text stringlengths 0 353 | EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID stringlengths 1 7 | Gender stringclasses 3
values |
|---|---|---|---|---|---|---|
i watch an entire dvd box set about the aromatherapist who solves murder. | N | 4 | 4 | 4 | 968 | Male |
the theatre does not call. | N | 2.8 | 3.6 | 4.4 | 968 | Male |
nor the next day. | X | 3 | 3.2 | 2.8 | 968 | Male |
nor the next. | X | 2.8 | 3.6 | 4 | 968 | Male |
nor the next. | H | 3.2 | 4 | 3.8 | 968 | Male |
[inaudible 00:06:31] the nightclub on the corner of my- | N | 3.8 | 4.2 | 4 | 968 | Male |
the bourbon pool is [inaudible 00:06:35] tequila for dutch courage. i think it's on the house but is- | N | 2.4 | 4 | 4 | 880 | Female |
"no." says chevun, but wow. | U | 3.6 | 4.2 | 3.4 | 968 | Male |
actually, i say, "actually that's a lie." | C | 4 | 3.6 | 4.2 | 968 | Male |
well, i just feel like i had broccoli for every meal for as long as i can remember. | D | 5.4 | 4 | 5 | 968 | Male |
"this better be good," says the old man. | N | 4 | 4 | 4 | 968 | Male |
i drove back to the street. heart pounding. toronto is not real. | S | 2.8 | 2.8 | 4 | 968 | Male |
none of this is real. | F | 5 | 2 | 3 | 968 | Male |
the snowy pavement leaping up to greet me. and now i am on my hands and knees. | S | 3 | 3.2 | 3.8 | 968 | Male |
my limbs amputated by the cold."are you okay?"asks the pedestrian."do you want me to-" | S | 3.583333 | 2.75 | 4.083333 | 968 | Male |
"do you want me to call someone?" | X | 5.333333 | 4.333333 | 4 | 968 | Male |
specially her. probably, still sitting in that restaurant waiting for my return. | S | 2.2 | 2.8 | 2.8 | 968 | Male |
has very, very little respect for our time and intelligence. so just stay sharp. | X | 5.2 | 4.2 | 5 | 968 | Male |
grab mr. neil.come on, man. they can't keep throwing plot twists to us forever. for christ. that last one was- | U | 5.4 | 4 | 5.4 | 968 | Male |
...insanely patronizing. god, he a really thinks we're some shit-munching sons of bitches. keep going, keep going. | X | 5.5 | 3.2 | 5.6 | 968 | Male |
the neils have disappeared low, there on the floor. | N | 3.2 | 3.2 | 2.4 | 968 | Male |
mrs. neil sits, cradling her husband. | N | 3 | 2.6 | 3.4 | 968 | Male |
blood spreading across his chest to neck. | S | 3.4 | 2.6 | 3.8 | 968 | Male |
neil looks up eyes wide, his jaw, slack and trembling as if he were trapped in the path of some terrible, invisible beast. | F | 4.8 | 2.8 | 3.8 | 968 | Male |
the lunatic thinks he's some kind of hot priest. | D | 3.2 | 3.2 | 4 | 968 | Male |
...when on and on. i mean, it felt like it was wrapping up several times, but then, for some reason, it just kind of kept on going, but i held on, my love. | S | 4.2 | 3.2 | 3.8 | 968 | Male |
i held on and i won. | S | 1.8 | 3.9 | 2.4 | 968 | Male |
"that's right," says my wife. her eyes, pink oceans. | N | 2.4 | 3.8 | 3.2 | 968 | Male |
i draw my wife close, smell her hair. the past filling me. | X | 3.8 | 4.6 | 4.2 | 968 | Male |
ever now, when a day is as short- | S | 2.8 | 2.4 | 3.2 | 968 | Male |
...as this. who can deny the endlessness- | S | 3.2 | 3.2 | 3 | 968 | Male |
...of time. the infinite possibilities. | U | 3.4 | 4.8 | 4.2 | 968 | Male |
trees devout and openly worships, the glowing excrement of- | H | 3.8 | 4.2 | 4.6 | 968 | Male |
...like this. anything my- | X | 2.8 | 3.8 | 3.8 | 968 | Male |
hello, welcome. welcome. come on in. | H | 5.8 | 5.2 | 5.8 | 968 | Male |
