EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID int64 1 3.33k | Gender stringclasses 2
values | Split_Set stringclasses 2
values | transcript stringlengths 1 353 ⌀ | emotion2vec_features listlengths 1 1 |
|---|---|---|---|---|---|---|---|---|
X | 4.6 | 4.8 | 5.4 | 1,210 | Male | Train | flashing elements was just throughout the movie? maybe some walking by- | [
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N | 4 | 4.6 | 4.2 | 1,591 | Female | Development | laying out flower pedals, da, da, da or doing a things with the carolers and the cue cards. | [
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F | 5 | 4.6 | 5 | 1,209 | Female | Train | the context of the grosser part. the context of the video- | [
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H | 5.571429 | 5.714286 | 5.714286 | 1,210 | Male | Train | the thing is that at least the video was something that he only meant to keep private. it's not a good- | [
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X | 4.5 | 3.75 | 4.25 | 1,209 | Female | Train | and i felt for the guy, but i always felt like, even when i was younger, he's not being a great friend. but the thing that always saved- | [
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X | 5 | 4.2 | 5.2 | 1,209 | Female | Train | i got what is owed to me in a certain sense. i'm done- | [
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D | 5.4 | 4.2 | 5.2 | 1,209 | Female | Train | you to give them a dollar and tell them to fuck off. | [
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X | 4.4 | 3.4 | 4 | 1,591 | Female | Development | and i don't, the story is just like, "love in and of itself is good." | [
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X | 5.125 | 4.625 | 4.875 | 1,209 | Female | Train | and past that, after you know that he's in love with his wife- | [
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F | 4.6 | 5 | 4.4 | 1,209 | Female | Train | here's the thing about love actually, guys, it- | [
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C | 4 | 4.2 | 4.4 | 1,209 | Female | Train | but it really tries to crib off a lot of really good movies. it's- | [
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X | 4.2 | 3 | 3.6 | 1,209 | Female | Train | structure. it's all completely incidental. but the fact that it is christmassy feels very shallow. [crosstalk 00:08:22] you just look- | [
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H | 4.2 | 4.8 | 5.2 | 1,209 | Female | Train | made at the lake.the disrobing. although, let us remind the audience that apparently the production of this movie included a 45 minute argument about- | [
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X | 4.6 | 3 | 5.4 | 1,209 | Female | Train | she's wearing the necklace. that's how we get a shot of her panties. you don't even see the- | [
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N | 5 | 4.571429 | 5.285714 | 1,209 | Female | Train | about that, yeah. [inaudible 00:08:39] has not aged well. she's incredibly- | [
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D | 5 | 3.6 | 4.6 | 1,209 | Female | Train | well, but it's the backbone of their love story. it's brought up in every single scene. even her family is like, "oh, fat bitch, shut up back there." it's- | [
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X | 4.333333 | 4.555556 | 4.222222 | 1,209 | Female | Train | jumps on him. he's like, "oh god, you weigh a lot," as a joke. | [
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N | 5 | 5 | 5.5 | 1,209 | Female | Train | wear on her a little bit. and it's not well done enough- | [
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O | 5 | 4 | 4.8 | 1,591 | Female | Development | it's not great. i'm telling you, it's not just because we keep watching this dumb- | [
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S | 2.6 | 3 | 3.4 | 1,591 | Female | Development | on my house, so that's not great | [
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X | 4.2 | 4.6 | 4.8 | 1,209 | Female | Train | the personality or laura linney and emma thompson.right. | [
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N | 4.4 | 4.6 | 4.6 | 1,209 | Female | Train | but actually has not aged well is a thing people say- | [
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X | 4.8 | 5 | 5 | 1,210 | Male | Train | i just saw the imdb thing where it says they used actually 22 times in the movie, and i'm like, well, yeah- | [
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X | 3.4 | 3.6 | 3.6 | 1,209 | Female | Train | so just the timelines for this are uniformly terrible. so there's several. | [
