text stringlengths 0 353 | EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID stringlengths 1 7 | Gender stringclasses 3
values |
|---|---|---|---|---|---|---|
... he would blow joy and life back in, like someone performing an emotional version of cpr. | N | 3.6 | 4.4 | 4.4 | 873 | Male |
now that i have grown up to become a comedian- | X | 4 | 5.2 | 4.4 | 873 | Male |
... he's left me with one final important life lesson in the tragic taking of his own life. | N | 4.6 | 4 | 4.8 | 873 | Male |
oh, man, burn. see right, the- | N | 5.4 | 4.6 | 5 | 868 | Female |
dave told me to write about tragedy, so that's what i've done. | X | 5.2 | 3.6 | 4.6 | 874 | Male |
the tragedy of history and the tragedy of legacy, learning old and new. moving- | S | 4.4 | 3.8 | 4.8 | 874 | Male |
no stones built, no cairns. the past, not yours, the future's- | C | 3.8 | 3.4 | 4.8 | 874 | Male |
on the barren in western ireland, they have these signs saying "move-" | N | 4.8 | 4.4 | 4.4 | 874 | Male |
"... no stones, build no cairns," which has a poetry of its own, but which otherwise is entirely dismal. | N | 4.2 | 4.6 | 5 | 874 | Male |
the intention, of course, is to preserve a natural landscape. | X | 5.6 | 4 | 4.8 | 874 | Male |
the barren is covered in evidence of humans piling- | X | 4.8 | 3.2 | 4.8 | 874 | Male |
... the stones, setting them upright, building elegant dolmens, leaving their natural mark on the landscape for other humans to see. | X | 4.4 | 4.4 | 4.4 | 874 | Male |
move no stones, build no cairns. the past not yours, the future's- | X | 4.4 | 3.6 | 4 | 874 | Male |
you just spectate. you're here to serve. wait at the gate. | N | 3.6 | 4 | 4 | 874 | Male |
it seems to me, it's a human instinct to mark your environment, to leave a trace, mark your passage through the place. from cave paintings to graffiti. from avery to the parthenon, to the gherkin. | N | 4.6 | 3.8 | 4.2 | 874 | Male |
"i was here," you feel the need to say. to let those to come know what you were building for them. to let those around you know you were there. to naturally- | N | 4.4 | 4 | 4.8 | 874 | Male |
... mark your naturally awarded by birthplaces and natural being in the natural world. | N | 3.6 | 4.4 | 4.2 | 874 | Male |
move no stones, build no cairns. the past not yours, the future's- | N | 5 | 5.2 | 5.4 | 874 | Male |
... theirs. you'll not create, they'll adjudicate. sit down, shut up. just serve and wait. | X | 4.4 | 2.4 | 3.6 | 874 | Male |
but making history has stopped, it seems. people no longer make a mark. | X | 3.8 | 3.4 | 4.2 | 874 | Male |
you just respect the marks others make. you don't make history. | N | 5.6 | 5 | 5.8 | 874 | Male |
you watch it. look at it passively and smile complicitly. | C | 4.555556 | 4.222222 | 5.111111 | 874 | Male |
you don't participate actively. we have no agency and we are told we should gaze admiringly. | N | 3.6 | 3.6 | 4 | 874 | Male |
but we don't make any apparently. and we mustn't make what's there look untidy with our insignificance. | N | 4.2 | 3.6 | 4.2 | 874 | Male |
move no stones, build no cairns. the past not yours, the future's- | N | 4 | 3.8 | 3.8 | 874 | Male |
... theirs. you don't create, you just curate. pass honors taught, serve, stand, and wait. | N | 4.4 | 3.4 | 3.8 | 874 | Male |
so you can grow debt but leave no legacy. so you can watch the repeats, but make no telly of your own. so you can owe the past, but not pay the future. | X | 4.8 | 3 | 5 | 874 | Male |
so you can buy the t-shirt, but not go see or do yourself. | N | 3.4 | 4 | 3.8 | 874 | Male |
so you can charge towards a foregone cliff and leave nothing of worth, but wealth. | X | 3.8 | 3.6 | 4.4 | 874 | Male |
i say move those stones, build your cairns, shape your tools, bear your bands, shape your cares, take those dares, split- | H | 4.818182 | 4.727273 | 4.909091 | 874 | Male |
... those hairs, raise concerns, arm no bears, reap no tears. | H | 5.125 | 4.625 | 4.875 | 874 | Male |
please move those stones, build those cairns. | S | 4.6 | 4 | 4.2 | 874 | Male |
show those to come the way we work was we create. | N | 5.2 | 3.6 | 5.4 | 874 | Male |
yes, we create. we'll show them yet, you fucking wait. | A | 5.2 | 2.2 | 5.2 | 874 | Male |
so, that's about making history and this is about teaching it. | X | 5 | 4.6 | 4.8 | 874 | Male |
