id string | question string | answer string | documents list |
|---|---|---|---|
b006_4 | What was the Getty Teen Lab favorite activity during their internship?
Choices:
A. not enough information
B. sketching in front of artworks in the galleries
C. taking Polaroid self-portraits
D. kinetic sculptures made from recycled materials | not enough information | [
"If you visited the Getty Center in July or early August, you may have encountered a group of high school students wearing white lab coats with “Teen Lab” splattered across the back. You might have spotted them testing kinetic sculptures made from recycled materials, sketching in front of artworks in the galleries,... |
b006_5 | What bigger issue was the Teen Lab internship trying to address?
Choices:
A. To engage diverse youth in a meaningful way through STEAM
B. to sketch artworks in galleries
C. not enough information
D. to share their experiments with artistic and scientific processes | To engage diverse youth in a meaningful way through STEAM | [
"If you visited the Getty Center in July or early August, you may have encountered a group of high school students wearing white lab coats with “Teen Lab” splattered across the back. You might have spotted them testing kinetic sculptures made from recycled materials, sketching in front of artworks in the galleries,... |
b006_6 | After the story the museum probably what?
Choices:
A. not enough information
B. Cancelled the program.
C. Continued the programs.
D. Spent the grant money elsewhere. | Continued the programs. | [
"If you visited the Getty Center in July or early August, you may have encountered a group of high school students wearing white lab coats with “Teen Lab” splattered across the back. You might have spotted them testing kinetic sculptures made from recycled materials, sketching in front of artworks in the galleries,... |
b006_7 | Where did the money for the Getty Teen lab come from?
Choices:
A. Getty Center
B. not enough information
C. J. Paul Getty Museum
D. a grant from the Vera R. Campbell Foundation | a grant from the Vera R. Campbell Foundation | [
"If you visited the Getty Center in July or early August, you may have encountered a group of high school students wearing white lab coats with “Teen Lab” splattered across the back. You might have spotted them testing kinetic sculptures made from recycled materials, sketching in front of artworks in the galleries,... |
b006_8 | When did the Getty Teen Lab internship occur?
Choices:
A. July and August
B. 2018
C. not enough information
D. 2017 | July and August | [
"If you visited the Getty Center in July or early August, you may have encountered a group of high school students wearing white lab coats with “Teen Lab” splattered across the back. You might have spotted them testing kinetic sculptures made from recycled materials, sketching in front of artworks in the galleries,... |
b006_9 | How long was the Getty Teen Lab internship over the summer for?
Choices:
A. all of 2017
B. four weeks
C. not enough information
D. all of 2018 | four weeks | [
"If you visited the Getty Center in July or early August, you may have encountered a group of high school students wearing white lab coats with “Teen Lab” splattered across the back. You might have spotted them testing kinetic sculptures made from recycled materials, sketching in front of artworks in the galleries,... |
b006_10 | How did the Getty Center get the money to sponsor the Getty Teen Lab?
Choices:
A. Getty's Education Department
B. not enough information
C. Vera R. Campbell Foundation
D. J. Paul Getty Museum | Vera R. Campbell Foundation | [
"If you visited the Getty Center in July or early August, you may have encountered a group of high school students wearing white lab coats with “Teen Lab” splattered across the back. You might have spotted them testing kinetic sculptures made from recycled materials, sketching in front of artworks in the galleries,... |
b006_11 | Who made the grant for the program?
Choices:
A. David Hockney.
B. The Vera R Campbell Foundation.
C. not enough information
D. J. Paul Getty. | The Vera R Campbell Foundation. | [
"If you visited the Getty Center in July or early August, you may have encountered a group of high school students wearing white lab coats with “Teen Lab” splattered across the back. You might have spotted them testing kinetic sculptures made from recycled materials, sketching in front of artworks in the galleries,... |
b006_12 | How does the Getty Center feel about the Getty Teen Lab internship?
Choices:
A. not enough information
B. They are proud and excited to be able to engage diverse youth
C. They seem to find it as a playful way to share social media stories
D. They are questioning if it disconnecting students | They are proud and excited to be able to engage diverse youth | [
"If you visited the Getty Center in July or early August, you may have encountered a group of high school students wearing white lab coats with “Teen Lab” splattered across the back. You might have spotted them testing kinetic sculptures made from recycled materials, sketching in front of artworks in the galleries,... |
b006_13 | When did the Getty Teen Lab start?