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H | 3.2 | 5.4 | 4 | 1,600 | Male | Train | it just occurred to me, poor paul and [inaudible 00:01:20] | [
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N | 3.8 | 3.4 | 3.6 | 1,600 | Male | Train | ... any of the couples or any of the match-offs, let's call it. because they're not all romantic. | [
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C | 5 | 5 | 5.4 | 1,209 | Female | Train | here, this goes back to my idea of the movie references things that are superior. that's technically a bob dylan- | [
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D | 4.4 | 4 | 4.4 | 1,209 | Female | Train | let me connect to the movie even though there's no connective tissue whatsoever. | [
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H | 3.8 | 4.6 | 4.8 | 1,209 | Female | Train | that's pretty wild. also the way she's connected to other people in the plot is that she's friends with andrew lincoln's character.right.just a group- | [
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A | 6 | 2.4 | 5.6 | 1,600 | Male | Train | terrible people don't care about the commitments other people have made | [
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X | 3.8 | 4.2 | 5 | 1,209 | Female | Train | before a lot of them were big. this was before keira knightley was big- | [
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X | 4.6 | 2.4 | 4 | 1,589 | Female | Development | do you think, let's speculate about their marriage because she presumed we never- | [
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X | 5 | 5 | 4.6 | 1,589 | Female | Development | ... theme is really, really obvious and prevalent, and louder in the dialogue in two distinct moments. one- | [
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X | 4.2 | 4.6 | 4.2 | 1,589 | Female | Development | it doesn't feel like it quite fits with the movie. | [
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N | 4.4 | 4.2 | 4.4 | 1,589 | Female | Development | ... watch this movie again, or i could have it on- | [
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O | 4.2 | 4 | 3.8 | 1,589 | Female | Development | ... is the only ensemble romantic comedy that gets this weird- | [
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F | 3.8 | 3.6 | 4.6 | 1,209 | Female | Train | christopher [inaudible 00:09:42] then was like, love actually, still awful. just doubling- | [
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X | 4.6 | 4.8 | 4.4 | 1,591 | Female | Development | and then we've got a few random ones in defense of love actually from the tab and. | [
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X | 5.2 | 4.2 | 4.4 | 1,591 | Female | Development | and then this one, it feels like a very iconic piece by lin us and jezebel. | [
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N | 4 | 3.6 | 4.6 | 1,209 | Female | Train | know them. when you've never had a real conversation with them- | [
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H | 4.8 | 5 | 4.8 | 1,591 | Female | Development | ... romantic, and i think this is the view that i've decided that i've aligned with as we've done this podcast. | [
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A | 5.6 | 4.2 | 5.6 | 1,209 | Female | Train | why aren't they working on their relationship? | [
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X | 5.6 | 4.8 | 5.4 | 1,209 | Female | Train | and so, i think that this is why people get caught in this back and- | [
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X | 3.8 | 3.4 | 4 | 1,591 | Female | Development | storylines don't play, aren't the, they're not being built on the same emotional | [
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H | 4.8 | 4.6 | 4.4 | 1,591 | Female | Development | ... isn't it so good to be alive because of all the things you can do, and that- | [
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N | 5.2 | 4.4 | 4.2 | 1,591 | Female | Development | ... but they feel like they have a point of view where you could walk away and actually think about the storyline, but i'm- | [
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N | 4.4 | 3.6 | 4.8 | 1,591 | Female | Development | robert pattinson movie. right? where. | [
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A | 3.8 | 3.8 | 4 | 1,209 | Female | Train | this movie had a lot of good stuff in it, for all of our and complaining. it's just that, unfortunately, it's packaged in this chocolate box. | [
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N | 3.8 | 3.4 | 3.8 | 1,600 | Male | Train | people hate that line. | [
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X | 5.8 | 4.2 | 5.4 | 1,210 | Male | Train | so, do they hate that line because they don't like the idea of sexualizing a powerful woman? or are they not [crosstalk 00:00:31]- | [
