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..had to be around, we wanted to make sure that they feel safe and that they're safe.
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grass keeps growing, and we don't want to make the campus look abandoned. and in the winter time, if you need to make sure that the police can get in-
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..on our trade shops, and we have extensive trades ,and they were able to do a lot of them retrofits to fit different filters in house. so-
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obviously it costs us on the machine and the metal and whatnot but-
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..two room, those are the guys that order all kinds of ppe and cleaning supplies and whatnot-
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..supplies, and we were able to. so we are... i'm-
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..very welcome. i hope people will feel a little bit better coming to campus and knowing that the air around them is safe.
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stay safe everybody, and do your part to stop the spread of covid-19 in our community.
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but i always do appreciate how the installations that he creates for these things look as much as they've been grown. as they've been built.
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they are. i have been wanting him on the podcast for a very long time.
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well, a lot of good stuff comes out of that school of architecture down in cambridge.
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this is assuming the continued progress of province-wide vaccination rates and continued improvements in key public health and healthcare indicators-
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check your physical and mental health while ensuring that we can expand in person experiences for-
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..particularly since our region has experienced a series of outbreaks driven by the delta variant.
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..says that local circumstances will continue to guide our decision making-
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we will preserve our overall plan to deliver a mix of online and in-person courses for the fall.
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they must also get a second dose of an approved vaccine as soon as possible and provide proof that they have done so by november 1st.
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..covid-19. in addition, making sure that students can live in residences with very high rates of vaccination helps protect them and our whole community.
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health services is offering covid-19 vaccines to everyone on campus.
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while all of these changes are ramping up to back to school season-
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...which is just around the corner, and many of us are looking to upgrade our personal computer hardware for the year ahead.
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...well now you do. the program offers low interest loans for amounts ranging from 500 to $3,000 with-
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all of our panelists have been featured on our podcast.
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..invited to submit questions when registering for the event or-
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or you can ask them live on the hopin platform.
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art and technology and innovative ways to create dreamlike environments.
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thank you for making the time.
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congratulations to you on having your work included at the venice architecture-
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that is a major accomplishment.
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your installation is stunning. it is called grove.
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can you please describe it for people who maybe haven't seen it?
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thank you. at the venice biennale-
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i have been working with a rather large group of collaborators centered in waterloo architecture in cambridge and the main campus of waterloo.
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and i wonder whether i can ask you to picture those multiple people all working together-
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but in a very particular place.
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it's quite dark and it's about 20 meters in width.
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at first, you'll see just a rather glittering floating cloud in the distance. and then-
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on the brick walls and the plaster walls in the distance. and then looking downward-
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there's a shallow pool at the center of the floor.
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we've been working in animation and computer generated graphics with some very special filmmakers.
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in the column work and looking into the pool-
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there's a little child who is gently moving and touching and surrounded by innumerable materials.
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and the cycle of grief and joy continues in multiple, multiple-
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it also tells a story of communion with many other dimensions that reach far beyond our human and social circles.
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grove is a very practical project in the sense that we've done some quite innovative things in building-
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smart, might be intelligent, might come alive and express almost empathy and thinking with us.
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because of the rather intense emotional dimensions that are included in it.
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there's some qualities of it being a temple as well.
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full description. now the venice biennale was delayed twice because of the pandemic.
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perhaps we could say that there isn't a person in the world but hasn't been touched in some fundamental ways.
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almost perhaps unspeakable ways by the pandemic these last year and a half or so.
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for us, we had quite a large team already committed to a very significant physical architecture that was well into production for the biennale.
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and we had to make some decisions about whether to continue or not. and for a while-
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but it seemed like the right thing to do in terms of civic responsibility.
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but we were persuaded to shift because of-
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and that really promoted rather than being a disappointment and a frustration-
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we learned to collaborate intensely.
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making very, very fine-tuned things with our international groups.
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physical things and things we can touch, and things that are just projected and live in the imagination.
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virtual realities is a very subtle one.
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it doesn't need to be polarized in terms of either physical or virtually.
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instead there's a whole beautiful kind of continuity and-
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i've started to say that i'm very grateful that we had this interruption and challenge because we've changed fundamentally in the way we've worked.
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who are not able to travel to venice.
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but in terms of the actual physical installation.
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he flat packed it and we invested in very deep documentation.
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although it could have been executed that way-
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more embodied way of building so that it was very much an active participation. the forces-
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so the people who were over in italy installing this work with your very detailed instructions-
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i said, "wait a minute-"
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but there was profoundly social dimension in the building in-
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rather lovely energy of sharing and working together and building up a kind of rhythm and a cadence where the physical act is only one of the things you're doing.
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we started with the question of we. who do we mean by we? and expanded the spectrum, which would certainly involve insects and birds and animals and-
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that would be innovated into new constructional systems. we're rather proud of the canopy and also the columnar systems, and the sense that we had just a few hundred-
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also create profound harm in the sense of amplifying the forces that are outside and excluding some while including others.
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an essay in an open kind of boundary, which is not simply anything goes or-
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they kind of big different forces and unfolding things together.
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so there's some very interesting new physics. the technical term is-
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dissipated shelters that goes into this work that we think is very promising.
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and we're very hope hopeful that we can use in developing the technical canopies and columnar systems further.
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there are some innovations in this work which are interesting intellectual property areas.
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and we're very interested in working on commercialization because that's a very effective way to generate more development.
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that it would be absurd to try to claim. i'm describing a spectrum there.
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and i'm very enthusiastic about each one of those.
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makes it possible to really make some very coherent proposals for change and to help make some rather rapid transformations and-
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bringing in some new ways of building into the built environment.
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anytime i see photos of people interacting with your work-
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they always have this look of wonder on their face-
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they're just in awe. and the people listening, even if they-
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for instance, you have been very generous in allowing the university to use photos of other pieces on our holiday greeting cards for-
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thank you so much for just sharing that tour through some of the dimensions. and it-
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it's quite true that through the enthusiasm and energy. it's some really brilliant collaborators.
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it's been possible to work in several different media from public architecture all the way through to making some dresses.
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i was really very touched by [inaudible 00:07:29]-
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[inaudible 00:07:32] liked the work and developed a collection around it.
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we simply discovered that we were kindred spirits and we really have been working continuously since that first meeting.
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a celebrity, for instance, wearing one of her dresses on the red carpet. i'm-
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just thrilled because i am happy that so many more eyeballs are going to get to see this amazing work of hers.
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this is an extraordinary intelligence. and as a dancer-
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is a rather interesting one. i somehow have come to feel that there's really no difference at all.
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