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MSP_POD_NLP

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bro, he used to be a serial killer. no, fuck that. we're going to starbucks and we fitting to chit-chat over the strawberry frappuccino. you're fitting to tell me what the fuck is going on in your life because-
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so when i say colin kaepernick-
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rated slash media mogul. i'll say that. keep it real, man. maybe you don't go one week-
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jamming, jamming.okay. so what made you... as far as music goes, what made you say, "this is the field for me. this is what i want to do?"it was-
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so let's talk about your latest project. what's going on? what do you have that the world needs to hear that you is talking about, "look?"man, i was dropping the ep.
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because i may not ever get a benz, but at least let me-
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got you, you know what i'm saying? so just something different.
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that's smart. .hat's the smartest thing i've seen, you know what i'm saying? i seen you open up... you open up for young m.a.yeah, open-
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you want to work with this one artist that you just like, "i have to."
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it's a couple, man. i like big dollar.
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it's like i say, i'm getting this buzz and we keep it growing and growing with this buzz. hopefully, if don't nobody pick us up, you know what i mean? we can have a movement on our own.
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because i feel like me and all my guys is official. you know what i mean? so it's like-
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if we ain't getting nobody that's going to put a bag behind us, we got our own little bag, you know what i mean? we running with it, we running it up. so we ain't going to never stop.
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we going to catch that wave where we going to be getting shows, getting fee, we and paid on our own. i don't get a little 7,500-
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... or movement, like i say. so we got a whole bunch of people just doing a lot of things and everybody chipping in-
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... together, and that's what i love to see. you know what i mean? everybody putting in together and ain't nobody holding off.
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everybody in my circle, ain't no, ain't no greediness. you know what i mean? that's what i like.
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you know what i mean? so that's what we do on the, our side. so i'm saying, that's what they on, then y'all can come to jam with us. if not, you know what i'm saying? ain't about the color that you is, the block you on, none of that.
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some of the heartbreaking stories that you encountered.
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so basically the same few days in returning back to our situation at home, and we have seen from homicide panels that this is them cycle. they go-
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... back to homes. they go to prisons-
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they go back to shelters, and this is cycle that is not producing way out to such community. so-
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... for that reason and say that this general plan is good and it should be applied also for them.
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but in addition to that, some specific needs should be specially addressed for aboriginal women and girls.
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many protection that are not... violence against women that are not fully coherent or consistent because on one level-
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there is need to ensure rights of both parents to have context.
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... when we have violence situation. it should be revisited-
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... women and children are increased risk, and such policy should be-
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... adjusted to such situation. this is-
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to solve these challenges through science-
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so migrant women are making a contribution in the region in terms of, other women's rights, and also contributing-
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for those listening to this, what are steps that we can all take towards gender equality for all women, regardless of where we live?
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speaking about the future, what do you find the role of use important in the work that you do?
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it really cuts across every distinction of economic development of geography of culture. there is no country that is immune to violence against-
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... and that's a very important first step. now we are seeing some 80% of countries in the region with loss to address this issue. but-
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effective services.what type of work would this be with the police, for instance?
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yes, women, migrant workers in asia and the pacific are at risk of discrimination. they-
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girls.so migrant women are making a contribution, a region in terms of other women's rights and also contributing to their host communities?
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my name is nick medicus and i'm the director of the community participation group.
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why have you been so passionate about migrants within the canberra community?my passion for migrants.
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you met with first nations peoples, what were your observations there?
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to have flow-on effects like the physical health of the community, and the mental health of the community. if they're not consulted, and lack of resources, and things like that.yes.
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you suggest would be a better way for the government to approach the indigenous communities in australia to alleviate these issues?
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for me this would be a) to reorganize the.
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they know that they are represented by people and sometimes pick buddies of peabody's as well.
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many of the indigenous people don't live close to alice springs, or to darwin.
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so how to consult those people, how to make sure that they have access to a final decision, or can they have a say?