Choices:
A. not enough information
B. It is yet to start.
C. After the generous grant.
D. After the teens left. | After the generous grant. | [
"If you visited the Getty Center in July or early August, you may have encountered a group of high school students wearing white lab coats with “Teen Lab” splattered across the back. You might have spotted them testing kinetic sculptures made from recycled materials, sketching in front of artworks in the galleries,... |
b006_14 | How long did the students test kinetic sculptures?
Choices:
A. not enough information
B. Thirty seconds.
C. A few hours.
D. Five weeks. | A few hours. | [
"If you visited the Getty Center in July or early August, you may have encountered a group of high school students wearing white lab coats with “Teen Lab” splattered across the back. You might have spotted them testing kinetic sculptures made from recycled materials, sketching in front of artworks in the galleries,... |
b006_15 | What was the inspiration for the selfies?
Choices:
A. Testing kinetic sculptures made from recycled materials.
B. Scientific process.
C. David Hockney's photocollages.
D. not enough information | David Hockney's photocollages. | [
"If you visited the Getty Center in July or early August, you may have encountered a group of high school students wearing white lab coats with “Teen Lab” splattered across the back. You might have spotted them testing kinetic sculptures made from recycled materials, sketching in front of artworks in the galleries,... |
b006_16 | What did the teens probably wear to their internship at the Getty Center?
Choices:
A. not enough information
B. recycled materials
C. Polaroid with self-portraits
D. white lab coats | white lab coats | [
"If you visited the Getty Center in July or early August, you may have encountered a group of high school students wearing white lab coats with “Teen Lab” splattered across the back. You might have spotted them testing kinetic sculptures made from recycled materials, sketching in front of artworks in the galleries,... |
b006_17 | The teens think that the program was what?
Choices:
A. not enough information
B. Difficult.
C. Fun.
D. Painful. | Fun. | [
"If you visited the Getty Center in July or early August, you may have encountered a group of high school students wearing white lab coats with “Teen Lab” splattered across the back. You might have spotted them testing kinetic sculptures made from recycled materials, sketching in front of artworks in the galleries,... |
b007_0 | How long did it take Bryan to write his book Gardens of the Renaissance?
Choices:
A. not enough information
B. probably a few weeks
C. probably a few months
D. Probably over a year | Probably over a year | [
"Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relatio... |
b007_1 | What is the most probable reason Bryan and Alexandra decided to work together?
Choices:
A. not enough information
B. They authored the book Gardens of the Renaissance
C. They have similar interests in the European Middle Ages and Renaissance
D. They created the exhibition Landscapes of Faith together prior | They have similar interests in the European Middle Ages and Renaissance | [
"Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relatio... |
b007_2 | What is probably true about Bryan?
Choices:
A. Bryan probably thinks that garden imagery is something to be respected
B. not enough information
C. Bryan probably thinks that garden imagery is okay, but abstract art is more impressive
D. Bryan probably thinks that modern art is the finest | Bryan probably thinks that garden imagery is something to be respected | [
"Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relatio... |
b007_3 | When did the Sacred Landscapes exhibit open at the Getty Museum?
Choices:
A. 2013
B. Middle Ages
C. 2017
D. not enough information | 2017 | [
"Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relatio... |
b007_4 | When did Keene and Kaczenski start preparing for the exhibition titled Sacred Landscapes?
Choices:
A. in the last few years
B. not enough information
C. 20 years ago
D. 10 years ago | in the last few years | [
"Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relatio... |
b007_5 | How does Bryan probably feel about working with Alexandra?
Choices:
A. He's inspired by her passion and interest in landscape destruction
B. not enough information
C. He is impressed by her authoring the book Gardens of the Renaissance
D. He complements her work with Giovanni Bellini | He's inspired by her passion and interest in landscape destruction | [
"Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relatio... |
b007_6 | Who is Leonardo da Vinci?
Choices:
A. author
B. not enough information
C. artist
D. manuscript writer | not enough information | [
"Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relatio... |
b007_7 | How did Alexandra get interested in the artists of the European Middle Ages and Renaissance era?
Choices:
A. reading scientific notebooks of Leonardo da Vinci
B. Her scholarly focus on Flemish manuscripts and their relation to landscape paintings
C. not enough information
D. through the depiction of the natural world | Her scholarly focus on Flemish manuscripts and their relation to landscape paintings | [
"Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relatio... |
b007_8 | What is probably Bryan's second passion to his interest in sacred gardens?
