text stringlengths 0 353 | EmoClass stringclasses 10 values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID stringlengths 1 7 | Gender stringclasses 3 values |
|---|---|---|---|---|---|---|
i hate that i have to vote on a song like this. i would have to say chop. | X | 5 | 3.2 | 5.2 | 15 | Male |
N | 4.6 | 4.8 | 4.6 | 15 | Male | |
a couple of different formats. i can't remember, but don't forget. bbc radio.com. we broadcast the best stuff, 24 hours a day. we appreciate y'all. we love y'all. it will give me a shout out, sir. | H | 5.636364 | 5.454545 | 5.727273 | 15 | Male |
terry riley's in-seat performed by third angle. | N | 3.2 | 5 | 4.4 | 25 | Female |
piano, converting the instruments into a kind of tuned percussion instrument by inserting objects in the strings. | N | 3.4 | 4.6 | 4 | 1240 | Female |
downtown, when there's so many, thousands, tens, thousands of [crosstalk 00:02:58]. | X | 2.75 | 3.416667 | 3.166667 | 1240 | Female |
then after the 25th anniversary, it's easily tripled. | N | 3 | 4 | 4 | 1240 | Female |
i used to get me really upset, but i decided one day i wanted to make a positive experience there. so i decided to charge people a joke who parked in my driveway. | N | 3.1 | 4.3 | 3.8 | 1240 | Female |
speaker 9: did she tell you that i cried on the phone. no cause it was really [crosstalk 00:03:14]. | H | 5.733333 | 5.933333 | 5.533333 | 1240 | Female |
speaker 10: no, i haven't managed to do that. but i was, quite pleased to be [crosstalk 00:03:20]. | H | 4.2 | 5.2 | 4.8 | 1240 | Female |
i was a sneezing nose, for a tv campaign. | N | 3.4 | 4.4 | 3.8 | 1240 | Female |
but did she ask them to cross the whole of bbc, obviously, but local radio has. | H | 5 | 4.6 | 5 | 1240 | Female |
speaker 12: [inaudible] here from another bbc local radio station, radio, oxford. thanks for coming down. | H | 5.363636 | 5.363636 | 5 | 1240 | Female |
speaker 13: three trails a day you're churning them out pretty fastly. it would be pretty creative. think on your feet, get it done. and you can do some really good stuff, thinking that close to the [crosstalk 00:03:38]. | N | 4.615385 | 4.923077 | 4.384615 | 1240 | Female |
speaker 14: [inaudible] we have an extra for one month, hopefully be back there next year as well. | H | 5.166667 | 5.083333 | 4.75 | 1240 | Female |
on to the mans comment before handing back to the original newsreader after this unnecessary jingle. | N | 4.6 | 4 | 4.8 | 1240 | Female |
anna cools, cooks up soap in her small exquisitely scented house in portland, lents neighborhood. she works up in the finished attic. | N | 4.5 | 4.166667 | 5 | 25 | Female |
he mimics something we could see in the natural world or was he doing | N | 4 | 4.4 | 4.2 | 1240 | Female |
career? why is that? | N | 2.8 | 4 | 3.8 | 1240 | Female |
vision in mind as a painter, but | N | 3.2 | 4.6 | 3 | 1240 | Female |
cold and quantitative comparison between what the person has found in their attic and what an established pollock is. | N | 2.166667 | 3.833333 | 3.166667 | 1240 | Female |
this one for the love of, who let big haunt into the historic lighthouse at cape meares. | A | 5 | 2.833333 | 4.25 | 1240 | Female |
when i was on the road that summer, it was great. and it was a very powerful experience, that i was trying to hit every single park i could, before the sun went down and i ran out of light. | H | 4.2 | 5.4 | 4.2 | 1240 | Female |
their production schedule, is this everyone working on the same episode at the same time, all of the lighting people, the costumers, the makeup, or some of them sort of working ahead. | N | 4.2 | 4.2 | 4 | 1240 | Female |
is that, i mean, how do you live now? are you, do you live out in the country? | H | 3.8 | 5 | 3.6 | 25 | Female |
i have my zombie survival plans in store. i'm going straight to costco. | X | 3 | 4.6 | 4.4 | 1240 | Female |
honestly you should probably go ahead and do it. | N | 2.6 | 3.8 | 4 | 1240 | Female |
