text stringlengths 0 353 | EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID stringlengths 1 7 | Gender stringclasses 3
values |
|---|---|---|---|---|---|---|
that's the debate about the solutions, about the reasons for hope. | X | 3.8 | 5 | 4.4 | 1074 | Female |
so i am, i suppose, a dark optimist... | H | 4 | 4 | 4.8 | 1074 | Female |
chris rapley, apparently is a dark optimist as well. | X | 3.6 | 4 | 3.6 | 1074 | Female |
it's a song i wrote the lyrics, but it's pretty much a pastiche of a leonard cohen song. i wrote it today, so that's why i need my notes. | N | 4.4 | 4.4 | 4.2 | 1074 | Female |
some plastics and things and-and i think that's not true. | N | 4.2 | 3.8 | 3.6 | 151 | Female |
actually, a lot of [inaudible 00:03:53] been is pretty useful. and i was thinking about how... | N | 4.4 | 4.2 | 5.4 | 1075 | Male |
how silly it is that we take something that has a sort of innate complexity and real value it to human beings and we just sort of... | N | 4.2 | 4 | 4.8 | 1075 | Male |
yeah, those are the stupid things we can do. and i guess this song is trying to detail a few of those. | S | 3.4 | 4 | 3.4 | 1075 | Male |
the most haunted village in england. coggeshall in essex the most haunted village in england. according to an article in the daily star, someone showed me when i was 11. | U | 5.6 | 4.4 | 5.4 | 151 | Female |
one quick google search later, and... | N | 4.2 | 4.4 | 4 | 151 | Female |
i've come to pluckley, which is near ashford in kent. | N | 4 | 3.4 | 4.6 | 1043 | Female |
and this village has quite a sinister claim to fame. it is apparently the most haunted village in britain. | N | 4.6 | 3.8 | 5 | 1043 | Female |
it turns out when jackie lived in pluckley, she got a lot of nuisance calls from the media. the fact that jackie doesn't even believe in ghosts probably made the haranguing even worse. | H | 3.8 | 3.6 | 4.4 | 151 | Female |
i thought i'd got rid of pluckley when we moved, but it keeps coming back to- | H | 4.6 | 5.2 | 4.8 | 1044 | Female |
following the police lockdown pluckley decided their ghosts needed a more positive pr make-over. | X | 4.2 | 3.6 | 3.8 | 151 | Female |
we got another even better, nicer, quieter, more gentle claim. the darling buds of may.everybody loves the darling buds of may.that was great. that was busier than halloween. | H | 5.625 | 5.8125 | 5 | 1044 | Female |
maybe not all ghosts of television past are malicious after all. | N | 1.8 | 4 | 3.2 | 151 | Female |
me and jackie got talking about the tv show, love joy, and it occurs to me... | N | 2.8 | 3.8 | 3 | 968 | Male |
non-british listeners to the podcast might have never seen the tv show love joy, so... | N | 4.6 | 4 | 3.8 | 880 | Female |
it was not your granddad's antique dealer. he was a rebel. he was this... | C | 5.1 | 3.6 | 4.9 | 880 | Female |
young, he not young, but you still at a kind of nineties-slacker vibe about him. | N | 5 | 4.4 | 3.8 | 880 | Female |
one last story of a set jet... | N | 3.8 | 4.2 | 3.8 | 880 | Female |
my wife got chatting to a fellow tourist from ireland who had just come back from a bit of set jetting of his own. | N | 4.6 | 4.2 | 4.4 | 968 | Male |
his wife had gone on the sex and the city tour in greenwich village while... | N | 3.6 | 4.6 | 4.2 | 968 | Male |
he'd gone on the soprano's tour in new jersey, he was okay, he said although... | N | 3.6 | 4.4 | 4.4 | 968 | Male |
i mean, this is really... | S | 3 | 3.8 | 3.4 | 880 | Female |
for corpse in a bin. this is set jetting with all the bells and whistles taken away. there's no... | U | 4.4 | 4.2 | 4.2 | 880 | Female |
is the place. and i feel like this is good news for the future of british tour... | N | 3.8 | 4.2 | 4.4 | 968 | Male |