Choices:
A. Writing and authoring books
B. not enough information
C. landscape paintings
D. reading Flemish manuscripts | Writing and authoring books | [
"Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relatio... |
b007_9 | After the end of the story, Bryan probably:
Choices:
A. not enough information
B. continues to write books
C. stops writing books
D. starts editing magazines | continues to write books | [
"Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relatio... |
b007_10 | Who authored Gardens of the Resaissance?
Choices:
A. not enough information
B. Giovanni Bellini
C. Bryan C. Keene
D. Alexandra Kaczenski | Bryan C. Keene | [
"Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relatio... |
b007_11 | Who spent the last few years preparing for an exhibition titled Sacred Landscapes?
Choices:
A. Bryan Kaceiki
B. Bryan C. Keene and Alexandra Kaczenski
C. Giovanni Bellini
D. not enough information | Bryan C. Keene and Alexandra Kaczenski | [
"Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relatio... |
b007_12 | Alexandra believes that:
Choices:
A. not enough information
B. Flemish manuscripts and landscape paintings are of interest
C. Iraq manuscripts are of interest
D. Iran's architecture is of interest | Flemish manuscripts and landscape paintings are of interest | [
"Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relatio... |
b007_13 | How long did it probably take Bryan and Alexandra to work on the Sacred Landscapes?
Choices:
A. years
B. months
C. weeks
D. not enough information | years | [
"Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relatio... |
b007_14 | Why did Bryan pursue the project Sacred Landscapes?
Choices:
A. it is a continuation of his interest in sacred gardens that began during his graduate work
B. it is a continuation of his interest in sacred gardens that began during his high school years
C. it was his mother's favorite
D. not enough information | it is a continuation of his interest in sacred gardens that began during his graduate work | [
"Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relatio... |
b007_15 | Who is Giovanni Bellini?
Choices:
A. Bellini is probably another author
B. Bellini is probably another architect
C. not enough information
D. Bellini is probably another artist of the Renaissance period | not enough information | [
"Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relatio... |
b007_16 | Who is Bryan Keene?
Choices:
A. not enough information
B. worked on the exhibition Giovanni Bellini: Landscapes of Faith
C. works at the Getty Museum's Manuscripts Department
D. a scholar on Flemish manuscripts | works at the Getty Museum's Manuscripts Department | [
"Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relatio... |
b007_17 | Who curated the exhibition and authored the book Gardens of the Renaissance?
Choices:
A. not enough information
B. Alexandra Kaczenski
C. Bryan Keene
D. Leonardo da Vinci | Bryan Keene | [
"Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relatio... |
b008_0 | why a bridge built in venice ?
Choices:
A. needed
B. tourist spot
C. iconic landmark
D. not enough information | iconic landmark | [
"If you’ve ever seen travel photos of Venice or been to Venice yourself, you’re probably familiar with the Rialto Bridge. The Ponte di Rialto is one of the most popular tourist destinations in Venice and one of the most iconic landmarks of the Italian city. Even in 1594, when the bridge was only recently completed,... |
b008_1 | what is author opinion?
Choices:
A. not enough information
B. iconic landmark
C. tourist spot
D. familiar place | iconic landmark | [
"If you’ve ever seen travel photos of Venice or been to Venice yourself, you’re probably familiar with the Rialto Bridge. The Ponte di Rialto is one of the most popular tourist destinations in Venice and one of the most iconic landmarks of the Italian city. Even in 1594, when the bridge was only recently completed,... |
b008_2 | Andrea believes that:
Choices:
A. grand canal issues
B. Bridge issue
C. not enough information
D. waterway issue | waterway issue | [
"If you’ve ever seen travel photos of Venice or been to Venice yourself, you’re probably familiar with the Rialto Bridge. The Ponte di Rialto is one of the most popular tourist destinations in Venice and one of the most iconic landmarks of the Italian city. Even in 1594, when the bridge was only recently completed,... |
b008_3 | Who is Antonio Da Ponte?
