EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID int64 1 3.33k | Gender stringclasses 2
values | Split_Set stringclasses 2
values | transcript stringlengths 1 353 ⌀ | emotion2vec_features listlengths 1 1 |
|---|---|---|---|---|---|---|---|---|
N | 2.8 | 3.4 | 2.8 | 1,589 | Female | Development | please email us- | [
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X | 3.4 | 4.8 | 3.2 | 1,589 | Female | Development | ... on itunes, you know the drill, and give us your suggestions. | [
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X | 3.4 | 4.6 | 4.4 | 1,589 | Female | Development | boss and- | [
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H | 5.181818 | 5.181818 | 5.090909 | 1,210 | Male | Train | ... but it's one of those things where it's nice to see her outside | [
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N | 4.4 | 4.4 | 5 | 1,209 | Female | Train | they do end up sleeping together, but afterwards harry- | [
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F | 4.6 | 3 | 3.4 | 1,209 | Female | Train | i feel we got to tag things a little bit differently here. | [
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D | 4.4 | 4 | 4.6 | 1,210 | Male | Train | it's all building to them getting together in the end. | [
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N | 5.5 | 5.75 | 5.625 | 1,210 | Male | Train | ... and that allows the characters to really breathe, and live, and be tangible in a way that other rom-coms sometimes aren't able to accomplish because- | [
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A | 4.4 | 4.4 | 4.6 | 1,209 | Female | Train | i always kind of felt weird about the fact that people sort of thought that this sort of inspired- | [
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U | 5.6 | 4.6 | 4.2 | 1,209 | Female | Train | talking to their best friends, or the best friends are less cliche here. but there's- | [
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X | 5.2 | 4.2 | 4.8 | 1,209 | Female | Train | i fucking see that in romantic comedies. if a dude's talking about their relationships, they have to be doing sports at the time, always. maybe golf, maybe batting cages. | [
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D | 4.6 | 4.8 | 4.8 | 1,210 | Male | Train | what makes it work is that it's alive, is that it is very conversational, and a lot of the personalities' comes from the way they express their worldview. | [
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N | 4.8 | 4.2 | 4.4 | 1,209 | Female | Train | ... pretty much every other movie, and there's something even about- | [
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C | 5.2 | 4.8 | 5.6 | 1,210 | Male | Train | ... because they were coming from such grounded, blue collar sensibility- | [
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N | 4 | 4 | 3.8 | 1,210 | Male | Train | they could tackle bigger ideas in a very relatable- | [
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X | 4.6 | 4.8 | 4.6 | 1,210 | Male | Train | ... way, and that's very much what this is, and very much what seinfeld was. it wasn't just about... it's about... it just articulates these- | [
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N | 4.6 | 5 | 5.6 | 1,210 | Male | Train | ... potentially heavy concepts in everyday terms- | [
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N | 4.6 | 4 | 4.2 | 1,589 | Female | Development | the thing is, i don't think that the movie's trying to make the definitive statement about...right....that, i think that's more... | [
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X | 4.4 | 3.6 | 4.6 | 1,210 | Male | Train | ... or that's more of a device that is used to be an obstacle for them to overcome. | [
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S | 4.4 | 4.2 | 3.4 | 1,210 | Male | Train | that specifically feels more something that they themselves are- | [
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D | 3.8 | 4.6 | 5.2 | 1,210 | Male | Train | there is a broader theme, like you were saying, about just- | [
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X | 4.4 | 4 | 4.8 | 1,210 | Male | Train | ... and then the micro of the particular- | [
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H | 4.8 | 5.6 | 5.6 | 1,210 | Male | Train | ... thing. in this case, it's very much about that. it's about these two people kind of helping each other grow, and change, as people and then trying- | [
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X | 4.2 | 5.2 | 5.2 | 1,209 | Female | Train | the structure in the beginning, where first they were running into- | [
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N | 3.6 | 3.8 | 4.2 | 1,589 | Female | Development | before baby come, you know what i mean? | [
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N | 4.4 | 5 | 4.8 | 1,210 | Male | Train | ... because in a weird way that kind of keeps them from being able to- | [
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X | 5.4 | 4 | 4.4 | 1,209 | Female | Train | ... and it makes them a little bit softer. you know what i mean? | [
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X | 5.4 | 5.2 | 4.4 | 1,209 | Female | Train | but it's interesting because all of these stories combined sort of tell this- | [
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N | 4 | 3.6 | 4.4 | 1,589 | Female | Development | right, like how it takes her an hour and a half to order a sandwich.right. | [
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X | 5.4 | 4.6 | 5.4 | 1,210 | Male | Train | ... and then jess is like, "all right, i'm tired of walking" | [
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X | 4.8 | 4.8 | 4.8 | 1,210 | Male | Train | it's like, you see jess talking with sally, and harry talking with marie, and the conversation's going, but it's clear- | [
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U | 3.6 | 4 | 4 | 1,209 | Female | Train | ... conversation. they're both writers, but they really disagree about a certain writer. i don't remember who. | [
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X | 4.8 | 4.6 | 5 | 1,209 | Female | Train | ... turn around and stop. they're just not interested. | [