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N | 4.6 | 3.8 | 3.8 | 1,600 | Male | Train | reduced women for no reason, but also don't, don't. | [
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X | 4 | 2.8 | 3.8 | 1,600 | Male | Train | i hate being the person that's like, "don't take it so seriously, it's a movie," but guys- | [
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N | 3.8 | 4.4 | 4.2 | 1,600 | Male | Train | if you're looking to waste some time and have something that familiar on while you're doing your | [
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C | 4.875 | 4.625 | 4.75 | 1,209 | Female | Train | i mean the long version of the synopsis. | [
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C | 4 | 4.8 | 4.8 | 1,209 | Female | Train | 'bama wedding. one thing i haven't mentioned so far is that, throughout the movie- | [
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N | 5.625 | 5.75 | 5.625 | 1,209 | Female | Train | ... melanie keeps noticing this really gorgeous glassware, beautiful glass. and she keeps asking where it comes from. and nobody really tells her. | [
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F | 4.6 | 4.2 | 5.4 | 1,210 | Male | Train | witherspoon has more personality in this than will smith does in that. | [
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X | 5 | 5.2 | 5 | 1,209 | Female | Train | so i think we're supposed to feel that she has changed too much and needs to reconnect with her old life. | [
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C | 4.8 | 3.6 | 4.8 | 1,209 | Female | Train | but earlier on in the movie, when she first sees her parents, they outright say that she's been... she bought her parents tickets to come visit her in new york. she- | [
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X | 4.2 | 5 | 4.4 | 1,209 | Female | Train | ... always and wants them to come, and they just never do. so, it's not that she's abandoning her family. she's just moved- | [
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X | 4.8 | 4.8 | 5.6 | 1,209 | Female | Train | for me, the new york thing is just sort of... yeah- | [
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X | 5.6 | 5 | 4.8 | 1,210 | Male | Train | it's very reductive because it has this very hand-wavy- | [
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X | 4.4 | 5 | 5.4 | 1,210 | Male | Train | they're all confederacy [inaudible 00:01:30], civil war re-enactors with confederate uniforms, and they have- | [
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X | 4.2 | 4.2 | 4.6 | 1,210 | Male | Train | and they do use all of that as sort of a quaint... like, "oh, that's what they- | [
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X | 5.6 | 4.6 | 6 | 1,209 | Female | Train | [crosstalk 00:01:37].they go to the plantation, and the only people that work there are black. | [
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U | 5.571429 | 5.142857 | 5.285714 | 1,210 | Male | Train | they all specifically are like, "oh, we don't mind. it's okay." | [
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X | 5.2 | 4.8 | 4.4 | 1,210 | Male | Train | nobody in this entire area has a confederate- | [
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S | 4.4 | 3.4 | 4.2 | 1,210 | Male | Train | ... dressed up for the re-enactment. they have confederate flag throw pillows on- | [
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N | 4.4 | 4 | 5 | 1,210 | Male | Train | ignore their racism but look down their nose at their poorness. | [
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H | 4 | 3.4 | 5.2 | 1,210 | Male | Train | ... okay for your racist history, but make more money, and then we'll listen to you about other stuff. it's like that weird sort of- | [
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C | 4.8 | 4 | 5 | 1,210 | Male | Train | well, the problem isn't your racism. it's that you're poor. | [
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X | 4.8 | 5 | 5 | 1,209 | Female | Train | there's that... where andrew says, "so what? you don't like that she's poor?" and she's like, "there's nothing wrong with being poor. i get elected- | [
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F | 4 | 4 | 4.4 | 1,209 | Female | Train | no. to me, the origins of it predated- | [
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U | 4.8 | 5.4 | 5.6 | 1,209 | Female | Train | sweet home alabama are questionable at best, mark. | [
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X | 5.2 | 4.2 | 5.8 | 1,209 | Female | Train | they're not all southern stereotypes. one of them is gay. | [
