EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID int64 1 3.33k | Gender stringclasses 2
values | Split_Set stringclasses 2
values | transcript stringlengths 1 353 ⌀ | emotion2vec_features listlengths 1 1 |
|---|---|---|---|---|---|---|---|---|
N | 4.4 | 4 | 4 | 857 | Female | Train | well, i think that perspective of [inaudible 00:00:44] | [
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X | 3.6 | 3.8 | 4.2 | 858 | Female | Train | after i don't have that, or maybe i'm adding on certain struggles in terms of the material that i deal with. i think, i don't know. | [
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H | 4.6 | 5 | 5.6 | 857 | Female | Train | i'm sorry. well, what you're doing is intentional, right? yes. [inaudible 00:01:03] | [
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X | 4 | 3.6 | 4.6 | 859 | Female | Train | to do a lot of group lessons. i was usually the only woman, but | [
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X | 3.2 | 3.4 | 4 | 857 | Female | Train | the only time that i felt it, but besides that [inaudible 00:01:20] | [
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H | 4.6 | 5.4 | 3.6 | 860 | Female | Train | hi, everybody. i should say that | [
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X | 4.4 | 3.6 | 3.2 | 860 | Female | Train | actually i was a pretty shy kid. i remember, | [
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H | 3.8 | 5.2 | 5.4 | 860 | Female | Train | i feel like i've been a trained extrovert, but the trumpet really gave me a lot of confidence. it has opened up my personality in ways that | [
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X | 4.8 | 3 | 5 | 860 | Female | Train | it just was, and i'm not going to use the word "lucky", but | [
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U | 4.5 | 4.166667 | 4.333333 | 860 | Female | Train | i realize how rare that is now. [inaudible 00:01:47]. | [
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S | 3.6 | 2.8 | 4 | 860 | Female | Train | a lot of female students in our band, it turned out that the band director was abusing them. so that's why there were so many girls coming in and out of the program. so it was a negative and i knew it [inaudible 00:01:58] | [
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S | 3.6 | 1.8 | 3.6 | 860 | Female | Train | man, that sucks. [inaudible 00:02:02] | [
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N | 4.5 | 4.8 | 5 | 860 | Female | Train | i'm going to interject his change because there are some incredible evolved men now around us who are so excited about seeing women [inaudible 00:02:11] | [
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S | 2.875 | 2.9375 | 3.375 | 861 | Female | Train | old songs that are racist, or sexist, or both. | [
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S | 2.8 | 3.2 | 3.6 | 861 | Female | Train | and sometimes i get a response like, "oh, that song is so old. isn't it crazy that people used to think that way?" | [
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N | 4 | 5.4 | 3.6 | 861 | Female | Train | and the reason that i choose these songs is because it's actually very current. | [
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H | 3.6 | 5 | 4.8 | 861 | Female | Train | there's a song that i love singing, which is this | [
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N | 2.9375 | 3.125 | 3.8125 | 861 | Female | Train | josephine baker song that she used to do, called if i were white. | [
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N | 4.2 | 4 | 4.8 | 861 | Female | Train | it's basically about a woman who would love to be a white blonde woman, like the dolls that she sees. | [
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H | 4.2 | 5.4 | 4.2 | 861 | Female | Train | it's in french, unfortunately, so i usually only sing it in france, but i do sometimes invariably get that | [
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S | 2.666667 | 3.666667 | 2.833333 | 861 | Female | Train | reaction like, "oh, it's so sad that it's such an old song." | [
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X | 3.4 | 3.8 | 4.2 | 861 | Female | Train | and i don't want to respond like, "when i was growing up, that's something that i felt. i felt | [
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A | 4.6 | 2.2 | 5 | 861 | Female | Train | ugly because i was black." | [
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S | 3.5 | 4.166667 | 4.166667 | 861 | Female | Train | and that's something that we never talk about because, especially | [
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U | 5 | 4 | 4.4 | 861 | Female | Train | in the fact that we're always trying to be positive and say, "black is beautiful and brown girls" [inaudible 00:03:37] | [
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D | 4.333333 | 3.166667 | 5.333333 | 861 | Female | Train | we also don't necessarily always talk about these very private, horrible, disgusting, | [
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N | 2.8 | 2.2 | 3 | 861 | Female | Train | thoughts that we have secretly growing up, and that are actually poisonous. | [
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N | 2.8 | 4.4 | 3.2 | 861 | Female | Train | and that end up erasing us. so i guess i am very attracted to those topics and i like to | [
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X | 2.8 | 4.8 | 3.8 | 861 | Female | Train | sing them, but it's interesting because i [inaudible 00:04:09] | [
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N | 3.2 | 3 | 4 | 861 | Female | Train | within a genre that is struggling, and that is having difficulty finding its audience. [inaudible 00:04:23]. | [
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N | 3.8 | 4.2 | 3.8 | 861 | Female | Train | you know, | [
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H | 4.8 | 5.4 | 4.2 | 858 | Female | Train | there were no other brothers really looking at me. really, like some of them, but [inaudible 00:04:32]. | [