oh, i did. i did. i did. i did tell my school careers officer that that's what i was going to be, so i got really fucking boring work experience. | X | 5.333333 | 3.583333 | 5.333333 | 874 | Male |
they made me wear my school uniform. | N | 4.4 | 3.8 | 4.8 | 874 | Male |
everybody else got two weeks off. do you know what i mean? like, "oh, i wore a t-shirt. i fix photocopiers." no, not me. | N | 5 | 3.8 | 4.4 | 874 | Male |
this one's a for michael [gove 00:06:33]. he's a lovely chap. and now for nikki morgan, who's also wonderful. | H | 5.636364 | 5.727273 | 5.272727 | 874 | Male |
this examines the... oh, it's got the c-word in it and i feel i should explain the use of the c-word, if i've just about got time. | H | 5.4 | 4.4 | 5.8 | 874 | Male |
it becomes that much more transgressive and that much more powerful, and that's why it's the most offensive of the swear words because- | H | 5.8 | 4.6 | 5.4 | 874 | Male |
... it breaks more rules. it's actually feminist to say the word cunt. | X | 5.2 | 3.6 | 5.4 | 874 | Male |
yes, lots of people have said it. germaine- | N | 4.6 | 4.4 | 3.6 | 874 | Male |
... greer, chiefly. and jacques lacan as a rereading of freud. and yeah, and a french feminist of the '70s, for those of you who are into that shit. | H | 5.272727 | 5.363636 | 5.272727 | 874 | Male |
it's wild stuff. this one's called the burdens of power, which examines history through the medium of elves. | N | 4.2 | 4.2 | 4 | 874 | Male |
and he stood on the diocese regime to enforce with what he'd learned on a management training course. | N | 4.8 | 3.8 | 4.6 | 874 | Male |
conclusively, i asked for no quarter by the great elvish scientist knelt over water, there's just not enough pixie dust to go round so your children are better off on- | X | 5.6 | 3.6 | 4.8 | 874 | Male |
... across the world. none softer, none finer. i've got fleece softly curled that- | H | 5.2 | 4.6 | 4.8 | 874 | Male |
... is a chair. and it's in this way, the cunts would sell education, you show a passive compliance from the knowledge-starved nation. ensure the lessons of history. | X | 4 | 4.4 | 4 | 874 | Male |
... go unlearned, so repeated next to doublespeak. lies and can't- | N | 5 | 4.4 | 4.4 | 874 | Male |
... repeat, thanks to lessons unlearned as the killing fields swell and the corpses are burnt. | S | 4 | 3.2 | 4 | 874 | Male |
there's a man i think should make his own podcast because he's got so much knowledge in his head and i just want to hear it all. and that comes to the end, really of the tragedy. | U | 4.6 | 5 | 4.8 | 867 | Male |
but i like to think of it, if it is too white men heavy, i like to think that because it's- | H | 4 | 5 | 4.2 | 867 | Male |
hello? hi. hello, lovely audience, and welcome to stand up tragedy. and stand up tragedy is a variety- | H | 4.6 | 5.8 | 5.2 | 872 | Female |
... [inaudible 00:08:37] style of comparing is not fit for this prestigious occasion. | X | 4.555556 | 4.555556 | 4.888889 | 872 | Female |
and so yeah, the normal host is a guy called dave [paquin 00:08:45] who's- | H | 5.818182 | 6 | 5.454545 | 872 | Female |
... wonderful and he's been doing it for years, and... but he's allowed some guest hosts- | H | 5 | 5.1 | 4.8 | 872 | Female |
... to come up and do stand up tragedy. and i've performed in such a- | S | 4.4 | 3 | 3.4 | 872 | Female |
... stand up tragedy for a few years. so i said, "yes, please. i'll do it." and i've programmed all the acts. yes. | X | 5.4 | 4.6 | 4.6 | 872 | Female |
yes. "hurrah," everyone says. and so tonight- | H | 6 | 5.7 | 5.7 | 872 | Female |
... [inaudible 00:09:07] tall and jarvis' lean. i love you, jarvis. marry me. | H | 3.6 | 5.8 | 4.2 | 872 | Female |
this is the beginning of our roller coaster ride. our first act up is the terrifyingly talented, mr. ian hales. he's an actor- | H | 5.3 | 5.4 | 5 | 872 | Female |
... a director, an improviser, and a writer based in the northwest. he improvs with impropriety, which is an amazing improv company. and he's currently writing a novel called chains. give him a big- | H | 6.083333 | 6.25 | 6.166667 | 872 | Female |
i think here is a completely fitting atmosphere to hear that. if you're- | N | 3.8 | 3.8 | 3.8 | 872 | Female |
... listening at home, i hope you've shut your curtains and put the cot duvet over your head. | H | 5.2 | 4.2 | 5.4 | 872 | Female |
