text stringlengths 0 353 | EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID stringlengths 1 7 | Gender stringclasses 3
values |
|---|---|---|---|---|---|---|
the description and he starts getting panic, he goes, "what are you looking at? what are you looking at?. | X | 5.6 | 4.4 | 4.6 | 890 | Female |
i don't like you". and i like, "what?" it's only because i'm taller than him. he's got small man syndrome. i told you, right? | X | 5.727273 | 3.181818 | 5.272727 | 890 | Female |
[inaudible 00:03:57] so we can sacrifice. you can take one for the team. but basically we hear a thought. | S | 4.6 | 4 | 5 | 890 | Female |
the tragedy of history and the tragedy of legacy learning. | N | 3.2 | 3 | 3.8 | 874 | Male |
there's you don't create you just curate pass on us taught, serve, stand and wait- | H | 5.6 | 4.4 | 4.4 | 874 | Male |
on the burren and in western ireland, they have these signs saying "move- | N | 4.4 | 4.6 | 4 | 874 | Male |
no stones, build no cans", which has a poetry of its own. but which otherwise is entirely dismal. | S | 3.2 | 2.8 | 3.8 | 874 | Male |
the intention of course is to preserve the natural landscape. | N | 5.6 | 4.6 | 5.4 | 874 | Male |
the burren is covered in evidence of humans piling- | N | 4.4 | 4 | 4.8 | 874 | Male |
the stones, setting them up, right? building elegant diamonds, leaving their natural mark on the landscape for other humans to see. | H | 5.166667 | 5.083333 | 4.833333 | 874 | Male |
move no stones, build no cans. the past's not yours to future's- | N | 3.8 | 3.6 | 3.6 | 874 | Male |
just spectate. you're here to serve. wait at the gate. | N | 5 | 3.4 | 3.8 | 874 | Male |
it seems to me, it's a human instinct to mark your environment, to leave a trace, mark your passage through the place from cave paintings, to graffiti from [inaudible 00:04:55] to the path and onto the gherkin. | X | 4.4 | 4 | 4.2 | 874 | Male |
i was here. you feel the need to say, to let those to come know what you were building for them to let those around. you know, you were there to naturally- | X | 5 | 4.6 | 5 | 874 | Male |
mark you're naturally awarded by birth places and natural being and the natural world. | N | 4.6 | 4.4 | 4.8 | 874 | Male |
move no stones, built no cans. the past's not yours. the future's- | X | 4.6 | 3.8 | 4 | 874 | Male |
there's you'll not create the [inaudible 00:05:22]. sit down, shut up. just serve and wait. | N | 4.6 | 4.2 | 4.6 | 874 | Male |
but making history has stopped it seems. people no longer make a mark- | O | 4.6 | 3.2 | 4.8 | 874 | Male |
you just respect the marks others make. you don't make history- | A | 4.6 | 3.2 | 4.8 | 874 | Male |
you watch it. look at it passively and smile. complicit- | C | 4.8 | 4.4 | 4 | 874 | Male |
you don't participate actively. we have no agency. and we are told we should gaze admiringly- | X | 4 | 3.6 | 4.6 | 874 | Male |
but we don't make any apparently. and we mustn't make what's there. look untidy with our insignificance. | X | 5 | 4 | 5 | 874 | Male |
move no stones, build no cans. the past's not yours, the future's- | X | 4.4 | 3.8 | 4.2 | 874 | Male |
so you can grow debt, but leave no legacy. so you can watch that repeat, but make no telly of your own. so you can own the past, but not pay the future- | X | 4 | 3 | 3.4 | 874 | Male |
so you can buy the t-shirt but not go see or do yourself. | X | 3.2 | 3.4 | 3.2 | 874 | Male |
so you can charge towards a forgone cliff and leave nothing of worth. but well- | X | 3.2 | 3.2 | 3.4 | 874 | Male |
i say, move those stones, build your can, shape your tools, bear your bands, shape your cares, take those dares, split- | H | 4.8 | 4.4 | 4.6 | 874 | Male |
those hair, raise concerns, harm no bears, reap no tears. | H | 5.8 | 4.4 | 5.2 | 874 | Male |
please move those stones, build those cans- | S | 4.4 | 3.8 | 4.4 | 874 | Male |
show those to come the way we work because we create- | N | 4.2 | 3.8 | 3.8 | 874 | Male |
that's about making history and this is about teaching it, which i don't do. | C | 4.6 | 4.4 | 4.4 | 874 | Male |