story of my life happens. why is it so hard to give my own house? | X | 4.6 | 4 | 4.4 | 880 | Female |
visibility of the show, or if you're feeling really generous, you could sign up to my patron page. this is... | X | 4.6 | 5 | 4.8 | 880 | Female |
episodes, there's loads of new stuff up there this year. | X | 4.545455 | 4.727273 | 4.454545 | 880 | Female |
bonuses from previous years as well. it's all there in the feed. just go to... | N | 3.6 | 4.4 | 3.8 | 880 | Female |
the idea for this episode, the idea was basically postal chess, but with... | X | 4 | 4.6 | 4.6 | 968 | Male |
now, the postal chess thing was just a useful metaphor to begin, but over time, the story... | N | 3.8 | 4.2 | 4 | 968 | Male |
behind the scenes, on the film set of the british romcom... | N | 2.8 | 3.8 | 4.4 | 968 | Male |
for our protagonist, we chose the actor hugh grant. | N | 4 | 4 | 4 | 968 | Male |
i took the black side. so i am team funeral. | N | 3.4 | 4.2 | 4.2 | 968 | Male |
four or five weddings. | N | 3.8 | 4.2 | 4 | 968 | Male |
he opens the door. it's her. | U | 3 | 4 | 3.6 | 968 | Male |
"hello" she says, and then a pause. | X | 2.6 | 3 | 3.4 | 968 | Male |
"hi. you're you're you're soaking. come in." | O | 4.4 | 4.6 | 4 | 968 | Male |
"no, i'm fine." she says, her hair flat against her scalp. | N | 2.6 | 3.8 | 4 | 968 | Male |
comes a point when you're so wet, you can't get any wetter. | N | 3.8 | 4.6 | 4.4 | 968 | Male |
"okay." he says, "i'll come out." and she protests, but he steps into the rain... | N | 3.8 | 3.6 | 4.4 | 968 | Male |
white shirt, turning pink. "i..." | N | 3.4 | 4 | 3.6 | 968 | Male |
"shouldn't have come to the church this morning..." | S | 3 | 2 | 3 | 968 | Male |
"i'm sorry." she's leaving before the words have even left her mouth. | S | 3 | 2 | 3 | 968 | Male |
but he follows her, he begs her to wait. "no..." | X | 3.8 | 3.2 | 3.6 | 968 | Male |
"i'm the bastard here." he says, "and i sought out one thing." | S | 4.4 | 2.6 | 4 | 968 | Male |
"marriage and me were very clearly not meant for one another." | S | 4 | 2.666667 | 3.833333 | 968 | Male |
"i totally and utterly loved one person..." | X | 3.8 | 4.6 | 3.8 | 968 | Male |
"and it wasn't the person next to me in the vale." | N | 4 | 3.6 | 4 | 968 | Male |
[queue 00:08:51] looks over to the little wigwam across the road. | N | 4.6 | 4.8 | 4.8 | 968 | Male |
richard [kerris 00:08:55] sticks his head through the flap. "are you okay?" | U | 4.8 | 3.2 | 4.8 | 968 | Male |
"for the record. that was lovely. particularly you andy, very believable." | H | 5.4 | 5.8 | 5.8 | 968 | Male |
"came over me there. i just went totally blank." | U | 4.166667 | 4 | 3.5 | 968 | Male |
"it's the first day of filming." says richard, "don't die on us." | U | 4.6 | 4.6 | 4.4 | 968 | Male |
"[inaudible 00:09:18] hugh", "no" says hugh. | H | 5.2 | 4.8 | 4.8 | 968 | Male |
mic sticks his heads to the flat. "you're not allowed to die until i say that, so wrap" | U | 5.333333 | 4.166667 | 5 | 968 | Male |
says mic.buzzing."got it" says hugh, he looks down... | H | 4.6 | 5 | 5 | 968 | Male |
and the mcdowell's hand is on his chest. | N | 4 | 4 | 4 | 968 | Male |
"what?" says hugh, "you nearly collapsed on me there." says andy. | X | 4.2 | 3.6 | 4.4 | 968 | Male |
"i did?" he says "yes." she says. | N | 3.8 | 4.4 | 4.4 | 968 | Male |
"how funny." says hugh. | X | 3.2 | 4.2 | 3.6 | 968 | Male |
and the darkness swallows him whole. | F | 4.2 | 3.4 | 4.8 | 968 | Male |
there is nothing but emptiness, cold and vast- | F | 2.833333 | 2.25 | 3.75 | 968 | Male |
... time has passed. he has no idea, but now he is lying on the sofa. | S | 3 | 1.8 | 2.8 | 968 | Male |
