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pavor nocturnus. killing either gods or my father, 20 years late for it to make a difference.
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if we were to use to send them in the poem, but i get lazy. and i can't kill my demons in one stream of thought.
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lie me down to sleep, rip the turpentine and soap from my glands.
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give me beautiful sleep architecture.
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how's my dreams in autumn brown?
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so i just phone googled your epigraph plus.
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[inaudible 00:02:29] this whole piece ought to be played with the utmost delicacy and without damp.
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a request lifted from the opening page of beethoven's sonata. 14. is this...
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dates. the moon we want saw.
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one week later, 290 is the number of votes that wins donald trump the election.
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i re-read your phrase, impromptu fantasy with newfound horror. when i woke this morning.
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i'm trapped outside the dream. i do not understand. i may never understand.
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am i asleep or awake?
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project gutenberg [inaudible 00:03:24].
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but this is the first day that i've gotten out here for the 61st monterey jazz festival.
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wagner also hey ye and the crew here at the pacific jazz.
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these special forums where audiences and artists can come together.
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you can call it audience building or you can call it just being able to share one's history.
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but i think that monterey jazz is very special in many ways, but this is one of the reasons why.
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thank you all for being here. thank you.
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heggy? for questions should we place the mike?
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so just a little bit of business here. cellphones off, no flash photography please.
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there's some other exits too, just in case. the conversation that we're about to have-
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we have some very special guest, dave grusin coming in up-
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... dianne reeves after dave. so if you want to share a thought, ask a question, we invite you to participate and your being standing at the microphone-
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... he's won grammy's and is an nea jazz master, and there's a new documentary on his career-
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... and considerable impact-
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... that's playing at 5:00 pm at the jazz theater, which is just one venue over this way. and it's at 5:00 pm.
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it has a title that we can all relate to, not enough time.
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it screens today at 5:00, i just said that. in addition, we get a double treat.
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dave himself performs at 7:15 at dizzy's den. will you please welcome, dave grusin?
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okay.hello.although i teach at nyu and-
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yes.... students today are just so aghast that that was actually a category.that's right.
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yes.you were a music director for a guy with a hit tv show-
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... and who was making top dollar, top billing, around the country.
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and yet you pushed further. can you take us back to that moment when you said, "i'm going to go out and work on the dave gru-
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again, one of those weird things that just happened, and then you look back and you say, "well, that-
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you've finally cut yourself off from the technology.
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from sitting right here, john rango's right here, who-
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... is my authority figure when i'm trying to figure out how to do something, and he's the guy i call.
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we knew what he was doing was effective because he was-
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it seemed like he never made a mistake in terms of picking his artists and the kind of albums they were making.
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i did some work for creed as an arranger and a sideman and so forth. it was-
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... was a community of players, all-
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... thinking the same way about what the music business ought to really look like.
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that was... you're right. it was kind of a model for us, although we weren't doing it-
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... in the same way, but he also had this incredible engineer, rudy van gelder, who was-
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... a genius in recording this kind of music. and i think larry learned a lot from him.
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i mean, i'm looking at this photo up here.
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that was our life for a lot of years. i think that was at electric lady on eighth ave-
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... venue downtown for years where we worked.
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we started when we moved out of larry's house and we got a real studio. so-
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i think the-
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... essence of how to answer you about that is-
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... we did what we needed to do-
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... for the artist that we had in order to make them-
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and tried to build their careers. that was kind of our-
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right.did you miss that? was that tough for you to not be going on the road and hitting the gig every night?
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wouldn't miss it if it happened now. i think the guy you mentioned, larry carlton, who's an incredible guitar player-
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we do have a time off now and then and-
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i'm up here by myself. i must tell you, it feels weird not to have lee up here.
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... but the solar panel thing is... that was-
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i guess, to be honest, it's a way of-
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... trying to help barbara and john take this film that they made about me, whatever it's called.
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what is it? not enough time or that's enough about me.
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... and come out and kind of expose it a little bit. and then just play a little bit. it's not really-
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... what i'm going to be doing but-
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we're going to do it here, and we're going to do it in for ruth price down in los angeles.
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okay. all right.that's okay. so if it's okay with you guys-
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... it's about a two-minute excerpt from a film from the 1980s. and we'll talk about it-
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... afterwards. i don't think it needs much framing, but we'll see it right now.
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yeah. all of the above is what how it happens. i do get to see-
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well, so were he's narrative driven. it's not like you're reacting to images or i at-no.
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that was just out there, right? that's first question. the second one, well, i'll let you answer that first.
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well, the second question really is in regards to... i-
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i was a real big fan of you and lee and-
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... or know, if all of a sudden there's lee or-
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... everybody feeding off of each other. so my real question is, what was your favorite collaboration with captain fingers?
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i guess, one of the fun things but i-
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... kind of most fun we've had.thank you.till next time, i guess. in terms of the goonies, that was very-
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... weird. all i could think about was steven spielberg and george lucas and-
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... know. are these guys going to like it?
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why didn't they call john williams, basically? that was in the back of my head.
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but it-it's fantastic.well, it turned out that was funny-
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... in the same way, in being able to take orchestral, kind of classical orchestral ideas and-
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... and play them for a bunch of kids running around in a cave.
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it was just using the music that way-
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... for those kinds of events.
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it was a lot of fun.
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i just recently heard that we rerelease of the album-
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... and it sounds unbelievable. and-
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... said, "wow, what is that music?" when she heard it. and it sounded... it was really one of those cases where the remastering and the-
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... really authentic. it was just amazing.
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where's the winner? see? what i-
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do you have any-
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well, years i've been on call for the aaa escort service.what would-
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they're both actually piano players, by the way. they both had already played the-
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... piano, and they knew how to do it. they could watch what we were doing-
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... learning how to be a singer. i watched her learn how to do this.
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... taught her how to sing this stuff and how to vocalize, how to do-
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