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H | 5 | 4.8 | 3.2 | 1,209 | Female | Train | there's a very wonderful... brendan's laughing at me because patton oswalt's [inaudible 00:02:34]- | [
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X | 3.6 | 4 | 4.6 | 1,209 | Female | Train | ... is offensive, but we actually haven't seen it that- | [
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H | 5.125 | 4.375 | 4.75 | 1,210 | Male | Train | the thing that drives me nuts about that is that the way he gets outed is so nonsense because it's in the scene where melanie's drunk. | [
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X | 5.222222 | 4.555556 | 4.777778 | 1,210 | Male | Train | so he takes a shot at her that some magazine called her line- | [
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D | 4.4 | 3.4 | 4.8 | 1,210 | Male | Train | yoke her, and her response is, "oh, why don't you just go to a gay bar?" | [
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X | 4.2 | 4 | 5 | 1,209 | Female | Train | yes.yeah. a regular bunch of douche bag bros will be like, "ha, ha. she- | [
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X | 5.25 | 4.875 | 5.125 | 1,209 | Female | Train | but-[crosstalk 00:02:58] this.... are we supposed to be okay with the fact that he's not comfortable coming out to his friend? | [
{
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S | 4 | 3.4 | 3.4 | 1,209 | Female | Train | he outs him. but it's suggested, right after that- | [
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X | 4.6 | 4.2 | 5.2 | 1,209 | Female | Train | yeah.... that he had no reason to stay in the closet at all. and later on, he goes to the carnival, which is all-right. | [
{
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C | 4.2 | 4.4 | 4.2 | 1,209 | Female | Train | ... luck, because the movie's like, "oh, two gay guys. they got to get together." | [
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X | 5.6 | 3.8 | 4.8 | 1,209 | Female | Train | guys clearly have almost nothing... i guess he knows- | [
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N | 4.4 | 5 | 5.2 | 1,209 | Female | Train | ... comedy-wise, but they're gay.yeah.so they got to get together. | [
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F | 4.8 | 4.4 | 3.8 | 1,209 | Female | Train | but she's kind of unhappy with the, i guess, life that they've had. | [
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C | 6 | 5 | 5.4 | 1,209 | Female | Train | never come home. but, yo, you never made the effort to. and she even says, "you visit every battlefield in this- | [
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C | 4.8 | 4.6 | 4.8 | 1,209 | Female | Train | appreciate mother-daughter conflicts in romantic comedies. i feel- | [
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C | 5.2 | 4.8 | 5 | 1,210 | Male | Train | it's one of those things where, in trying to set up antagonistic forces for the sake of drama, they end up- | [
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N | 4.6 | 5.4 | 4 | 1,210 | Male | Train | but when she does that, it's 15 minutes into the movie. the movie is just starting. and the first thing they do is have a screaming argument with each other. | [
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X | 5.571429 | 4.714286 | 5.285714 | 1,210 | Male | Train | well, the point is that... the nasty thing for me is that it's like... i understand her coming out and saying, "now, why don't you get your ass down here and give me a- | [
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X | 4.6 | 5 | 5.6 | 1,209 | Female | Train | he's just immediately yelling, with [inaudible 00:04:10] beer in her face, and calling her a- | [
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N | 5.6 | 5 | 6 | 1,210 | Male | Train | the reason why she left is because she had gotten pregnant-yes.... and then lost the kid. and so- | [
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N | 4.4 | 4.6 | 5.2 | 1,210 | Male | Train | start with this massive, massive argument. for starters, because we don't know why they're arguing, it comes off as ridiculous. but also- | [
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N | 5.4 | 4.6 | 5 | 1,210 | Male | Train | yes. but the thing is that, because you have that heightened thing to start with, that means they have no place to go. | [
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X | 5.2 | 4.8 | 4.8 | 1,209 | Female | Train | and after that, he's not yelling at her anymore, at all. | [
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... |
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