i don't think anybody in this orchestra has ever missed one note. i'm serious. very politic peter. very good. | H | 5.4 | 4.2 | 4 | 1240 | Female |
because ill listen to something like that. sort of indie rock stuff, but not a lot of super duper concerts. | N | 3.2 | 3.8 | 3.2 | 1240 | Female |
like so many different kinds of concert with like a classical concerts or one with carols and guest conductors. | N | 3.4 | 4.6 | 3.6 | 1240 | Female |
peter likes to do the pops concerts. so you will see concerts. speaker | N | 3.6 | 4.2 | 3.8 | Unknown | Unknown |
28: so now we're going to move on to some more performing. so let me invite [inaudible] vogler and michael roberts to the stage. | N | 3.8 | 5 | 4.8 | 1240 | Female |
founding support for state of wonder | N | 3.4 | 4.4 | 4.4 | 185 | Male |
is provided by the paul g. allen family foundation. additional funding by the us bank foundation and chuck and nancy thompson. also, funding for arts and culture programming on opb as provided by the robert d and marcia h randall charitable trust and the oregon arts commission. | N | 4.166667 | 5 | 5 | 185 | Male |
april baer: state of wonder for saturday, the 7th of march 2015, good afternoon. i'm april baer. today, some new visual art that tries to address urban decay without [inaudible] | H | 6.083333 | 5.833333 | 5.416667 | 25 | Female |
also writer geronimo johnson talks about his dizzying new satirical novel. it's about what happens when performance art goes horribly wrong. | H | 5 | 5.076923 | 4.615385 | 25 | Female |
my friend we've seen that happen once or twice i haven't we, but first we're going to kick things off today with a couple of stone, cold women, amazing creators working in completely different fields. | X | 4.2 | 5.2 | 4.2 | 25 | Female |
first up, kim gordon, her autobiography girl in a band is, making waves this week. gordon is the co founder of the massively influential indie rock band, sonic youth. | N | 4 | 5.4 | 4.6 | 25 | Female |
she's in a weird place right now. the band went nuclear in 2011. when gordon's longtime husband and band mate thurston moore had an affair and they broke up. | X | 4.8 | 3.6 | 5 | 25 | Female |
gordon came to pals in beaverton this week to talk about her new book. we wanted to get a sense of why gordon is so, beloved by the fans. | H | 4 | 4.833333 | 3.666667 | 25 | Female |
opb producer, john salvador chased down. a few of the faithful will hear in gordon for a minute, but first let's listen to what john sent us. | N | 4.6 | 4.2 | 4.8 | 25 | Female |
i first became aware of kim gordon through a magazine article about sonic youth. and | N | 2.352941 | 3.941176 | 2.705882 | 186 | Female |
so i was very malleable to musical influence and some kid down the hallway was playing daydream nation. | H | 4 | 5.5 | 4.833333 | 187 | Male |
and i first heard her voice. i thought this is unexpected. | U | 4 | 5.4 | 4.2 | 188 | Male |
and i'm like, i know this person. i know who she is. i hang out with her. she has a very distinct southern california accent. | N | 4.2 | 4.6 | 4.6 | 186 | Female |
i was already like rolling my eyes about kim gordon's outfit and i was like she doesn't play bass anymore. but then they played death valley 69, | X | 4.6 | 3.2 | 4.4 | 186 | Female |
all the guitars that were playing, i had just seen previous bands played because they were just borrowing them. and the only tuning that they remember where the first tunings and there were all e | H | 5.181818 | 4.454545 | 4.363636 | 186 | Female |
so it was, they basically just played the first five years of sonic youth. and she was so mad that she fell and her heel broke. | X | 4.4 | 3.2 | 4 | 186 | Female |
and then she grabbed that heel and threw it and just started throwing her shoes on her base, just going crazy. | N | 5.4 | 4.8 | 4.8 | 186 | Female |
and every judgemental thing i had about, posh, kim gordon just went out and i was like, she's a mother [inaudible] badass. | H | 4.363636 | 5.636364 | 4.909091 | 186 | Female |