i did. i did tell them my school careers- | U | 5.2 | 4.8 | 3.8 | 874 | Male |
[inaudible 00:06:48] i asked for no quarter by the great elvish scientists knelt over water. | X | 5.8 | 3.9 | 5 | 874 | Male |
there's just not enough pixie dust to go round. so your children are better off under the ground. | H | 4.8 | 3.3 | 4.9 | 874 | Male |
i've got two of my own, but it's counterproductive to cry and to moan and to- | U | 5.2 | 4.6 | 5.2 | 874 | Male |
ululate [inaudible 00:07:07], kings scream, [inaudible 00:07:09]. if your kids have to die- | S | 3 | 2.4 | 3.2 | 874 | Male |
you see these mittens we make, see they're known across the world, known soft and, and find [inaudible 00:07:17] softly curled- | H | 5 | 5.2 | 5 | 874 | Male |
elves. glory. fellow elves. don't be [inaudible 00:07:23]. the best foot wear for young cats. it's defiantly, elvish- | X | 6.6 | 4 | 6.4 | 874 | Male |
and so do you want your kids died in vain? | U | 4 | 2.2 | 4.8 | 874 | Male |
i mean, these complainants will say that they won't come again. that a life is a life- | D | 5.6 | 3.2 | 5.2 | 874 | Male |
once he's gone, lost forever, but you're young and you're vigorous. go make another. | X | 4.6 | 3.6 | 4 | 874 | Male |
and so that your lives and the lives of your children do not go to waste- | S | 2.8 | 3.6 | 3.6 | 874 | Male |
we must still export mittens. | N | 4.8 | 4.2 | 4.6 | 874 | Male |
the divorce of our friends to keep order. they'll stay here. | N | 4.4 | 3.2 | 4.2 | 874 | Male |
as he pauses, breath held. | N | 3.8 | 4.8 | 4.2 | 874 | Male |
they are rising a chair. | N | 3.6 | 3.6 | 3.8 | 874 | Male |
and it's in this way, they can't sue sell education is your passive compliance from the knowledge staff nation, you show the lessons of history. | N | 5 | 4.2 | 4.4 | 874 | Male |
go on alert. so repeated thanks to doublespeak. lies and can't, rhetoric reheated. we'll watch history- | X | 4.8 | 4.8 | 3.8 | 874 | Male |
if you've recognized what it's meant to be a parody of herrad if you don't find that- | N | 4 | 4.8 | 4.4 | 874 | Male |
right. so our next performer, she is doing a show called "a work in progress" at the stand at 09:30 every day, till the 30th, apart from on the 17th- | H | 6.2 | 5.2 | 5.8 | 151 | Female |
we could have done this in my living room. there's more people in my family. | U | 5.8 | 4 | 4.4 | 891 | Female |
and i'm going to tell you, i used to be a thief. i used to steal a lot and it's not something i did on purpose. | N | 3.6 | 3.4 | 4 | 891 | Female |
and that's why i bought my bag in because i also think other people are thieves. | A | 3 | 2.2 | 3.8 | 891 | Female |
and as we were leaving, i just was looking for things to steal. | S | 4 | 3.8 | 4.4 | 891 | Female |
i wasn't looking for them deliberately. | N | 5.2 | 4.8 | 5.2 | 891 | Female |
i just, when i get bored, i look for things to steal. | S | 2.8 | 2.6 | 4 | 891 | Female |
and there was a massive wedding cake. and i thought i can't steal that. | N | 3.8 | 3.6 | 4.4 | 891 | Female |
and then behind the cake, somebody had left a pair of sunglasses and i got loads of sunglasses at home. | N | 4.4 | 5 | 4.4 | 891 | Female |
i live in england, we don't need sunglasses. | N | 3 | 4.2 | 4.2 | 891 | Female |
but somebody had left this pair of sunglasses and i looked on them and it said, "louis vuitton". and i- | X | 4 | 4.6 | 4.4 | 891 | Female |
haven't got enough money, but i looked at that and i thought "that's really expensive". | X | 4 | 3.2 | 4 | 891 | Female |
i stole the sunglasses. not because they were nice, because actually they were too big for my face. | X | 4.6 | 4 | 5.4 | 891 | Female |
they were really big, it looked like a balaclava, not really sunglasses. but, i just stole them because- | C | 3.8 | 4 | 4.2 | 891 | Female |
... i can show them to people. i can walk down the champs-elysees in paris, and people will say, "oh, look at that woman, isn't she rich?". | H | 3.6 | 4 | 4 | 891 | Female |
so, i stole them and i felt really bad about it because as i was leaving- | S | 4.2 | 3.6 | 3.8 | 891 | Female |