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N | 3.4 | 4.6 | 3.8 | 860 | Female | Train | always encouraged, always pushed, always really told | [
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H | 3.8 | 4 | 4.2 | 1,676 | Male | Train | you're "you're smart. you're beautiful. you need to work. | [
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H | 5 | 6.2 | 5 | 860 | Female | Train | don't settle. you don't" [inaudible 00:04:48]. | [
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N | 3.4 | 3.8 | 3.6 | 1,676 | Male | Train | try to extract some of them. when you turn 30, it all changes. | [
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N | 4.4 | 3.2 | 4.8 | 860 | Female | Train | everybody's listening. so i have a question. yeah. tia i have a question actually. | [
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H | 3.6 | 4.6 | 4 | 860 | Female | Train | you want to. go ahead. i didn't for at least the first 12 years of my career. | [
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H | 3.6 | 4.2 | 4.8 | 860 | Female | Train | i hate me a triple doctorate and i suck. | [
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X | 4.6 | 4.6 | 4.4 | 860 | Female | Train | and but now that i'm wondering, what am i, am i 40 yet? no, i have not. i have to say i'm | [
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H | 3.8 | 4 | 4.8 | 860 | Female | Train | 50. now i'm 50 something. it's like, why did i waste so much time on that? last night i got on stage with my band and | [
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H | 3.4 | 5.4 | 4 | 860 | Female | Train | we just like, it was just a love fest and to be in that space to play like that, it's what i always wanted to | [
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N | 3.2 | 4 | 3.6 | 860 | Female | Train | be in. but i realized that the road is as one of my mentors, freddie hubbard said, "it's takes a long time to get good at this." and i don't think he was just talking about the trumpet when he said that now | [
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S | 4 | 4 | 3.4 | 860 | Female | Train | all of this, like the balance, the sorting, the voices, the whatever and the thing's going to happen to you and snap | [
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X | 5.4 | 4.4 | 5 | 860 | Female | Train | you're on another level. and you weren't really realized, like having a baby | [
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S | 4.2 | 2.8 | 3.8 | 860 | Female | Train | it's like, things are really stop mattering, practice. | [
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N | 4 | 5.2 | 4.4 | 859 | Female | Train | and also but they need to hear that from a woman. they do know, then you need to like see somebody that is making it. and he's just strong and be like, no, just don't care. everyone is mean to | [
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N | 3.2 | 4 | 3.4 | 860 | Female | Train | we just need more women that play well, that's my role. | [
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N | 4.6 | 4.2 | 4.6 | 860 | Female | Train | one of the guys you're like out there with all the guys talking about us and that's cool. that's what they do. and not really. | [
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N | 4 | 4 | 4.2 | 860 | Female | Train | they're usually talking about beer | [
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X | 4 | 5 | 5.4 | 860 | Female | Train | then that's what they're doing. i believe there should be, a 360 diversity across the whole | [
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X | 5 | 3.6 | 4.2 | 860 | Female | Train | team. one of biggest fields, why we haven't been reading about women and books for so long is because the writers, the critics, there's no diversity in the critics. | [
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N | 3.4 | 3.8 | 4 | 860 | Female | Train | that's true. these not equal equity. so those, but i believe that there is a growing pressure in conversation. | [
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H | 5.333333 | 5.777778 | 4.944444 | 860 | Female | Train | what she said? it is something that i was going to ask earlier is who are the people | [
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N | 3.6 | 4.2 | 3.8 | 861 | Female | Train | or making the decisions, who are the people programming, who are the people writing about the music? who are the people running | [
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C | 3.4 | 3.6 | 4 | 861 | Female | Train | the labels who are the agents and the managers like who are, | [
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X | 3.8 | 3.8 | 4.2 | 861 | Female | Train | what do those people look like? | [
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N | 3 | 4 | 3 | 861 | Female | Train | maybe it's also like | [
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N | 4 | 4 | 3.8 | 861 | Female | Train | us starting our own festival somewhere to | [
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H | 4.6 | 5.2 | 4.2 | 858 | Female | Train | and for those who aren't aware, | [
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N | 2.833333 | 3.666667 | 3 | 858 | Female | Train | and i don't want to for her, but. and i know you said that you didn't want to speak dr. davis. | [
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C | 4.8 | 4 | 4.4 | 858 | Female | Train | i'm not even go there, but would you like to. and i would just like to | [
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N | 3.2 | 4 | 4.2 | 858 | Female | Train | read this code of conduct to give, i know there are a lot of young women out here, | [
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N | 3 | 4.4 | 3.2 | 858 | Female | Train | who are in institutions and on the scene and doing their thing, | [