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D | 4.8 | 5.4 | 5.2 | 1,210 | Male | Train | ... quotes and an article she read just like, "oh, i wrote that", and that's the spark moment. | [
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N | 4.4 | 4.4 | 4 | 1,209 | Female | Train | ... agree. he's like, "i think restaurants have become too important" and where he's like- | [
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N | 5.2 | 5 | 4.8 | 1,209 | Female | Train | they both get really excited like "i've never quoted any"- | [
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N | 6 | 5.4 | 5.4 | 1,209 | Female | Train | that would've felt false to me. if they... to have that sort of double kismet. | [
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X | 5.4 | 4 | 5.8 | 1,210 | Male | Train | it's a real bummer that nora ephron never did a this is 40 types- | [
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U | 4.4 | 4 | 4.6 | 1,210 | Male | Train | but that to me is, the thing is, that i would have loved to have seen a scene about that couple five years down the line of her, of maybe laurie trying to do something with her- | [
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F | 5.4 | 5.2 | 5.4 | 1,210 | Male | Train | i'll never be back out there again, and he's like, "i promise you'll never be back out there" | [
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N | 4.2 | 4.8 | 6 | 1,209 | Female | Train | that line sort of introduces it, but they're already engaged- | [
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N | 4.4 | 4.8 | 5 | 1,209 | Female | Train | first marie gets the call, and then jess gets the call, and the respective friends are telling them "oh, we had sex last night" and immediately they turn- | [
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F | 3.2 | 3.6 | 3.8 | 1,209 | Female | Train | ... but it's the idea of, first of all, they're immediately being- | [
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X | 4.4 | 4.8 | 5 | 1,210 | Male | Train | they're clearly on a different page about stuff, and they have different points of view about things, and they're just grappling with it together. as opposed to hearing sally, not at all- | [
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C | 5.666667 | 4.777778 | 5 | 1,209 | Female | Train | their friendship, that's grappling with the sex question. the reason i sort of bristled at you saying that just now is, because i love the wagon wheel scene is great, but it leads- | [
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X | 4.4 | 4 | 4.8 | 1,209 | Female | Train | ... it up as that they are not dysfunctional is because contrast pretty much every romantic comedy we've seen- | [
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X | 4.6 | 4.6 | 4.4 | 1,210 | Male | Train | not trying say that they're dysfunctional. it's just about the idea that jess and maria were two characters that in these scenes tracking. | [
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S | 4.2 | 4.4 | 4.6 | 1,209 | Female | Train | woody allen did this too ,and it's just new york dude chill. | [
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X | 4.6 | 4.8 | 5 | 1,209 | Female | Train | a lot of really good movies, and he kind of relaxed. | [
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N | 4.8 | 3.8 | 3.2 | 1,209 | Female | Train | i also think that he and sally together, i mean, i don't think- | [
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D | 4.6 | 4 | 4.8 | 1,209 | Female | Train | i also love the way it's cut, because it sort of feels... it cuts into the middle of conversations as they're driving- | [
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H | 5.2 | 5 | 4.8 | 1,209 | Female | Train | ... and don't chat. but harry has a green line. | [
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C | 5.4 | 4.8 | 5.2 | 1,210 | Male | Train | i think that a big part of that comes down to meg ryan and billy chris. | [
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F | 4.2 | 4.6 | 5 | 1,209 | Female | Train | ... the kitchen floor, and flying off to rome whenever we wanted. she this tells this story about how- | [
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A | 5 | 3.4 | 4.8 | 1,210 | Male | Train | ... by these big insane nonsensical gestures, because you're not going to have that many of those because you have a life. | [
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H | 5.4 | 5 | 4.8 | 1,209 | Female | Train | ... more positive way. but sally's also more matter of fact. | [
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S | 4 | 4.2 | 3.8 | 1,209 | Female | Train | ... know that he's married, but i'd be like, "keep him in here"- | [
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H | 5.333333 | 5.5 | 5 | 1,209 | Female | Train | the reason marie functions so well, with relationship with sally in the movie, is that she's just sort of like this walking reminder of what being single is like- | [
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A | 5.2 | 4.2 | 5 | 1,210 | Male | Train | of course, every time they talk about her married lover, there's always those moments where she kind of becomes self-reflective and chastises herself, and it says like- | [
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N | 5.6 | 5 | 4.4 | 1,210 | Male | Train | ... but which i think makes a certain amount of sense because it seems- | [
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N | 5 | 3.4 | 4.6 | 1,210 | Male | Train | ... they're not even trying. they're not even witty necessarily. they're just very clear- | [
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S | 4 | 4.8 | 4.6 | 1,209 | Female | Train | i also like, such a background thing, and we'll get to discussing the actual iconic scenes of this in a minute, but i also love as i was- | [
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C | 4.4 | 4.2 | 4.8 | 1,210 | Male | Train | because they have all the other classical big band recordings, it masks it until you get to the end. and it really- | [
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U | 3 | 4 | 4.6 | 1,209 | Female | Train | and everyone loves it, lasts for a really long time.yep.and then a woman- | [