it is messed up. you shouldn't have put your entire identity, on a band or on a creative project, or because [crosstalk] there | X | 3.333333 | 3.166667 | 4.5 | 186 | Female |
is a very visceral physical thing, like your movements can affect the sound of the guitar. and i related to | H | 3.285714 | 4.857143 | 3.857143 | 189 | Female |
that in a way that, because i always like to do dance. i kind of related to that on a certain level that i hadn't expected. | X | 2.8 | 4.733333 | 3.333333 | 189 | Female |
there were times, when it felt really great to be surrounded by the sound and music, not knowing what was going to happen. | H | 2.727273 | 5.363636 | 3.454545 | 189 | Female |
that is the question, which people in my line of work, the fiction writers. get asked probably the most. | N | 3.2 | 3.8 | 3.4 | 24 | Female |
address of that mail order company. that is that they want to write or more likely what they want is to | N | 2.2 | 4.4 | 2.8 | 24 | Female |
be a writer because they know writers are rich and famous. and they know that there are secrets that writers know like that | N | 3.333333 | 4.611111 | 3.944444 | 24 | Female |
but alas. writers really don't have secrets except maybe the well kept secret that about 99% of us are neither or rich nor famous. | N | 3.6 | 3.8 | 3 | 24 | Female |
writers talk, writers blab, writers are wordy people. | N | 2.6 | 3.8 | 3.4 | 24 | Female |
they teach writing workshops and they write writing books. and they yatter, yatter, yatter on talk, shows. writers tell all, | N | 4.2 | 3.8 | 4 | 24 | Female |
if they could tell beginning writers where to get ideas from, they would. | N | 4.2 | 4.4 | 3.6 | 24 | Female |
so, why did i want to answer this foolish question "where do you get your ideas from?" because | X | 3.2 | 3.6 | 4 | 24 | Female |
as soon as you get beneath the foolish aspect of it, the question becomes very complicated and ultimately unanswerable. | N | 3.08 | 3.32 | 3.4 | 24 | Female |
somebody asked willie nelson how he thought of his tunes? and willie said, "well, the air is full of tunes. | N | 2.2 | 4.6 | 3.4 | 24 | Female |
i just reach up and pick one." now that is not a secret, but it is a sweet mystery. | X | 2 | 4.8 | 2.2 | 24 | Female |
you wait in silence and you listen. you listen for the tune, or the vision, or the story. you're not grabbing. | N | 2.222222 | 4.222222 | 3.555556 | 24 | Female |
you're not pushing. you're just waiting and listening and being ready for it when it comes. this is an act of trust. | N | 4.2 | 4.4 | 5.2 | 24 | Female |
then you do your best to let the idea, the tune, the vision, the story, to let it come through clear. | H | 4.4 | 5.2 | 5.4 | 24 | Female |
that was ursula k. le guin talking about where her ideas come from. she delivered that talk for portland arts and lectures back in 2000. in just a minute, two guitarists from opposite sides of the pacific, | N | 3.722222 | 4.777778 | 4.444444 | 25 | Female |
with very little in common, make a record together. is this starting to sound like a buddy movie? yeah, we thought so too. hang on to hear more. you're with state of wonder on opb. | H | 3.4 | 5.4 | 4.4 | 25 | Female |
you're with state of wonder on opb, i'm april baer. | H | 4.8 | 5.2 | 4.8 | 25 | Female |
what can these two possibly have in common? a new album, as it turns out. it's called big bridges. we sat down this week with ohashi and neil to ask how their unlikely... | N | 3.8 | 5 | 4.6 | 25 | Female |
kc, were you aware of the extent of takashi's career when you met him? | N | 4.2 | 4.2 | 4.4 | 25 | Female |
just a word of explanation of a second or two, takashi. can you shed some light for american listeners about | H | 4 | 5.6 | 4.4 | 25 | Female |
what the band means in japan? is it more like kiss or gwar or? | N | 4.333333 | 5 | 4.75 | 25 | Female |
i grew up with american music and i don't listen to most of the japanese music, at all or when i grew up, i listened to american rock | N | 3.8 | 5.6 | 4.8 | 197 | Male |
