female |
um... five. i ended up living in uganda in the north. | N | 3.8 | 4.6 | 3.6 | 943 | Female |
and tribal war and it was the first time i really witnessed- | N | 3.8 | 4.2 | 4.2 | 943 | Female |
real tragedy with my own eyes. | X | 3.2 | 2.4 | 4.8 | 943 | Female |
did you know that seeds never die? | H | 5.1 | 5 | 5.1 | 943 | Female |
even after decades dry, when placed in water they will grow. | U | 5.4 | 4.6 | 5.2 | 943 | Female |
in most third world countries, the leading cause of non-war related death- | A | 4.4 | 2.8 | 4.8 | 943 | Female |
even the seeds lose hope. | N | 2.6 | 3.6 | 3.2 | 943 | Female |
as typic as the image, gun barrels- | A | 5.8 | 2.4 | 4.8 | 943 | Female |
are never cold. the first time i felt a muzzle jammed into my back, all i could think was- | A | 5.636364 | 2.818182 | 5.818182 | 943 | Female |
have you ever witnessed a bullet traveling through the body? | X | 4.4 | 2 | 5.2 | 943 | Female |
no, we crumple round the bullet hole. we don't fall. | N | 4.8 | 3.4 | 5 | 943 | Female |
when you see someone's heads cut off. | H | 4.2 | 3.8 | 4.6 | 943 | Female |
when you see that head hit the ground. it rolls 'til it lands on next stump. and then it stares up. | A | 5.636364 | 2.818182 | 5.818182 | 943 | Female |
most nights there's always a war i see. | A | 3.8 | 3.8 | 4 | 943 | Female |
i met three men who earned their living driving continuously round the city, shoveling corpses off the streets. | D | 5.6 | 3.6 | 5 | 943 | Female |
they'd been doing it so long. they tossed gunshot-battered bodies into back of pickup trucks. like- | A | 6 | 2.6 | 6.2 | 943 | Female |
they told me after 26 years of war, bodies- | X | 4.2 | 3.6 | 4.2 | 943 | Female |
i asked if they thought post-death our souls left us, they told me souls are the last casualties of war. | S | 5.090909 | 3.090909 | 5.454545 | 943 | Female |
the thing you fight hardest for. | N | 5.8 | 4 | 6.2 | 943 | Female |
lost more quickly in the living. | N | 4.4 | 4 | 4.8 | 943 | Female |
[inaudible 00:05:19] i've picked the topic of witness. i'm fascinated by, you know, the vietnam war. | N | 3.8 | 4.6 | 4.6 | 943 | Female |
we saw photos of war for the first time in a real way. and that horrified us and i'm with iraq. | X | 4.2 | 2.8 | 4.2 | 943 | Female |
we started seeing real footage from our mates coming back and with tahrir square, | N | 3.8 | 4 | 3.6 | 943 | Female |
we were seeing real camera found footage of what actually happened, | S | 3.2 | 3.4 | 3.8 | 943 | Female |
as it happened. and the nature of being- | N | 4.166667 | 4.333333 | 3.833333 | 943 | Female |
what it is to be privileged just doing it that. y'know. | N | 5.2 | 4.2 | 5.4 | 943 | Female |
and the nature of witness is that we are no longer able to do that. | U | 4 | 4.4 | 4.8 | 943 | Female |
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