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MSP_POD_NLP

Dataset card Data Studio Files
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fillyjonk knew that autumn had arrived, and she shut herself up inside. her house looked completely closed and deserted-
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... but she was there, deep, deep inside behind the high impenetrable walls and the dense fir trees that hid her windows.
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the quiet transition from autumn to winter is not a bad time at all.
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it's a time for protecting and securing things and for making sure you've got in as many supplies as you can.
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then the cold and the storms and the darkness can do their worst. they can grope their way up the walls looking for a way in, but they won't find one.
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everything is shut and you sit inside laughing in your warmth and your solitude, for you have had foresight.
A
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there are those who stay at home and those who go away, and it has always been so.
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but he must choose while there is still time and never change his mind.
X
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fillyjonk started to beat carpets at the back of her house. she put all she'd got into it with a measured frenzy and-
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... everybody could hear that she loved beating carpets.
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snufkin walked on, lit his pipe and thought-
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... "they're waking up in moominvalley." moominpappa is winding up the clock and tapping the barometer. moomin-
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.. the stove. moomintroll goes out onto the veranda and sees that my camping site is deserted.
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he looks in the letterbox down at the bridge, and it's empty too.
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i forgot my goodbye letter, i didn't have time.
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but all the letters i write are the same, "i'll be back in april, keep well."
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"i'm going away, but i'll be back in the spring. look after yourself."
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he knows anyway. and snufkin forgot all about moomintroll as easily as that.
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at dusk, he came to the long bay that lies in perpetual shadow between the mountains. deep in the bay-
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... some early lights were shining where a group of houses huddled together.
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it was here that the hemulen, mymble and gaffsie-
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... lived. and under every roof lived someone who had decided to stay put.
O
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snufkin crept past their backyards, keeping in the shadows, and he was as quiet as he could be because he didn't want to talk to a soul.
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big houses and little houses all very close to each other.
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some were joined together and shared the same gutters and the same dustbins, looked in at each other's windows and smelt their food.
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the chimneys and high tables and the drain pipes, and below, the well-worn paths, leading from door to door.
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snufkin walked quickly and silently and thought, "oh, all you houses, how i hate you."
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it was almost dark now.
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the hemulen's boat [inaudible 00:00:17] pulled up under the alders and there was a great tarpaulin covering it, a little higher up like the mast-
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...they were blackened and cracked by the passing of many a summer, but they had never been used.
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snufkin shook himself, and walked on.
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but, toft curled up inside the hemulen's boat, heard his steps and held his breath.
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the sound of snufkin's footsteps got farther and farther away and all was quiet again and only the rain fell on the tarpaulin.
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the very last house stood all by itself under a dark green wall of fir trees, and here the wild country really began.
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snufkin walked faster and faster, straight into the forest.
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then the door of the last house opened a chink and a very old voice cried.
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i don't know, snufkin replied.
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the door shut again, and snufkin entered his forest.
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with a hundred miles of silence ahead of him.
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...and yeah, we're going to take this year off.
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well i'm taking a year off, but it's not exactly a year off because-
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...come back again after this year.
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...there'll be so much [inaudible 00:01:34] the stuff going on. i'm sure we'll work on other projects in the future as well.
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absolutely. thank you very much. i hope he enjoys it.
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this one is the one that it was supposed to be, which was favorite performers, but i found that impossible, so there's also a best of each season and the best of genres, but-there was never a-
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[inaudible 00:01:57]. it was open-ended, whatever you wanted to do.well,so for today we're doing your favorite performers, which is a bold statement.
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you should be more functional. you should be more like your brother. you should be less of a dreamer. you should be clean and move productive. so shutdown-
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...your pc-junk. pack up your dictionaries, close-
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...your books, unsquint your eyes and look. look out at the world. go on, brave the cold daylight-
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...of the outside without the cloak of illusion, without the joke of your delusion-
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there were too many wrongs, to right. so, good night.
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one of the things that he's most amazing at, other than just being in a lovely, dynamic person, who's always around is-
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...he manages to bridge that gap so well between page and performance poetry.
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but he also does his own poetry and it is epically wonderful and amazing. and this year in edinburgh,
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he did a lovely show about the moomins, but this is the wonderful, the exceptional,
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this is a real victorian children's story from a real victorian children's book, called the anyhow stories by lucy clifford, a best seller back in 1885.
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if you write this to a child nowadays the social would be on their way. as i think you're going to see, it's not the whole thing. i'm just going to talk and-
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i'm going to give you the setup and we're going to cut to the chase at the end.
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this is absolutely real. and you can forget the fucking gruffalo.
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it's called the new mother. that's important.
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i was 14.
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he was an angel.
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he looked like an angel.
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actually, he looked like angel, from buffy,
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the vampire slayer, played by a young gorgeous,
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david boreanaz, is as brooding as he was charismatic. as cheek-boney, as he was undead.
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i saw him across the room at a party, and as nickelbacks'-
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...how you remind me, began to spill from the speakers, he turned his dark eyes towards me.
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...and he flicked the ash from a cigarette onto the carpet.
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i drank a vodka, neat, by which i mean, from a water bottle.
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i stumbled towards him, cultish, in both the clumsy baby horse sense and the charles manson sense.
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i sat down next to him on the expensive leather sofa of our wealthy friends' on interested stepmother. uninterested stepmothers were very much in vogue with my friends.
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they had unlocked medicine cabinets and other places to be.
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...finished that sentence, and he never did. he just bent down and picked up his leather backpack.
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he kissed me on both cheeks. then held my face in his hands and said,
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you look the same, bella.
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so do you ange- justin.
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i didn't see justin again for five years.
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when i was 24,
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and he was an angel.
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well, he looked like an angel.
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bender then dropped him off at a crime scene and asked him to quit.
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...saw him across a crowded beer garden on a sunny afternoon. and as gotye's somebody that i used to know, began to spill from the speakers,
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even i couldn't fight significance in that, he turned his dark eyes towards me and,
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smiled, jumped up, ran over to my table and threw his arms around me. oh my god-
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a beautiful surprise.
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i was a beautiful surprise to this familiar stranger. and i hugged him back hard.
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he sat down and we caught up.
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he drank a cider, pear.
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i drank a cider, girly, by which i mean [inaudible 00:06:19].
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he told me he was a writer now, was actually doing his masters in literature.
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i told him i was a comedian, and he said that made sense, because i'd always made him laugh, which i didn't remember.
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after a couple of hours,
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...the sun was starting to go down. and he told me that he lived nearby.
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i was sweaty and moderate drunk. and i just texted my best friend from the bathroom saying, oh my god,
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...i lost my virginity to 10 years ago, almost to the day. and she'd responded, [inaudible 00:06:54], your life is not a richard curtis movie. get out.
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so i turned my phone off because she clearly wasn't thinking straight.
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and so we left, walked the melting sydney streets together, close enough that the tips of the hairs on my left arm brushed the tips of their hairs on his right.
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we talked about music and cliff faces and why everyone was eating frozen yogurt now when ice cream already exists, and this was love.
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we sat down.
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