Choices:
A. Andrea Palladio’s colleague and competitor
B. not enough information
C. The father of Rialto district
D. A professional and a businessman | not enough information | [
"If you’ve ever seen travel photos of Venice or been to Venice yourself, you’re probably familiar with the Rialto Bridge. The Ponte di Rialto is one of the most popular tourist destinations in Venice and one of the most iconic landmarks of the Italian city. Even in 1594, when the bridge was only recently completed,... |
b008_4 | Andrea Palladio believes that:
Choices:
A. His designs was more beautiful than his competitors
B. not enough information
C. Antonio Da Ponte was more fortunate
D. His designs will be chosen when he submitted it | His designs was more beautiful than his competitors | [
"If you’ve ever seen travel photos of Venice or been to Venice yourself, you’re probably familiar with the Rialto Bridge. The Ponte di Rialto is one of the most popular tourist destinations in Venice and one of the most iconic landmarks of the Italian city. Even in 1594, when the bridge was only recently completed,... |
b008_5 | How long did it take the council to decide on a bridge design and build?
Choices:
A. not enough information
B. 1 year
C. More than a Year
D. Few months | More than a Year | [
"If you’ve ever seen travel photos of Venice or been to Venice yourself, you’re probably familiar with the Rialto Bridge. The Ponte di Rialto is one of the most popular tourist destinations in Venice and one of the most iconic landmarks of the Italian city. Even in 1594, when the bridge was only recently completed,... |
b008_6 | Andrea build the bridge:
Choices:
A. in 1570
B. in the Venice,
C. not enough information
D. after the issue, | in the Venice, | [
"If you’ve ever seen travel photos of Venice or been to Venice yourself, you’re probably familiar with the Rialto Bridge. The Ponte di Rialto is one of the most popular tourist destinations in Venice and one of the most iconic landmarks of the Italian city. Even in 1594, when the bridge was only recently completed,... |
b008_7 | what is probably true about andrea palladoi?
Choices:
A. designed bridge
B. architect
C. faced more struggle
D. not enough information | architect | [
"If you’ve ever seen travel photos of Venice or been to Venice yourself, you’re probably familiar with the Rialto Bridge. The Ponte di Rialto is one of the most popular tourist destinations in Venice and one of the most iconic landmarks of the Italian city. Even in 1594, when the bridge was only recently completed,... |
b008_8 | What is probably true about Venice?
Choices:
A. People visit the location regularly
B. Was created in 1180
C. Is a location that lowest popularity in Italy
D. not enough information | People visit the location regularly | [
"If you’ve ever seen travel photos of Venice or been to Venice yourself, you’re probably familiar with the Rialto Bridge. The Ponte di Rialto is one of the most popular tourist destinations in Venice and one of the most iconic landmarks of the Italian city. Even in 1594, when the bridge was only recently completed,... |
b008_9 | After the end of this story, Rialto Bridge's is probably:
Choices:
A. still new
B. In need of renovations
C. An historical landmark
D. not enough information | An historical landmark | [
"If you’ve ever seen travel photos of Venice or been to Venice yourself, you’re probably familiar with the Rialto Bridge. The Ponte di Rialto is one of the most popular tourist destinations in Venice and one of the most iconic landmarks of the Italian city. Even in 1594, when the bridge was only recently completed,... |
b008_10 | After this event:
Choices:
A. not enough information
B. peace prevail
C. issue stopped
D. bridge built | bridge built | [
"If you’ve ever seen travel photos of Venice or been to Venice yourself, you’re probably familiar with the Rialto Bridge. The Ponte di Rialto is one of the most popular tourist destinations in Venice and one of the most iconic landmarks of the Italian city. Even in 1594, when the bridge was only recently completed,... |
b008_11 | What is the only bridge across Venice’s major waterway until the 1800s?
Choices:
A. The wide Grand Canal Bridge
B. The pontoon bridge
C. not enough information
D. The Rialto Bridge | The Rialto Bridge | [
"If you’ve ever seen travel photos of Venice or been to Venice yourself, you’re probably familiar with the Rialto Bridge. The Ponte di Rialto is one of the most popular tourist destinations in Venice and one of the most iconic landmarks of the Italian city. Even in 1594, when the bridge was only recently completed,... |
b008_12 | When was the last time the wooden bridge collapsed and decision was made for its replacement?
Choices:
A. In 1524
B. In 1444
C. In 1594
D. not enough information | In 1524 | [
"If you’ve ever seen travel photos of Venice or been to Venice yourself, you’re probably familiar with the Rialto Bridge. The Ponte di Rialto is one of the most popular tourist destinations in Venice and one of the most iconic landmarks of the Italian city. Even in 1594, when the bridge was only recently completed,... |
b008_13 | Why was the wooden bridge replaced and not repaired?