a girl in a green visor thrusts her head through the open window. | N | 3.6 | 4.2 | 4.8 | 968 | Male |
she says, then "i'm nicole. does mick know you're in here?" | C | 3 | 3.4 | 3.6 | 968 | Male |
before nicole can answer, the head swivels back to hugh, still lying prone on the sofa. | S | 3 | 2 | 3 | 968 | Male |
"i thought you were feeling ill." "just a teeny bit," says hugh. | X | 3.4 | 3.4 | 3.6 | 968 | Male |
the crew have relocated to the lobby of the hotel down the road. | S | 3 | 3.8 | 3.4 | 968 | Male |
"funny," thinks hugh, "how all actors have to learn to jump through time like this. you finally tell a girl you're in love with her and- | X | 3.6 | 3.4 | 4.2 | 968 | Male |
... you have to get outside of time before you can control it. whenever- | N | 3.4 | 4 | 4.2 | 968 | Male |
... ken rested his cane on hugh's shoulder, in what hugh- | N | 4.8 | 4.6 | 5.6 | 968 | Male |
... assumed was meant to be a fatherly gesture. | N | 4 | 4 | 4 | 968 | Male |
hugh looks inside. andy- | F | 3.6 | 3.2 | 4.4 | 968 | Male |
... he says "i," he pauses. andy is standing in the middle of the room- | S | 2.4 | 3.8 | 3.4 | 968 | Male |
... face, completely empty- | S | 3 | 2 | 3 | 968 | Male |
... her expression frozen though she- | N | 3.8 | 3.8 | 4 | 968 | Male |
... deaf, the village's debt is paid and the pale woman disappears- | N | 4 | 3.6 | 4.4 | 968 | Male |
hugh wakes up, once again, lying on the sofa of his trailer. he looks to the chair opposite half expecting to see nicole- | S | 3 | 2.4 | 3 | 968 | Male |
see him lying on the carpet, the utter desperation in his voice. true - | S | 3 | 2.8 | 3.4 | 968 | Male |
some sweets and his walkman. it's an art project. i've been- | N | 4.2 | 4.6 | 4.4 | 880 | Female |
i hope you don't mind, but i invited her to come and have a drink with us tonight to celebrate- | H | 4 | 4.833333 | 4.833333 | 1002 | Male |
she's she's just gone back to her hotel to change. she should be back any minute. hugh- | N | 4.2 | 4.4 | 3.6 | 1002 | Male |
i'm doing a special imaginary advice live show on tuesday- | H | 4.8 | 5.2 | 5 | 968 | Male |
... november 7th, at battersea arts center in london. | N | 3.6 | 4.4 | 4 | 968 | Male |
most of it's not going to make it onto the podcast. it's going to be its own separate live visual thing. we've got guest performances from joe dunthorn and chris six plus- | H | 3.8 | 4.8 | 4.2 | 968 | Male |
i'll be presenting a couple of new things, including a new essay film that i made about howard from the halifax adverts- | N | 3.4 | 3.8 | 4 | 968 | Male |
... continue listen to the bus stereo, a cassette of u2, as i would discover. too much disturbance- | H | 4 | 4.8 | 4.8 | 880 | Female |
i could not turn away. i could not turn back. | S | 3.6 | 3.6 | 3.6 | 968 | Male |
so father, you think of god as a- | N | 3.6 | 4 | 3.4 | 968 | Male |
father john's massive aviators. he raised his teaspoon to my eyes almost as if he planned to pop one of them out. "the work of the devil is all around us." | D | 3.4 | 2.6 | 3.8 | 880 | Female |
and then he tapped me hard on the nose with his spoon- | N | 3.6 | 3.8 | 3.6 | 968 | Male |
to check out the new vinyl releases. despite my academic failings- | X | 3.666667 | 3.833333 | 3.5 | 968 | Male |
john had a soft spot for me. i think it was because we both smoked so much- | N | 3.2 | 4.8 | 3.4 | 968 | Male |
father john had once seen me with a copy of husker dues, zen arcade. this had- | U | 4.6 | 4.4 | 4.6 | 968 | Male |
... seemingly sealed the deal on our friendship. "good album." "it is- | X | 4.4 | 4.2 | 4.4 | 968 | Male |
i would smooth out the sound poetry of madmen and calm the freaked pets of rome. | N | 3.6 | 3.8 | 3.4 | 968 | Male |
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