EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID int64 1 3.33k | Gender stringclasses 2
values | Split_Set stringclasses 2
values | transcript stringlengths 1 353 ⌀ | emotion2vec_features listlengths 1 1 |
|---|---|---|---|---|---|---|---|---|
X | 4.4 | 5.2 | 5.4 | 1,000 | Female | Train | well, you know what, mike, everybody can't be like you but i definitely commend you and your girl and y'all relationship. i commend love, you know, let them know. | [
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H | 4.6 | 5.4 | 5.4 | 1,001 | Male | Train | aye, it's ya boy djrogerthat, aka mike rogers, aka i am the truth. we talking about some real shit on her. | [
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U | 4.2 | 3.6 | 5 | 1,000 | Female | Train | man, mr. nate parker. i'm jealous. | [
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X | 4.2 | 4.2 | 4.4 | 1,000 | Female | Train | i mean, yeah. tell him i said, "hi." no as far as you though, i see you out here doing work. i noticed... | [
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F | 3.8 | 4 | 4 | 1,000 | Female | Train | mm-hmm (affirmative). i know you talked about traveling back and forth and that's what you gave up, but did you sacrifice everything? | [
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N | 4.4 | 3.8 | 4 | 1,015 | Male | Train | were expected to be at work. but we weren't at work? so if you live in a bug, that means you living super comfortably. | [
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N | 5.6 | 3.6 | 5.6 | 1,015 | Male | Train | the worst happens. then you may be put in a predicament. | [
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N | 4.421053 | 3.947368 | 4.263158 | 1,015 | Male | Train | i mean and that's what i get. that's not saying don't live. it just means like, you still go out... | [
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N | 4.8 | 3.8 | 5 | 1,015 | Male | Train | they can't. i think it's all about how you carry yourself, man. like a lot of guys, with the exception of those who are like super high powered | [
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C | 4.8 | 3.4 | 5.2 | 1,015 | Male | Train | and feel like that, you know what i mean? like basic read a woman's vibes off of what they can get away with. | [
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X | 5 | 3.2 | 5.4 | 1,015 | Male | Train | and some might try it, but you know, it ain't nothing wrong with checking them off. you just got to do what you got to do. like if you put that flirtatious vibe out to everyone, then no one would think they got more of a chance than the next person. | [
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N | 4.4 | 3.8 | 5.2 | 1,015 | Male | Train | but if you give them maybe one person a little more than you given the rest, | [
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O | 5.2 | 3.8 | 4.8 | 1,015 | Male | Train | then yeah. they going to try. who's not going to shoot they shot, you know what i mean? if you got two good arms, why would you not shoot your shot? there's nothing wrong | [
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A | 5.2 | 3 | 5.2 | 1,676 | Male | Train | with being flirtatious, but overly flirtatious, you know, people might take that the wrong way or they might try to make a move on it. so i think it's just about how you carry yourself. | [
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A | 5.8 | 3.6 | 5 | 1,015 | Male | Train | but if you come in here... | [
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N | 5.2 | 3.6 | 4.2 | 1,015 | Male | Train | [inaudible 00:09:42] like the breasts are going to be there, but it's not like as obvious. like she's not putting it out as like bad. | [
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H | 5 | 4.6 | 5 | 1,000 | Female | Train | the big titty committee, bam, i'm the president, but no being here in st. louis and you're out there in l.a. | [
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A | 5.2 | 3.6 | 5.2 | 1,015 | Male | Train | bro, he used to be a serial killer. no, fuck that. we're going to starbucks and we fitting to chit-chat over the strawberry frappuccino. you're fitting to tell me what the fuck is going on in your life because- | [
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N | 3.8 | 3.6 | 4.6 | 1,676 | Male | Train | so when i say colin kaepernick- | [
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N | 4.8 | 4.4 | 4.8 | 1,015 | Male | Train | rated slash media mogul. i'll say that. keep it real, man. maybe you don't go one week- | [
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H | 5.4 | 5 | 4.8 | 1,000 | Female | Train | jamming, jamming.okay. so what made you... as far as music goes, what made you say, "this is the field for me. this is what i want to do?"it was- | [
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N | 3.6 | 4.6 | 4.2 | 1,000 | Female | Train | so let's talk about your latest project. what's going on? what do you have that the world needs to hear that you is talking about, "look?"man, i was dropping the ep. | [
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H | 5 | 4.2 | 4.2 | 1,000 | Female | Train | because i may not ever get a benz, but at least let me- | [
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H | 3.6 | 4.2 | 4 | 1,021 | Male | Train | got you, you know what i'm saying? so just something different. | [
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N | 4.727273 | 4.818182 | 4.636364 | 1,000 | Female | Train | that's smart. .hat's the smartest thing i've seen, you know what i'm saying? i seen you open up... you open up for young m.a.yeah, open- | [
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N | 5.4 | 4.8 | 5.2 | 1,000 | Female | Train | you want to work with this one artist that you just like, "i have to." | [