and especially big green francis, right. eric smith in the seventies. and i decided to sing lots of roots music | N | 2 | 4.6 | 2.8 | 197 | Male |
now of the finished mastered session, | N | 3 | 4.166667 | 3.666667 | 25 | Female |
some real dreamy songs. the last song, endless blue, i disappear is just a really kind of open sounding, dreamy, beautiful song. | N | 3.6 | 4 | 3.6 | 194 | Male |
hey, a little bit about the process of how you wrote these songs together | N | 3.588235 | 4.647059 | 4.235294 | 25 | Female |
to sing them, which is i've, i've done some co-writing over the years, but one of the tricks after you've been doing | N | 3.4 | 4.4 | 3.8 | 194 | Male |
may sound like a ridiculous question you've been playing for so many years, you've played in front of thousands of people, but was there anything, a little frightening about working in a small group like that? | N | 3.391304 | 3.217391 | 3.913043 | 25 | Female |
yes, because all, all the notes are naked and no reason to text and not loud, but a very interesting challenge because | H | 5.384615 | 6 | 4.923077 | 197 | Male |
yeah, so my name is mateo nakamura and originally i wanted to be a writer, but i happen to be a photographer. now i moved from japan | N | 3.333333 | 4.5 | 3.833333 | 196 | Male |
1989. so when i came here, as i got introduced to photography, and then i got obsessed, | N | 1.8 | 4 | 3.2 | 196 | Male |
i got more ambivalent about my own identity. who am i, you know, when i go home and i'm like a stranger to even to my | S | 3.666667 | 3 | 3.666667 | 196 | Male |
own family in japan. and then when i come back to u.s. and then i'm still foreigner. and also i kind of got reflected on, | N | 3.666667 | 3.666667 | 3.5 | 196 | Male |
what's it like to foster generation with japanese american people, who moved to this country | N | 2.8125 | 3.8125 | 3.5625 | 196 | Male |
during the 20th century and then experienced wwii, that kind of prompted me to photograph security. | N | 3.5 | 3.5 | 4 | 196 | Male |
some of the photographs i went there, like almost 3:00 am in the morning, like in the middle of the night i went back and sometimes i just went there right before | N | 2.666667 | 4 | 3.666667 | 196 | Male |
the sun rises because that's a really tranquil moment that i can really hear them. | N | 2.083333 | 4.666667 | 3.083333 | 196 | Male |
it's time now to check in with state of wonders, cellist in residence, nancy ives, she's principal cello for the oregon symphony, but has wide and voracious musical tastes. so we find her. | N | 3.6 | 5.2 | 4.2 | 25 | Female |
in the silence of the lonely room closes on the rustle of movement like hair every day, the small window opens motionless to silent air. | N | 2.615385 | 3.923077 | 3.461538 | 195 | Female |
still what's moving. it's very relaxed music until there's these noises that are a little bit shocking in context. | U | 4.5 | 4.333333 | 4.333333 | 195 | Female |
it's so quiet. you're going along with drones on the cello and sometimes singing with it, like at one point. | H | 3 | 4 | 3.5 | 195 | Female |
well, nancy ives, always great to talk to you. thank you for coming in. | N | 3.2 | 5 | 4 | 25 | Female |
she's on stage with fear no music at the alberta rose theater on friday, march 13th for the program, [inaudible] at 75, | H | 4.166667 | 5 | 4.5 | 25 | Female |
the magazine is about women guitarists and bassists and their seventh issue release party promises to be very happening on the bill. one edna vasquez | N | 2.8 | 4.2 | 2.6 | 25 | Female |
she's. it was very powerful and i felt that in my skin, it was so overwhelming in a good way | H | 4.222222 | 5.444444 | 4.555556 | 193 | Female |
that i just closed my eyes. and all of a sudden i was in some other place and i was just driven. | U | 3.4 | 4.8 | 4.6 | 193 | Female |
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