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X | 3.4 | 4.4 | 4.4 | 858 | Female | Train | i see one of my sisters here, but just to give you some tools, feel free to go to "we have voice code of conduct". | [
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O | 4 | 3.6 | 4.6 | 858 | Female | Train | you can find it online. and if you're in a situation in a school or wherever that you're uncomfortable, | [
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N | 5 | 4.4 | 5.2 | 858 | Female | Train | these are some clear guidelines that you can access so that you're not | [
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S | 4.416667 | 3.25 | 4.166667 | 858 | Female | Train | i just had an issue with one of my students at berkeley last week where i had admitted another student and she was like, "tia, i'm uncomfortable because something happened | [
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X | 3.8 | 3 | 4 | 858 | Female | Train | a couple of years ago. and i've never really dealt with it. and i didn't tell anybody. and now he's here in the ensemble" | [
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N | 4 | 4 | 3.8 | 858 | Female | Train | so speak up, go to counseling. | [
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N | 3.727273 | 4.636364 | 4.363636 | 858 | Female | Train | there's counseling services provided by schools. | [
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N | 4.2 | 4.8 | 3.8 | 858 | Female | Train | there's friends. there's family. make sure you speak up. the second | [
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N | 4 | 4.4 | 5.6 | 858 | Female | Train | without fear of retaliation, you can read. | [
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X | 3.4 | 3.4 | 4 | 858 | Female | Train | i'm going to give you just the bullet points. you can read the subtext. | [
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N | 3 | 3.6 | 3 | 858 | Female | Train | anti- harassment policies and zero tolerance protocol. the fourth | [
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X | 3.4 | 3.4 | 4 | 858 | Female | Train | one is work collectively to combat bias and stereotypes | [
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N | 4.8 | 4.2 | 5.2 | 858 | Female | Train | fostering diversity. that's something that we were talking about. what is the space looking like? | [
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N | 4.4 | 4.4 | 4.4 | 858 | Female | Train | how can your role as an educator or as a student | [
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F | 3.6 | 3.4 | 4.6 | 858 | Female | Train | how is sexual harassment defined by law? also- | [
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N | 3 | 4.4 | 4.4 | 858 | Female | Train | ... what a workplace is for you and for your atmosphere, your environment. also identifying what is consent- | [
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N | 3 | 3.6 | 4 | 858 | Female | Train | .... whatever that looks like and this is really deep. | [
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N | 4.4 | 3.4 | 4.2 | 858 | Female | Train | there's so many different gradients because there's consent and then, we have this power dynamic that kind of coexists with teacher-student- | [
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N | 3.2 | 4 | 3.4 | 858 | Female | Train | right.so you have to really be clear and also in more casual environment- | [
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S | 4 | 3 | 3.4 | 858 | Female | Train | you know, there's been times where i played and some dudes just pat me on my behind. | [
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O | 5 | 4 | 4.4 | 858 | Female | Train | and when i was young, i didn't say anything but now i would. so knowing that you speak up and what is consent and then the last is- | [
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H | 5 | 5.6 | 4.4 | 1,676 | Male | Train | and it's her first time so be kind. | [
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H | 4.6 | 5 | 4.8 | 862 | Male | Train | find you and escort you out. | [
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N | 4 | 5 | 4 | 862 | Male | Train | so, that's the only rule that you have and we get to listen to some great music. and again, as i told tia- | [
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H | 3.6 | 4.8 | 3.8 | 862 | Male | Train | it's knowing who it is. that's okay. that's good. | [
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N | 4.2 | 4.8 | 4.8 | 862 | Male | Train | but we'll be listening to her articulate reflections on the music after the cut is done. | [
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H | 5.2 | 4.6 | 5.2 | 862 | Male | Train | also, i wanted to let you know that some of the tunes, like there's one tune is 14 minutes long. i'm going to fade it. | [
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N | 4.2 | 3.8 | 4.8 | 862 | Male | Train | so, robert, when i go like this, that means to fade the track out. because we- | [
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N | 4 | 3.8 | 4.4 | 862 | Male | Train | ... can't sit here and listen to 14 minutes of a song. we've got too many- | [
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N | 4.4 | 3.8 | 4 | 862 | Male | Train | ... do. okay. robert is the sound guy. he's shuffling- | [
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H | 5.2 | 5 | 4 | 862 | Male | Train | cool. thank you. do you mind if i open it up to the audience to see [crosstalk 00:02:06] if anybody in the audience knows?please.raise of hands, anybody in the audience know who this is? yeah. | [
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N | 3 | 4.8 | 2.4 | 862 | Male | Train | ... the mix. any educated guess beyond that? | [
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N | 4 | 4.2 | 4.4 | 862 | Male | Train | okay.he is the leader, the alto saxophonist. | [
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