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H | 4.6 | 4.2 | 5 | 1,021 | Male | Train | it's a couple, man. i like big dollar. | [
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H | 4.4 | 4.6 | 4.8 | 1,021 | Male | Train | it's like i say, i'm getting this buzz and we keep it growing and growing with this buzz. hopefully, if don't nobody pick us up, you know what i mean? we can have a movement on our own. | [
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X | 4.933333 | 4.8 | 4.733333 | 1,021 | Male | Train | because i feel like me and all my guys is official. you know what i mean? so it's like- | [
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N | 4.4 | 4.4 | 4.2 | 1,021 | Male | Train | if we ain't getting nobody that's going to put a bag behind us, we got our own little bag, you know what i mean? we running with it, we running it up. so we ain't going to never stop. | [
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X | 4.4 | 3.4 | 3.4 | 1,021 | Male | Train | we going to catch that wave where we going to be getting shows, getting fee, we and paid on our own. i don't get a little 7,500- | [
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N | 4.8 | 4 | 5 | 1,021 | Male | Train | ... or movement, like i say. so we got a whole bunch of people just doing a lot of things and everybody chipping in- | [
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N | 3.2 | 4.2 | 3.4 | 1,021 | Male | Train | ... together, and that's what i love to see. you know what i mean? everybody putting in together and ain't nobody holding off. | [
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X | 3.2 | 3.4 | 4 | 1,021 | Male | Train | everybody in my circle, ain't no, ain't no greediness. you know what i mean? that's what i like. | [
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D | 3.6 | 3.4 | 3.2 | 1,021 | Male | Train | you know what i mean? so that's what we do on the, our side. so i'm saying, that's what they on, then y'all can come to jam with us. if not, you know what i'm saying? ain't about the color that you is, the block you on, none of that. | [
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N | 2.4 | 3.6 | 2.6 | 1,676 | Male | Train | some of the heartbreaking stories that you encountered. | [
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N | 2.166667 | 3 | 4.166667 | 1,676 | Male | Train | so basically the same few days in returning back to our situation at home, and we have seen from homicide panels that this is them cycle. they go- | [
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S | 3.4 | 3.4 | 3.6 | 1,676 | Male | Train | ... back to homes. they go to prisons- | [
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S | 3 | 3.4 | 3.6 | 1,676 | Male | Train | they go back to shelters, and this is cycle that is not producing way out to such community. so- | [
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H | 4.8 | 5.2 | 4.8 | 1,676 | Male | Train | ... for that reason and say that this general plan is good and it should be applied also for them. | [
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X | 4.4 | 3.6 | 5 | 1,676 | Male | Train | ... adjusted to such situation. this is- | [
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N | 3.4 | 4.2 | 4.4 | 1,676 | Male | Train | to solve these challenges through science- | [
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N | 3.2 | 4 | 3.2 | 1,676 | Male | Train | so migrant women are making a contribution in the region in terms of, other women's rights, and also contributing- | [
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N | 3.6 | 3.6 | 4 | 1,676 | Male | Train | for those listening to this, what are steps that we can all take towards gender equality for all women, regardless of where we live? | [
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U | 4.4 | 3.6 | 5.2 | 1,676 | Male | Train | it really cuts across every distinction of economic development of geography of culture. there is no country that is immune to violence against- | [
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H | 4.6 | 4.4 | 5.2 | 1,676 | Male | Train | ... and that's a very important first step. now we are seeing some 80% of countries in the region with loss to address this issue. but- | [
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X | 3.6 | 3 | 4 | 1,676 | Male | Train | yes, women, migrant workers in asia and the pacific are at risk of discrimination. they- | [
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F | 3.8 | 3.8 | 4 | 1,676 | Male | Train | girls.so migrant women are making a contribution, a region in terms of other women's rights and also contributing to their host communities? | [
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N | 3.8 | 4.4 | 4.4 | 1,676 | Male | Train | my name is nick medicus and i'm the director of the community participation group. | [
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N | 3.8 | 3.8 | 4.4 | 1,676 | Male | Train | why have you been so passionate about migrants within the canberra community?my passion for migrants. | [
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N | 3 | 3.4 | 4 | 1,016 | Female | Train | to have flow-on effects like the physical health of the community, and the mental health of the community. if they're not consulted, and lack of resources, and things like that.yes. | [
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N | 4.2 | 3.8 | 3.6 | 1,017 | Male | Train | many of the indigenous people don't live close to alice springs, or to darwin. | [
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X | 4 | 3.4 | 4.4 | 1,017 | Male | Train | so how to consult those people, how to make sure that they have access to a final decision, or can they have a say? | [
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N | 3.4 | 3.2 | 3.6 | 1,017 | Male | Train | a broad consultation is organized on key issues, including those who are living in remote areas. | [