i've told them all how i play super monkey ball, heavenlike, so, i feel like my job as hostess- | U | 4.8 | 4.2 | 3.6 | 968 | Male |
i know, right? and you tell- | N | 5.2 | 4.6 | 4.8 | 880 | Female |
oh god sorry about the mess. let, let me, | O | 4.2 | 3.6 | 3.2 | 968 | Male |
i'm finished vagina paintings. just stick it over there mate. great grab the easel, or just move the whole lot. okay. let me... | C | 4.8 | 3.6 | 3.6 | 968 | Male |
move you here. i'm just going to, just stand here, right on this central hexagon, you see, on the tiles, it's a hexagon. okay. just stand there. | N | 4.4 | 5 | 4.8 | 968 | Male |
right there in the middle. okay. excellent. now i just got to find the right... | X | 5 | 4.4 | 5.2 | 968 | Male |
richard wilson's book of absurdities. it's a real book. it's just a list of things that richard wilson doesn't believe, but it's also a lever. | D | 5.4 | 4.2 | 4.8 | 968 | Male |
really happens. obviously i don't actually record it [inaudible 00:05:02]. | U | 5.4 | 5 | 4.8 | 968 | Male |
down here, before we go any further, just... | X | 4.571429 | 4.142857 | 4.571429 | 968 | Male |
basic workshop, ground rules. don't wander off into. | N | 4 | 4.2 | 5 | 968 | Male |
i'm the only one who's allowed to touch the funny voice button. okay. it's just, the timing's very, very particular. just, all right, look, it doesn't matter, let's get started. | X | 5.4 | 2.6 | 4.6 | 968 | Male |
i'm always on standby. little red light, | X | 2.8 | 3.2 | 3.4 | 968 | Male |
trying for weeks to tell a scene. the remnants of a time code. | N | 4 | 4 | 4 | 968 | Male |
i lodged on tape somewhere between redruth, and glasgow, | S | 3 | 3.6 | 3.8 | 968 | Male |
somewhere between here, | X | 2.916667 | 3.75 | 3.5 | 968 | Male |
and there. climbing back up color bars. i swear it was after create your own narrative. | N | 3.4 | 3.4 | 3.8 | 968 | Male |
first slow. my mind is analog. | N | 2.583333 | 3.083333 | 3.083333 | 968 | Male |
accidentally ends up in the wrong bathroom. apologizing. accidentally knocks a kid down on open lift shaft. | S | 2.6 | 2.2 | 3.4 | 968 | Male |
there's a conference in the rose ballroom, seventh east and southeast asian wild animal rescue network. | N | 3.8 | 4 | 4.6 | 968 | Male |
the theme is perspectives, methodologies, and challenges in the re-introduction of wildlife. | N | 3.8 | 4.8 | 4.8 | 968 | Male |
or something like that anyway. | N | 3.6 | 4 | 3.8 | 880 | Female |
if somebody listens in somebody booking or scripting, i've always seen myself as a face, | S | 4.2 | 3.2 | 4.4 | 968 | Male |
there's a beauty in creating your own downfall and calling it montreal. | C | 3.2 | 3.4 | 4.4 | 968 | Male |
calling it, sharp shooter, calling it treachery. | C | 3.8 | 3.4 | 3.8 | 968 | Male |
expectations are heartbreak kid. | S | 3.4 | 3.2 | 3.2 | 968 | Male |
somebody has to blunt their bones, watching the clock turn heal. | C | 2.666667 | 2.5 | 3.5 | 968 | Male |
your career is what happens when you write the first draft of your notice, | S | 2.6 | 3.1 | 2.9 | 968 | Male |
you can wrestle with your shadows in the projection room, | X | 3 | 3.2 | 4 | 968 | Male |
in the dead of night, nobody cares about the ladders or the steel diamonds into locked cage. | S | 2.6 | 3 | 3.4 | 968 | Male |
they only recall the stab in the back and the hours spent counting cats, | N | 3.2 | 2.6 | 4.4 | 968 | Male |