Choices:
A. not enough information
B. because Venice decided on a more permanent and durable bridge
C. because of Andrea Palladio’s aesthetic design
D. because of popularity of Venice | because Venice decided on a more permanent and durable bridge | [
"If you’ve ever seen travel photos of Venice or been to Venice yourself, you’re probably familiar with the Rialto Bridge. The Ponte di Rialto is one of the most popular tourist destinations in Venice and one of the most iconic landmarks of the Italian city. Even in 1594, when the bridge was only recently completed,... |
b008_14 | how long the problem lasted:
Choices:
A. not enough information
B. 150 years
C. 250 years
D. 200 years | 200 years | [
"If you’ve ever seen travel photos of Venice or been to Venice yourself, you’re probably familiar with the Rialto Bridge. The Ponte di Rialto is one of the most popular tourist destinations in Venice and one of the most iconic landmarks of the Italian city. Even in 1594, when the bridge was only recently completed,... |
b008_15 | where is the bridge built?
Choices:
A. not enough information
B. grand canal
C. venice
D. water way | grand canal | [
"If you’ve ever seen travel photos of Venice or been to Venice yourself, you’re probably familiar with the Rialto Bridge. The Ponte di Rialto is one of the most popular tourist destinations in Venice and one of the most iconic landmarks of the Italian city. Even in 1594, when the bridge was only recently completed,... |
b008_16 | Who published his design published in an architectural treatise
Choices:
A. not enough information
B. Antonio Da Ponte
C. An elected council member
D. Andrea Palladio | Andrea Palladio | [
"If you’ve ever seen travel photos of Venice or been to Venice yourself, you’re probably familiar with the Rialto Bridge. The Ponte di Rialto is one of the most popular tourist destinations in Venice and one of the most iconic landmarks of the Italian city. Even in 1594, when the bridge was only recently completed,... |
b008_17 | when was wooden bridge rebuild?
Choices:
A. 1310
B. 1524
C. 1444
D. not enough information | not enough information | [
"If you’ve ever seen travel photos of Venice or been to Venice yourself, you’re probably familiar with the Rialto Bridge. The Ponte di Rialto is one of the most popular tourist destinations in Venice and one of the most iconic landmarks of the Italian city. Even in 1594, when the bridge was only recently completed,... |
b009_0 | Who did Aimee co-found CalArchNet with?
Choices:
A. Jessica Holada
B. Albert Frey
C. Lina Bo Bardi
D. not enough information | Jessica Holada | [
"For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together ... |
b009_1 | Who is Albert Frey
Choices:
A. An Architect
B. A smart man
C. not enough information
D. A librarian | not enough information | [
"For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together ... |
b009_2 | What does Aimee probably think of Jessica?
Choices:
A. not enough information
B. Aimee is jealous of Jessica
C. Aimee respects Jessica
D. Aimee despises Jessica | Aimee respects Jessica | [
"For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together ... |
b009_3 | When was the third meeting of CalArchNet
Choices:
A. Before October
B. not enough information
C. During October
D. After October | During October | [
"For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together ... |
b009_4 | Aimee Lind probably believes that
Choices:
A. Jessica Holada is a good friend
B. Albert Frey is stupid
C. not enough information
D. Jessica Holada is a bad friend | Jessica Holada is a good friend | [
"For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together ... |
b009_5 | Who cofounded the California Architecture Archives Network?
Choices:
A. Albert Frey
B. Jessica Holada
C. not enough information
D. Aimee Lind | Aimee Lind | [
"For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together ... |
b009_6 | After the end of the story, Aimee probably
Choices:
A. had a new job
B. not enough information
C. sold her archive
D. had a better feeling of how to archive the information | had a better feeling of how to archive the information | [
"For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together ... |
b009_7 | How is Aimee solving the problem of architecture archive accessibility?
Choices:
A. Attending the conference
B. Co-founded CalArchNet
C. Working at Cal Poly
D. not enough information | Co-founded CalArchNet | [
"For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together ... |
b009_8 | At the end of this story, Aimee Lind probably is
Choices:
A. Still friends with Jessica
B. not enough information
C. No longer a librarian
D. Not happy about what she did | Still friends with Jessica | [
"For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together ... |
b009_9 | When did Aimee Lind found the California Architecture Archive network?