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on decision, they need to find a way to make sure that.
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a broad consultation is organized on key issues, including those who are living in remote areas.
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so would language, like having translators and simple things like having people speaking in language, would that help?
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do you find that women within the indigenous communities are playing a large role in fighting for their rights?
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and so when you leave australia today and you think back on the indigenous communities and the people that you've spoken about, what's your first thought that comes to mind?
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so will you be presenting these issues as part of your report?
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i mean, for them that's difficult because they don't know the law. lawyers are coming from companies or from the government.
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this could be remote communities.that could be remote.
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indigenous communities. can you see a way through on this problem from happening in the future?
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this panel today is a continuum from a conversation we had last year.
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the gender equity question, for those of you who had the opportunity to come last year.
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we had a very rich conversation where we talked about women in jazz, but i think the conversation was a little different.
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than some audience members might have.
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thought we would. so i want to start today by introducing the panel. the panel begins with melissa aldana.
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are two incredible artists in residence for this year's monterey jazz festival.
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today. i think it's an important conversation as we look at what's going on in the world.
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the conversation that we had last year, we wanted to talk about equity and what that looked like or what.
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inequity was looking like. last year, the panel started talking about things that made many of the panelists feel quite uncomfortable.
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i think, and had had experiences throughout their career that needed to be addressed.
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we're not talking just about equality because sometimes when things are equal.
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they're still inequitable. we're talking about systems change.
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we were being judged. women in jazz were being judged with different standards in mind. and so today.
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and to ask what that experience has been for several of our panelists.
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and i want to begin with two of the panelists that we had last year, ingrid and tia, as we talk about.
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our panel last year was in september, and then it was before the "me too".
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a lot of things happened and today i'd like to talk a little bit.
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about some of the things that we heard about what was happening in institutions.
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and an example or two of what that inequity looked like then, and then we'll take it from there and go.
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that's pretty funny.
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as long as you're not disturbed, but it's still.
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that was pretty crazy. anyhow. so we do want to talk about.
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i won't name any names, but [inaudible 00:00:06].
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player comes in the room, boy or girl, that's what their images is, this one louis armstrong picture, which is great. i love louie. and he was an open [inaudible 00:00:15]
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these days. you see an image, "oh, who is that? oh yeah. look at that. bruce colbert. i want to google that. wow. that's good music. i like that. that's going to make me keep playing." absolutely. so without that, it's like [inaudible 00:00:24]
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obviously failed at all of those things, but he [inaudible 00:00:30]
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should i apologize already for what i've said? everything i say, i'm going to apologize afterwards because i'm a woman. i'm sorry.
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well, i think that perspective of [inaudible 00:00:44]
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after i don't have that, or maybe i'm adding on certain struggles in terms of the material that i deal with. i think, i don't know.
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i'm sorry. well, what you're doing is intentional, right? yes. [inaudible 00:01:03]
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to do a lot of group lessons. i was usually the only woman, but
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the only time that i felt it, but besides that [inaudible 00:01:20]
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hi, everybody. i should say that
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actually i was a pretty shy kid. i remember,
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i feel like i've been a trained extrovert, but the trumpet really gave me a lot of confidence. it has opened up my personality in ways that
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it just was, and i'm not going to use the word "lucky", but
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i realize how rare that is now. [inaudible 00:01:47].
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a lot of female students in our band, it turned out that the band director was abusing them. so that's why there were so many girls coming in and out of the program. so it was a negative and i knew it [inaudible 00:01:58]
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man, that sucks. [inaudible 00:02:02]
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i'm going to interject his change because there are some incredible evolved men now around us who are so excited about seeing women [inaudible 00:02:11]
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old songs that are racist, or sexist, or both.
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and sometimes i get a response like, "oh, that song is so old. isn't it crazy that people used to think that way?"
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and the reason that i choose these songs is because it's actually very current.
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there's a song that i love singing, which is this
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