EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID int64 1 3.33k | Gender stringclasses 2
values | Split_Set stringclasses 2
values | transcript stringlengths 1 353 ⌀ | emotion2vec_features listlengths 1 1 |
|---|---|---|---|---|---|---|---|---|
C | 5.2 | 4.2 | 4.2 | 1,481 | Female | Train | ...julie cooper being the baddie and that's... the narratives of baddies are always based on the lens of who we're supposed to see them through. and i feel like- | [
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N | 4.6 | 4.6 | 5.2 | 1,481 | Female | Train | ...what's really interesting about lucy that i've noticed on the second time watching is that, we would assume that it was geared towards a female audience because of it's genre and the time that- | [
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S | 3.2 | 3.6 | 5.2 | 1,612 | Male | Train | male dominated in terms of its views of the characters and what their value is. | [
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N | 4.6 | 5.4 | 5.2 | 1,478 | Female | Train | but...oh, i was just going to say that everything that is valid, like- | [
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N | 3.8 | 3.4 | 3.4 | 1,478 | Female | Train | everything that seth say who is... well between seth and ryan, the real protagonists. everything that seth values is so male and even in... i'm just thinking in the- | [
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X | 4.6 | 5 | 4.6 | 1,478 | Female | Train | yeah. so i think that everything is valuable in terms of what we see at first is very male. but i will say that watching it now- | [
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H | 5.2 | 4.8 | 5 | 1,478 | Female | Train | ...there are things that i'm like, "it's obviously not progressive." but there are things that i'm like, "that's-" | [
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X | 4 | 3.4 | 4.2 | 1,480 | Female | Train | ...been that they give a lot of importance to the male things and the masculine things and they wash over. so the girls- | [
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U | 4.6 | 4.2 | 4 | 1,480 | Female | Train | ...always are all portrayed as sort of- | [
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N | 5.2 | 4.6 | 5.2 | 1,481 | Female | Train | ...that kirsten was a bad mom because she was too busy working. i think even sandy insinuated that kirsten maybe wasn't the best mom because she was too- | [
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A | 4.2 | 2.6 | 4.4 | 1,481 | Female | Train | ...busy working. and you're just like, it's not as... we've talked about this a lot. i think a lot of the time it is just very apparent that it's written by- | [
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U | 4.8 | 5.4 | 5 | 1,481 | Female | Train | ...a man. and a lot of the dialogue and the script writing definitely feels like it's from a male perspective. and i guess we are so we're so lucky now- | [
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X | 4.6 | 3.8 | 4.2 | 1,481 | Female | Train | ...that we have that comparison of all these amazing shows that are written by women and have that insight of what it actually means to be a perspective of a woman. and- | [
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N | 5.2 | 4.6 | 4.2 | 1,481 | Female | Train | ...looking back and being like... what was this scene early on where summer and marissa were at summer's house getting changed, or they were hanging out in her bedroom- | [
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A | 4.4 | 4 | 4.6 | 1,481 | Female | Train | ...and obviously, summer had her top off and was trying on clothes. i was like, "i don't think i've ever done that just randomly." maybe when you're getting ready to go on a night- | [
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X | 4.8 | 3.2 | 4.6 | 1,481 | Female | Train | ...and she walks in commenting on the fact that [inaudible 00:09:15] left their front door open. i was like, "oh god, carrie is never going to let this go. and she's never going to let it go." | [
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U | 5.4 | 4.8 | 5.6 | 1,480 | Female | Train | what do you think about luke's evolution? | [
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F | 4.2 | 3.6 | 4.4 | 1,481 | Female | Train | i think everyone in their life at some point has either been bullied by that jock character, like super confident- | [
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N | 4.2 | 3.8 | 4.2 | 1,481 | Female | Train | ...experience. so when you see that in particularly teen shows, i just find it really interesting how they portray it, because everyone's experience is so different, but also this unifying feeling- | [
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A | 4.8 | 4.8 | 4 | 1,481 | Female | Train | triple line. and everyone, everyone talks about that line in that scene. and to give that to somebody who is a periphery character is awesome straightaway. but- | [