okay. a change of tone on this rollercoaster of a journey. our next guest, witty, wise- | H | 5.9 | 5.6 | 5.5 | 872 | Female |
with a natural talent for rhythm and rhyme. superheroes of slam winner and poet extraordinaire, as i like to say, it's the lovely, the wonderful joy france- | H | 4.8 | 4 | 4.4 | 872 | Female |
my mum was right, she said- | X | 4 | 4.333333 | 4.333333 | 875 | Female |
she said frequently, something to me and it's turned out to be true. | U | 4.6 | 4.2 | 4.6 | 875 | Female |
i've just come to edinburgh for the first time as a performer, and i've got... arrived for this last week- | H | 4.8 | 4 | 4.6 | 875 | Female |
all excited, and i walked down the royal mile, and then i discovered that i have a new superpower. | U | 6.2 | 6.1 | 5.6 | 875 | Female |
i am actually invisible. my mum said it- | H | 4.8 | 5 | 4.6 | 875 | Female |
when you get older you become invisible, and it's happened here in edinburgh. | X | 5.6 | 4.2 | 4.4 | 875 | Female |
i walked down the mile and everybody's struggling under these weights of leaflets and flyers and things. nobody gave me any- | S | 5.6 | 3.2 | 4.2 | 875 | Female |
what am i going to do about this? what's happened? i've turned invisible. so instead of accepting it- | X | 5.8 | 3.6 | 5.4 | 875 | Female |
in the face of such tragic situation, i turned round. | S | 4.4 | 3.2 | 5.4 | 875 | Female |
and every time i went past somebody and they didn't- | U | 5 | 4.6 | 5.6 | 875 | Female |
in they inch. warm bodies flinch- | X | 4.2 | 3.8 | 4.4 | 875 | Female |
the water's cold and they... they're old, spent, bent backed, stick stacked to hobble, and women's bodies exposed in ill-fitting cozzies- | X | 5.7 | 4.1 | 5.3 | 875 | Female |
white bits normally covered by [cardy's 00:01:48] glare, and i wonder what on earth i'm doing there. my first aqua zumba class is going to be my last. | H | 4.818182 | 2.818182 | 4.636364 | 875 | Female |
i'm used to exuberant instructors and pounding, push yourself mantras, and i'm out of place amongst these- | C | 5.6 | 3.4 | 5.2 | 875 | Female |
empty shells. but the music starts and ironically it's pharrell's 'happy'. | N | 4.6 | 4.8 | 4 | 875 | Female |
...babes. then the tempo changes. salsa, boom- | N | 5.2 | 4.4 | 4.4 | 875 | Female |
boom, boom, booms faster and they hit each beat. for they are a slick of black cat- | X | 5.272727 | 4.181818 | 5.090909 | 875 | Female |
jouncers. some are floating twix stick dancers. one leaps high and her belly bounces- | H | 5 | 4.2 | 5 | 875 | Female |
[what a lapse 00:02:30]. another's flappy breasts slap on the surface like fish on a marble slab. | U | 4.5 | 4.166667 | 4.166667 | 875 | Female |
schlap, schlap and his sister- | X | 4.4 | 3.6 | 4.4 | 875 | Female |
[inaudible 00:02:39] tap like ginger. we are salmon leaping torso twisters- | N | 5.2 | 4 | 5 | 875 | Female |
...pipered, hear them say: come join us, don't be alone. | H | 5 | 4.4 | 5 | 875 | Female |
and i wouldn't have been surprised to see them heel click and high kick and cartwheel and- | U | 5.4 | 4.6 | 4.8 | 875 | Female |
women need their own range because they've struggled with men pens- | X | 4.8 | 4.4 | 4.4 | 875 | Female |
all these years, and the pens they need- | C | 4.4 | 3.8 | 5 | 875 | Female |
are pastel, slim and dear. so in two responses, the first one is not mine. | C | 5 | 3 | 5.6 | 875 | Female |
dear mr. beck- | N | 4.4 | 3.6 | 4.8 | 875 | Female |
i send this letter in writing so neat to say my new pen makes my life complete. before i didn't know how to think, but now i have a pen that slim p- | H | 4.6 | 4.8 | 4.4 | 875 | Female |
now has a heart on top, and i draw a pretty flower- | H | 5 | 5.6 | 5.4 | 875 | Female |
instead of a full stop. so you've made my life complete with this bic for her. now i'm demure- | X | 4.2 | 4.2 | 3.8 | 875 | Female |
and to men always defer. my world is filled with glittery magic- | X | 5.4 | 5 | 5.2 | 875 | Female |
kissy kiss from a grateful chick. no, that isn't what i thought. | C | 4.6 | 3.8 | 4.2 | 875 | Female |
do you really think that we're so daft as to say we prefer a narrower shaft. pay twice as much for a pen because- | X | 4.6 | 3.4 | 4.8 | 875 | Female |
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