eyes for 50 miles. and the possibility that this all, every second of it, might be your own creation, | C | 2.4 | 4.8 | 3.4 | 880 | Female |
and the whole damn thing might be fake. | S | 3 | 2.2 | 3.8 | 968 | Male |
what do you want to be remembered for? | N | 3.6 | 3.8 | 3.4 | 968 | Male |
stuffing sand into my ears hoping those words see fit to stay on the page. | S | 2.8 | 2.6 | 3.2 | 968 | Male |
i could hear the impact, | N | 3 | 3.6 | 3.2 | 880 | Female |
and either silence or screams. | S | 2.909091 | 2.727273 | 3 | 968 | Male |
you ever get that way, ross? | X | 4 | 4 | 3.6 | 968 | Male |
you ever delve too far into the story and find yourself struggling on the wrong side of the lifeguard flags, | S | 2.6 | 3 | 3.9 | 968 | Male |
between my car and their car. | C | 3 | 3.8 | 2.6 | 968 | Male |
i'm not really sure i want to drive home tonight. | X | 3.2 | 3.4 | 3.2 | 968 | Male |
i can't stay here. | N | 3.6 | 3.8 | 3.4 | 968 | Male |
N | 4 | 4.2 | 4.2 | 880 | Female | |
i'm in the window of a cafe in peterborough. | N | 3.6 | 4.2 | 4.2 | 968 | Male |
there's some kids in long sleeved, black hoodies, | N | 3.8 | 3.8 | 4.2 | 968 | Male |
old guy in aviators, scuffed rolex. a baby with a cyan hair clip. a saxophone plays krista berg i think. | X | 3.6 | 3.8 | 4 | 968 | Male |
a man that looks like louis ck in a blue anorak slowly sets up a stool in the courtyard. | C | 3.8 | 4.2 | 4.4 | 968 | Male |
the sign says energy recruitment roadshow. | N | 4.2 | 3.8 | 4.2 | 968 | Male |
he loads mysterious silver parcels onto a fold out table. | S | 3 | 2 | 3 | 968 | Male |
this is a town of terrible dressers. | C | 4.2 | 3.8 | 4.2 | 968 | Male |
it's not just the shape of the people. | O | 3.4 | 4 | 4.6 | 968 | Male |
it's almost as if the city is built on some kind of electromagnetic anomaly that glitches out our ability to match top to bottom. | S | 3 | 2 | 3 | 968 | Male |
it gives the streets a kind of off key music, not like some awful art rock band, but nevertheless, a music... | X | 4.2 | 4.4 | 4.4 | 968 | Male |
you can't talk over at the bar, and i want to talk about other things, but christ, it's distracting. | X | 3.2 | 3.8 | 4.8 | 968 | Male |
old mitch hedberg joke. | N | 3.6 | 3.8 | 4 | 968 | Male |
why not just to find out where your dreams are going, and then meet up with them later? | N | 3.2 | 4.4 | 4.2 | 968 | Male |
instead, i got a train back to peterborough. | N | 3.6 | 3.4 | 4.4 | 968 | Male |
it feels good to translate everything into the cold, calm prose of car manuals. | H | 3.272727 | 4.545455 | 3.909091 | 968 | Male |
it was winter, blue, when they split the bark and married it with chemicals. | N | 3 | 4.2 | 3.8 | 880 | Female |
molten salts press johannes gutenberg's words onto the population. | N | 3.2 | 3.4 | 3 | 968 | Male |
every byproduct of some father's racism. | N | 4 | 4 | 4 | 968 | Male |
some impromptu fantasy, i suppose. i still call my father's name in my sleep and triple p... | S | 2.4 | 3 | 3.6 | 968 | Male |
dynamic. so i don't disturb the neighbors and give them reason to care. | S | 2.4 | 2.4 | 3 | 968 | Male |
i liked the nonchalance. don't you? | S | 2.666667 | 3.333333 | 3 | 968 | Male |
isn't it nice knowing you can call the cat in at night without worrying that next door by offer a hand? | H | 3.8 | 4 | 4.2 | 968 | Male |
spring, yellow, out of bed. when grass is luminescent and twilight. | X | 3 | 4.2 | 3.4 | 968 | Male |
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