... i ignored them and i carried on and walked out with them. these women were devastated- | S | 4.8 | 3.6 | 4.8 | 891 | Female |
... they were like, "oh, my husband bought them for me for my birthday"- | X | 4.2 | 3.8 | 3.8 | 891 | Female |
... "oh my god, my husband's going to kill me, they're so expensive." | F | 4.8 | 2.8 | 4 | 891 | Female |
i just went, i stole them and walked out. | N | 1.8 | 3 | 2.4 | 891 | Female |
then, about two weeks later, my friends whose wedding it was, sent an email round to all the guests at the wedding saying that so-and-so had lost their sunglasses- | N | 4.4 | 4.4 | 4.2 | 891 | Female |
... if anybody found them, could they please hand them in? i deleted the email. | N | 3.8 | 4 | 4.2 | 891 | Female |
i had many opportunities to hand those glasses in and i just ignored them. you know what? i never even wore the glasses. | S | 3.2 | 3.6 | 3.8 | 891 | Female |
about two weeks after that, i went on holiday to france, to montpellier. | X | 3.6 | 4.4 | 4.2 | 891 | Female |
i went for a cycle ride- | X | 4.4 | 4.4 | 4.2 | 891 | Female |
... one night with my friend, and i had this handbag- | H | 4.8 | 4.8 | 4.4 | 891 | Female |
... this gold handbag, which is my favorite handbag, which i bought from a vintage shop- | H | 4.6 | 5.6 | 4.4 | 891 | Female |
... so it was a one-off. it could never be replaced. | X | 3.8 | 4 | 4 | 891 | Female |
i put the sunglasses in there and i put them in the basket in the back of the cycle. one night it was about midnight- | N | 4.8 | 3.8 | 4 | 891 | Female |
... we were cycling along this pathway and there was a river and it was really dark and there was no lights. my bike slipped and fell in the river and i was on the bike. | N | 5 | 4.2 | 4.6 | 891 | Female |
i didn't give a shit about the sunglasses, but i wanted to save my handbag. | A | 5 | 3.8 | 5 | 891 | Female |
the bike went and i just managed to save the handbag. | F | 4.6 | 3.6 | 4 | 891 | Female |
the glasses had been all moldy with mud and they were damaged a bit. | D | 3.6 | 2.4 | 3.2 | 891 | Female |
i dragged the bike out and then we got on this tube to go home. as got on the tube- | C | 4.4 | 4.2 | 4.2 | 891 | Female |
... we were waiting and there was loads of crowds of people. as we got on the tube- | S | 3.8 | 3.6 | 3.8 | 891 | Female |
.. i sat down and i looked back- | X | 3.2 | 3.4 | 3 | 891 | Female |
... and somebody had stolen my handbag with the sunglasses in, which was attached to my basket in the back of the bicycle. | S | 3 | 1.8 | 3.6 | 891 | Female |
i was really pissed off. | A | 3.8 | 3 | 4.4 | 891 | Female |
because of my handbag- | S | 3.6 | 2.6 | 3.2 | 891 | Female |
... and the sunglasses and i'd lost the sunglasses. but the thing was- | N | 4.2 | 3.6 | 4.2 | 891 | Female |
... that night, i'd made an intention that i was going to give the sunglasses back. | N | 2.8 | 3.2 | 3.6 | 891 | Female |
i said, when this holiday is over- | X | 4 | 4 | 4.6 | 891 | Female |
... i'm going to post those glasses back to my friend, andrea- | N | 3 | 4.2 | 3.8 | 891 | Female |
... and they got stolen. not only did they get stolen, my handbag got stolen too. | S | 3.090909 | 2.636364 | 3.545455 | 891 | Female |
(laughing) that is the moral of the story. is that not only was the whole thing a tragedy- | F | 4.8 | 2.6 | 4 | 891 | Female |
... it was also karma because i lost the sunglasses and i lost my favorite handbag too. | S | 4.4 | 2.4 | 4.6 | 891 | Female |
so that's my tragic story. | S | 2.6 | 2.4 | 3.2 | 891 | Female |
thank you very much, everyone.shout out [imerza 00:03:43] everybody. (clapping). | H | 6.2 | 5.6 | 6 | 151 | Female |
doing a show called the world's full of idiots. let's live in- | D | 5.2 | 3.2 | 5.6 | 867 | Male |
i'm 34 now. and all i could think of as i listened to it was god- | X | 5 | 3.8 | 5 | 892 | Male |
... he's got a stupid voice. (laughing). why does he put on such a stupid voice? is that how he talks all the time is it- | X | 6.2 | 4 | 5.8 | 892 | Male |
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