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H | 4.4 | 4.2 | 4.2 | 1,481 | Female | Train | things he says are just... you know how when you watch something and you're just like, "oh god," like you just want to crawl in yourself? some of the slurs he comes away with are awful. | [
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X | 5.2 | 5.6 | 5.6 | 1,481 | Female | Train | but to then have him say all these really homophobic, awful things. and spoiler alert, it turns out his dad's gay. it's mind blowingly- | [
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U | 4.8 | 4.2 | 4.4 | 1,481 | Female | Train | like, "oh my god." especially, when you think about that being written 15 years ago, and then you look at then how his character changes so dramatically from that point. | [
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X | 5.4 | 4.4 | 5 | 1,481 | Female | Train | who kind of where he is at the end of the series.i think one of the things about look is we all sort of have that thing of you know you'll- | [
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H | 5.2 | 5.4 | 5.4 | 1,481 | Female | Train | learn your behavior from your peers and from your parents and from people around about you. and he's really a reflection of that sort of growing up thing where you actually- | [
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X | 3.4 | 4 | 3.6 | 1,481 | Female | Train | start to challenge the beliefs that you have been given and you... | [
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S | 5 | 4.6 | 5 | 1,481 | Female | Train | go move beyond that. and i think everyone goes through that and i think that's part of what makes him- | [
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H | 4.6 | 4.6 | 4.4 | 1,481 | Female | Train | a really relatable character. we all have things that- | [
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N | 4.8 | 4.6 | 5 | 1,481 | Female | Train | words maybe even that we would use when we were younger. terms that we didn't really know the meaning of, but everybody was saying those things. and you- | [
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H | 5 | 4.8 | 4.8 | 1,481 | Female | Train | can it evolve past that when you start to get a wider worldview? | [
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S | 4.6 | 3.8 | 4.8 | 1,478 | Female | Train | no, i was watching it when i was younger. i was like, "ugh, he's just like american." but now when i'm watching and i know he's an adult man, this is not acceptable. | [
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N | 4.6 | 4.4 | 4.6 | 1,478 | Female | Train | my next question. do you understand caleb and sandy's- | [
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D | 4.4 | 3.8 | 4.2 | 1,481 | Female | Train | it meant. i think, maybe three episodes from the end. that caleb is meant to be the ultimate baddie. he's meant to be super rich, really conniving- | [
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C | 4.4 | 4.2 | 5.2 | 1,481 | Female | Train | will lie, will cheat, will steal. but we never actually on screen see him do any of that. we only ever see him be- | [
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H | 4 | 4.2 | 3.6 | 1,481 | Female | Train | really honest. and i'd be so interested to go back and watch this. but i don't think we ever see him actively- | [
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H | 5.6 | 5.2 | 4.8 | 1,481 | Female | Train | lie to someone. he's always just really abrupt and really... like, "this is what's happening. this is how..." and even when he says like, "no impossible." there's no- | [
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H | 5 | 4.6 | 4.6 | 1,478 | Female | Train | almost not happening to you now. it's of a repercussion. he's very passive character. and all of your active, any pushing forward- | [
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A | 4 | 4 | 4.4 | 1,478 | Female | Train | forward of any of your life is happened in the past. and if this is now the repercussions of what's happened in your past, then it's really quite dull. | [
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H | 4 | 3.8 | 3.8 | 1,481 | Female | Train | i kind of like him.there's also the thing of him being direct sometimes is what is sneaky. so remember when he told- | [
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S | 4.2 | 3.2 | 3.6 | 1,481 | Female | Train | that's kind of one of those things where it's like, "oh, but i'm not the bad guy. i'm just telling the truth." it's kind of like those people who are like, "eh, well, actually i'm not-" | [
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H | 5 | 5.4 | 5.2 | 1,478 | Female | Train | what's gone on. i can't tell whether it's just because i'm such a fan that i just ignore that. and i'm like, "okay, it was day, but now it's night." | [