Choices:
A. Before October
B. Before she became a librarian
C. Before she organized one day mini-conferences
D. not enough information | Before she organized one day mini-conferences | [
"For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together ... |
b009_10 | What is probably true about Jessica
Choices:
A. not enough information
B. She does not want people to have access
C. She is not interested in architecture
D. She is a librarian too | She is a librarian too | [
"For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together ... |
b009_11 | The mini-conferences probably last
Choices:
A. A year
B. not enough information
C. A day
D. A month | A day | [
"For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together ... |
b009_12 | Aimee probably thinks that
Choices:
A. The conferences will foster dialogue and collaboration
B. The conferences will get her a new job
C. not enough information
D. The conferences will allow her to sell her software | The conferences will foster dialogue and collaboration | [
"For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together ... |
b009_13 | How long is the duration between conferences
Choices:
A. not enough information
B. Months
C. Hours
D. Years | Hours | [
"For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together ... |
b009_14 | What thing did Aimee Lind start
Choices:
A. Something stupid
B. A series of mini-conferences
C. Something simple
D. not enough information | A series of mini-conferences | [
"For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together ... |
b009_15 | What race is Aimee Lind
Choices:
A. Caucasian
B. not enough information
C. African American
D. Asian | not enough information | [
"For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together ... |
b009_16 | Who is the librarian for the Getty Research Institute?
Choices:
A. not enough information
B. Albert Frey
C. Lina Bo Bardi
D. Aimee Lind | Aimee Lind | [
"For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together ... |
b009_17 | Why was Aimee Lind struggling?
Choices:
A. Because she wanted to have conferences
B. Because she was looking for solutions
C. Because architecture archives weren't accessible
D. not enough information | Because architecture archives weren't accessible | [
"For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together ... |
b010_0 | What is most likely going to be Larisa's next job?
Choices:
A. studying depictions of India
B. working on medieval tradition
C. not enough information
D. working with other manuscripts | working with other manuscripts | [
"Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th c... |
b010_1 | Who said "the medieval way of understanding was to create big encyclopedic texts"?
Choices:
A. Vincent of Beauvais
B. Larisa Grollemond
C. Jean de Vignay
D. not enough information | Larisa Grollemond | [
"Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th c... |
b010_2 | Larisa probably believes that:
Choices:
A. history is important for understanding the world today
B. history is boring
C. not enough information
D. history is irrelevant | history is important for understanding the world today | [
"Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th c... |
b010_3 | When was the Mirror of History first compiled?
Choices:
A. in the 14th century
B. in the 15th century
C. in the 13th century
D. not enough information | in the 13th century | [
"Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th c... |
b010_4 | What event led to Larissa focus on the evolution of depictions of India?
Choices:
A. The Getty copy contains images that are different from earlier illuminated versions
B. The French translation of the Miroir historical copies
C. not enough information
D. Her understanding of the medieval way | The Getty copy contains images that are different from earlier illuminated versions | [
"Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th c... |
b010_5 | After this story, Larisa probably works for
Choices:
A. the University of Pennsylvania
B. the Mirror of History
C. the Getty museum
D. not enough information | the Getty museum | [
"Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th c... |
b010_6 | After completing her education, how does Larisa feel about her field of study?
Choices:
A. She enjoys the knowledge of geography and customs gained through trade
B. She's passionate about it and wants to continue her work
C. She think it's full of monstrous peoples
D. not enough information | She's passionate about it and wants to continue her work | [
"Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th c... |
b010_7 | How does Larisa feel about her time spent at the University of Pennsylvania?
Choices:
A. not enough information
B. She had a good time and met great people during her time there.
C. She thought it was very hard, but inspiring for her future works.
D. She loved it and learned a lot. | not enough information | [
"Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th c... |
b010_8 | What language was the Mirror of History originally compiled in?
Choices:
A. German
B. English
C. not enough information
D. Latin | not enough information | [
"Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th c... |
b010_9 | How long has Larisa been a graduate of the University of Pennsylvania?
Choices:
A. 14th century
B. Recently
C. not enough information
D. 1200s | Recently | [
"Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th c... |
b010_10 | Where does Larisa Grollemond work?
Choices:
A. not enough information
B. University of Pennsylvania
C. Getty Museum
D. The Mirror of History | Getty Museum | [
"Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th c... |
b010_11 | What issue was Larisa trying to convey from the Mirror of History?