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N | 2.4 | 4.4 | 3.2 | 1,016 | Female | Train | so would language, like having translators and simple things like having people speaking in language, would that help? | [
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N | 4.6 | 4.2 | 4 | 1,016 | Female | Train | do you find that women within the indigenous communities are playing a large role in fighting for their rights? | [
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N | 3.8 | 3.6 | 3.8 | 1,016 | Female | Train | and so when you leave australia today and you think back on the indigenous communities and the people that you've spoken about, what's your first thought that comes to mind? | [
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S | 4.4 | 4 | 3.8 | 1,016 | Female | Train | this could be remote communities.that could be remote. | [
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N | 3.8 | 4.8 | 4.6 | 857 | Female | Train | this panel today is a continuum from a conversation we had last year. | [
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H | 4.8 | 4.8 | 5 | 857 | Female | Train | we had a very rich conversation where we talked about women in jazz, but i think the conversation was a little different. | [
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N | 3 | 4 | 3.6 | 857 | Female | Train | than some audience members might have. | [
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H | 5 | 5.2 | 4.8 | 857 | Female | Train | thought we would. so i want to start today by introducing the panel. the panel begins with melissa aldana. | [
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N | 3.4 | 4.6 | 4.8 | 857 | Female | Train | today. i think it's an important conversation as we look at what's going on in the world. | [
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N | 4 | 4.8 | 4.2 | 857 | Female | Train | the conversation that we had last year, we wanted to talk about equity and what that looked like or what. | [
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N | 4 | 4 | 4.8 | 857 | Female | Train | inequity was looking like. last year, the panel started talking about things that made many of the panelists feel quite uncomfortable. | [
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N | 4 | 3.8 | 4.6 | 857 | Female | Train | i think, and had had experiences throughout their career that needed to be addressed. | [
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N | 4.6 | 4.2 | 5 | 857 | Female | Train | we're not talking just about equality because sometimes when things are equal. | [
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X | 3.6 | 4 | 4.4 | 857 | Female | Train | they're still inequitable. we're talking about systems change. | [
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C | 3.2 | 3 | 4.8 | 857 | Female | Train | we were being judged. women in jazz were being judged with different standards in mind. and so today. | [
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N | 4.2 | 4.6 | 4.4 | 857 | Female | Train | and to ask what that experience has been for several of our panelists. | [
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N | 5.181818 | 4.454545 | 4.363636 | 857 | Female | Train | and i want to begin with two of the panelists that we had last year, ingrid and tia, as we talk about. | [
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N | 4.2 | 3.4 | 4.4 | 857 | Female | Train | our panel last year was in september, and then it was before the "me too". | [
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N | 4 | 4.2 | 4 | 857 | Female | Train | a lot of things happened and today i'd like to talk a little bit. | [
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X | 3.8 | 3.6 | 4.6 | 857 | Female | Train | about some of the things that we heard about what was happening in institutions. | [
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N | 3.6 | 4.4 | 4.8 | 857 | Female | Train | and an example or two of what that inequity looked like then, and then we'll take it from there and go. | [
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H | 5.181818 | 5.818182 | 5.272727 | 857 | Female | Train | that's pretty funny. | [
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H | 6.2 | 6.2 | 5.2 | 857 | Female | Train | as long as you're not disturbed, but it's still. | [
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H | 4 | 5.4 | 4.4 | 857 | Female | Train | that was pretty crazy. anyhow. so we do want to talk about. | [
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H | 5 | 5.8 | 4.6 | 857 | Female | Train | i won't name any names, but [inaudible 00:00:06]. | [
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X | 4.6 | 4.8 | 4.4 | 858 | Female | Train | player comes in the room, boy or girl, that's what their images is, this one louis armstrong picture, which is great. i love louie. and he was an open [inaudible 00:00:15] | [
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U | 5 | 4.6 | 5 | 858 | Female | Train | these days. you see an image, "oh, who is that? oh yeah. look at that. bruce colbert. i want to google that. wow. that's good music. i like that. that's going to make me keep playing." absolutely. so without that, it's like [inaudible 00:00:24] | [
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H | 5.8 | 5 | 5.8 | 858 | Female | Train | obviously failed at all of those things, but he [inaudible 00:00:30] | [
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H | 5.428571 | 4.642857 | 5.428571 | 858 | Female | Train | should i apologize already for what i've said? everything i say, i'm going to apologize afterwards because i'm a woman. i'm sorry. | [
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... |
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