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H | 5 | 5.2 | 5.4 | 1,615 | Male | Development | but i do love, and she actually looks like a friend of mine- | [
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H | 4 | 4.4 | 4.6 | 1,481 | Female | Train | i want burgers when they're eating... i want all the food.i get hungry when i watch anyone eating anything on television. especially-when i watch... | [
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X | 4.6 | 5 | 4.6 | 1,478 | Female | Train | they were like, "you've never seen sex and the city?" she's like, "yeah." and they were like, "oh, well, it's set in new york." | [
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C | 5 | 5.4 | 5.2 | 1,481 | Female | Train | jessica parker that said this, was the media particularly have made this huge feud between sarah jessica parker and kim cattrall about- | [
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X | 4.6 | 3.6 | 4.2 | 1,481 | Female | Train | is not the case. sarah jessica parker was difficult to work with, but the reason i'm not doing the third film is i've kind of passed that stage in my life. and i don't really want to do that. | [
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A | 5.8 | 5.2 | 5.4 | 1,478 | Female | Train | didn't think i noticed before, because... so do you always say that women are pitted against each other in the [oc 00:05:44]? which i do actually agree with, but before i listened to your podcast, i was kind of- | [
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D | 4.8 | 3.2 | 4.6 | 1,481 | Female | Train | in life, there are people [irl 00:06:15] that i don't like. and i don't hang out with. i don't make time for- | [
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N | 4.6 | 4 | 4.4 | 1,481 | Female | Train | and kirsten are made out to be this frenemies type thing. i hate that idea of a frenemy. i just don't think that's very healthy. i don't think that's a- | [
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U | 5.8 | 5 | 5.6 | 1,481 | Female | Train | 10 year old is not going to be pally with their boyfriend's ex-girlfriend. as a 30 year old woman, i find it difficult to be friends with my boyfriend's ex-girlfriend. i just- | [
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H | 3.4 | 3.4 | 3.8 | 1,481 | Female | Train | that kind of maturity i just think is wild. and i just find it really interesting the way they kind of throw maris and teresa's relationship about. one- | [
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N | 4.4 | 4 | 4 | 1,481 | Female | Train | minute she hates her because she's the ex-girlfriend. and then the next minute she's running away to her house and they're all best pals and she's staying with them. but then teresa- | [
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X | 3.6 | 4 | 3.8 | 1,481 | Female | Train | but it's that whole thing that it's she tells... one of them tell the other one a piece of information. like, "oh, she loves- | [
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C | 5.4 | 2.6 | 4.8 | 1,481 | Female | Train | them, or they've slept together." or something. they tell them something. and if that is your best friend, there's not a chance in hell you wouldn't have told them that way, way, way-yeah. | [
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H | 5.2 | 5.4 | 5.8 | 1,481 | Female | Train | wouldn't communicate. and at the rate of speed we communicate with each other, and trying to fit it into... but this works structurally for the script, because they need to have this conversation- | [
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N | 4.6 | 3.6 | 4.4 | 1,478 | Female | Train | this is the beta male. and i think that in some ways seth cohen is progressive or a good- | [
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H | 4.2 | 4 | 4 | 1,478 | Female | Train | did the oc inform the soundtrack to your adolescence?i didn't think that it did. but then as we've been rewatching it, i am like, "oh yeah, this is-" | [
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U | 4.6 | 4.8 | 4.8 | 1,480 | Female | Train | and there's a lot of songs that have just kind of seeped into my psyche. and i don't really know where they came from. in fact, the other day, i was in the car and- | [
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H | 4.4 | 4.6 | 4.6 | 1,480 | Female | Train | and i was listening to a mixed cd that i had made, i don't know, like seven years ago or something. and the song, your ex lover is- | [
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U | 5 | 5.2 | 4.6 | 1,480 | Female | Train | dead was on it. and it wasn't until it came on that i was like, "oh, this is an oc song." | [
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S | 4.6 | 4 | 4 | 1,480 | Female | Train | i had the orange album, which i think was maybe the season two music. and i used to put that on when i was- | [