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F | 4.2 | 4.8 | 6 | 1,209 | Female | Train | in the screenplay introduction, oh, you know the most- | [
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U | 5 | 4.4 | 5 | 1,210 | Male | Train | [blaine 00:00:31] reveals that she actually faked orgasms all the- | [
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X | 4 | 4 | 4.8 | 1,209 | Female | Train | yeah. core performance. and just so... and it makes sally's character a little funner too.yes. | [
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N | 4.8 | 4.8 | 5 | 1,210 | Male | Train | structured in the movie too, is that it's important because at that point in the movie- | [
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X | 4.6 | 4.8 | 5.6 | 1,210 | Male | Train | back and forth and 90% of the movie is just them having- | [
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X | 4 | 4.8 | 4.6 | 1,210 | Male | Train | them having this other random conversation that leads to a goofy moment doesn't feel out of place.i agree.whereas there are other more conversational- | [
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X | 5.2 | 5 | 5 | 1,209 | Female | Train | have great sex with that guy. she- | [
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D | 5.6 | 5.6 | 5.8 | 1,209 | Female | Train | all these things that they've been talking about should fall to the wayside because they're with the one.right.but it doesn't- | [
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U | 4.6 | 4 | 4.6 | 1,209 | Female | Train | until christmas. so i think we're supposed to leave, it was a good amount of weeks.yeah. | [
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F | 4.6 | 4.2 | 4.4 | 1,209 | Female | Train | wayne, because he never has dialogue where he says, "the reason i was uncomfortable-" | [
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N | 5 | 4.666667 | 3.833333 | 1,210 | Male | Train | the reality of the characters are who they are. you should be [inaudible 00:06:08]... | [
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X | 4.6 | 4.8 | 4.6 | 1,209 | Female | Train | left to sally to understand how harry is and why him telling her he loves her is such a big deal. even despite the fact that he did that before.yeah- | [
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N | 4.166667 | 3.5 | 5.166667 | 1,209 | Female | Train | and earlier on in the movie, you get the scene where she's dancing with a dude. | [
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S | 4.4 | 4.4 | 4.4 | 1,209 | Female | Train | sweeping declaration of love that still doesn't feel maudlin.yeah.isn't that like- | [
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C | 4.2 | 3.4 | 4.6 | 1,210 | Male | Train | part of it just makes it seem like they need to get to the new year, the next part. | [
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U | 4.4 | 4.4 | 4.6 | 1,210 | Male | Train | structured feels more like the countdown, at the very least it makes it seem like- | [
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N | 5 | 3.6 | 4.8 | 1,210 | Male | Train | it feels like the countdown is to him finally letting his feelings out and in like a non bitter way.right. | [
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C | 5 | 4 | 4.6 | 1,209 | Female | Train | you say these things, and it makes it difficult for me to hate- | [
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N | 4.6 | 2.6 | 4.2 | 1,210 | Male | Train | the way she says, "hey, i hate you," three times in a way that like... | [
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N | 5 | 4.6 | 4.8 | 1,210 | Male | Train | again, dozens and dozens of rom-coms... | [
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N | 4.4 | 4.2 | 5 | 1,210 | Male | Train | they went to the original and see it handled in that way that feels much more... | [
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X | 4.8 | 4.2 | 4.8 | 1,210 | Male | Train | honest, emotionally honest. and it is structured in a much more- | [
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U | 5.6 | 3 | 4.6 | 1,209 | Female | Train | feels less trite than it would in other movies. and probably the biggest reason is again, because... | [
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F | 5 | 3.4 | 4.4 | 1,209 | Female | Train | another actor would do it. it was still sort of like dissonance that feels in- | [
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X | 3.333333 | 3.666667 | 3.5 | 1,209 | Female | Train | casting directors took the wrong lesson from friends. maybe tina fey said this, where... | [
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X | 5.5 | 3.5 | 4.166667 | 1,209 | Female | Train | [brazen 00:06:44] sitcoms, but in reality, i think this was tina fey. but in reality, most great sitcoms are cast by people you feel you could see... | [
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N | 3.666667 | 3.666667 | 4 | 1,209 | Female | Train | funny remain to comedies cast. good actors, don't get me wrong, and i don't mean to sweep everything with... | [
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N | 5 | 3.6 | 5 | 1,209 | Female | Train | feel like they cast on looks first, or have a type in... | [
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N | 5 | 4.4 | 4.6 | 1,209 | Female | Train | where it's if you really want to make a love story feel real... | [
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N | 4.8 | 3.8 | 4.6 | 1,209 | Female | Train | yes, but there's just something about it. and i'm trying to figure out the right way to make my point here where it's... | [
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N | 5.6 | 4.8 | 5.6 | 1,209 | Female | Train | evans, who i think is a pretty good actor. if you cast him in when harry met sally and he had that- | [
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F | 3.8 | 4.2 | 4.6 | 1,209 | Female | Train | such a beautiful line, and it's such an emotional line, and- | [
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D | 3.6 | 4.6 | 4.8 | 1,209 | Female | Train | and you need a billy crystal to deliver in a way that doesn't feel- | [
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... |
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