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X | 5.2 | 5 | 5 | 1,478 | Female | Train | in your favorite teen show. and so like me, and i would say anyone who was 40 down, had a teen show to bring to the table. | [
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U | 5.2 | 5 | 5.4 | 1,480 | Female | Train | so i don't, yeah. i feel it is for everybody, but i don't know if my judgment is clouded by modern teen shows. which i think are- | [
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N | 3.8 | 4.2 | 3.8 | 1,480 | Female | Train | but i think you're right at this time, when it was first being floated as an idea and put out there, it was sort of this sort of catch-all type of genre. | [
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O | 3 | 3.2 | 4.4 | 1,615 | Male | Development | i wouldn't recommend this for teenagers to watch it now because there's so many thing- | [
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X | 4.6 | 3.2 | 4.4 | 1,481 | Female | Train | like gaslighting, there's a lot of manipulation. there's a lot of carrie's phrase which i absolutely love, like using sex as a weapon that i'm just like, that's not something- | [
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N | 3.8 | 4 | 4.6 | 1,481 | Female | Train | .. that i think should be promoted and there's no conversation about it. there's a lot of things- | [
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U | 5 | 4 | 4.4 | 1,481 | Female | Train | .. in friends, for example, and a lot of things in sex in the city where it's like a particular word that it's like, okay, that word just not acceptable- | [
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H | 4 | 3.6 | 3.6 | 1,481 | Female | Train | ... anymore, or that phrase isn't acceptable anymore. but off the top of my head, there's not really any situations that i'm like i'm not comfortable with that situation. | [
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S | 3.8 | 3.4 | 3.6 | 1,481 | Female | Train | do you know what i mean? whereas in the oc, yeah, there's definitely words and phrases i'm like oh god don't, oh no, but there's so many situations where i'm like- | [
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N | 4.2 | 3.6 | 4.2 | 1,481 | Female | Train | ... that's not discussed effectively enough for me to be like that's germane. there's no directional of saying that behavior is wrong. or- | [
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S | 3.6 | 3.4 | 3.8 | 1,481 | Female | Train | ... the way that person's dealt with that is not great. or there's a lot of moral and ethical kind of side chat to what's happening there. whereas things like sex- | [
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X | 3.8 | 4.2 | 4.4 | 1,481 | Female | Train | ... in the city, particularly, they talk about situations at length to be like, here, here's one opinion on it, here's another opinion on it. here's a third opinion on it whereas- | [
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H | 4.2 | 3.8 | 4.8 | 1,481 | Female | Train | ... the oc, it just kind of happens. and it's only now looking back that you can be like, oh actually, no.i feel like at the time that's what tv- | [
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X | 4.2 | 4 | 4.8 | 1,480 | Female | Train | ... was doing. because they kind of moved away from this whole virtue signaling.virtue signaling is what they're doing now, but like this whole canned laughter you should- | [
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X | 3.8 | 3.6 | 3.8 | 1,480 | Female | Train | ... think this, you should think that. and this was in the age of television where it was more like we're just going to present a situation and you as an audience member can do what you- | [
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O | 4.6 | 3 | 4 | 1,480 | Female | Train | ... want with it. i don't know. the difficult thing about doing a retrospective, i suppose, is that how do you strike that balance of- | [
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H | 5.2 | 4.8 | 4.8 | 1,480 | Female | Train | ... not think that we were going to be going into some of the things that we've ended up going into? i just thought we were going to watch the scene and it was going to be fun. not that it's not fun. | [
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N | 4.6 | 4.2 | 5.2 | 1,480 | Female | Train | i think that is because of this sort of looking back with- | [
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X | 4.6 | 4.6 | 5 | 1,480 | Female | Train | ... to have to be contextualized in the time and place in which they were made. but i think what's good about that is you can then look back- | [
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F | 5 | 4 | 4 | 1,481 | Female | Train | ... on, just looking back at it as, oh, here's something that came out 15 years ago and kind of judging it in that perspective is judging it in the perspective that it's like- | [
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