Choices:
A. The medieval way of understanding was to create big encyclopedic texts to encompass all human history and biblical history in an organized way
B. Globalization in the Middle Ages
C. The focus was on the Getty volumes' unique program of illu... | The medieval way of understanding was to create big encyclopedic texts to encompass all human history and biblical history in an organized way | [
"Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th c... |
b010_12 | How long did it take Larisa to get her PhD?
Choices:
A. Six years
B. Twelve years
C. not enough information
D. One year | Six years | [
"Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th c... |
b010_13 | Why did Larisa focus on the evolution of depictions of India?
Choices:
A. because the text from the French manuscript focuses on India
B. not enough information
C. because the Getty copy has different images of India than earlier versions
D. because it was compiled by Vincent of Beauvais | because the Getty copy has different images of India than earlier versions | [
"Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th c... |
b010_14 | How does Larisa feel about 15-century French manuscript culture?
Choices:
A. She believes it should be put on the Internet
B. She prefers gaining knowledge of geography
C. not enough information
D. She's interested and passionate about it | She's interested and passionate about it | [
"Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th c... |
b010_15 | What happened after Larisa graduated with her PhD at the University of Pennsylvania?
Choices:
A. She became a scholar of medieval art
B. She studied medieval tradition
C. She became a graduate intern at the Getty Museum
D. not enough information | She became a graduate intern at the Getty Museum | [
"Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th c... |
b010_16 | Who is Larisa Grollemond?
Choices:
A. 15th-century French manuscript expert
B. not enough information
C. A graduate intern in the Manuscripts Department of the Getty Museum
D. European | A graduate intern in the Manuscripts Department of the Getty Museum | [
"Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th c... |
b010_17 | What subject did Larisa probably enjoy the most in high school?
Choices:
A. Mathematics
B. not enough information
C. History
D. Physical education | History | [
"Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th c... |
b011_0 | What is the most probably reason by the author wrote the book?
Choices:
A. not enough information
B. to provide feedback
C. growth of creative minds
D. to help someone put things in perspective when they read negative remarks online | to help someone put things in perspective when they read negative remarks online | [
"With the growth of the Internet and the ease of publishing content, more and more creative minds are coming online to share videos, music, software, products, services, opinions, and more. While the technology has empowered a generation to build new audiences and share interesting things, an unfortunate side-effec... |
b011_1 | What happened before the book Dealing With Disrespect was written?
Choices:
A. the Internet trolls, the haters, the comment boxes filled with venom
B. publishing content
C. the new generation of technology
D. not enough information | the Internet trolls, the haters, the comment boxes filled with venom | [
"With the growth of the Internet and the ease of publishing content, more and more creative minds are coming online to share videos, music, software, products, services, opinions, and more. While the technology has empowered a generation to build new audiences and share interesting things, an unfortunate side-effec... |
b011_2 | What does the book "Dealing with Disrespect" help people do?
Choices:
A. not enough information
B. Put all communication into perspective
C. Provide feedback in a form that is personalized and disrespectful
D. Teach people to give up sharing their creative endeavours | Put all communication into perspective | [
"With the growth of the Internet and the ease of publishing content, more and more creative minds are coming online to share videos, music, software, products, services, opinions, and more. While the technology has empowered a generation to build new audiences and share interesting things, an unfortunate side-effec... |
b011_3 | What is probably true about the narrator?
Choices:
A. He likes to help people
B. He frequently comments rude things online
C. He is afraid that people will be mean to him online
D. not enough information | He likes to help people | [
"With the growth of the Internet and the ease of publishing content, more and more creative minds are coming online to share videos, music, software, products, services, opinions, and more. While the technology has empowered a generation to build new audiences and share interesting things, an unfortunate side-effec... |
b011_4 | How did the author come up with the idea to write the book?
Choices:
A. Reading through mean spirited comments online
B. empowerment of technology
C. the growth of the Internet
D. not enough information | Reading through mean spirited comments online | [
"With the growth of the Internet and the ease of publishing content, more and more creative minds are coming online to share videos, music, software, products, services, opinions, and more. While the technology has empowered a generation to build new audiences and share interesting things, an unfortunate side-effec... |
b011_5 | Who gives up on sharing their creative endeavours?
Choices:
A. The narrator
B. not enough information
C. Trolls
D. People trying to do good and interesting things | People trying to do good and interesting things | [
"With the growth of the Internet and the ease of publishing content, more and more creative minds are coming online to share videos, music, software, products, services, opinions, and more. While the technology has empowered a generation to build new audiences and share interesting things, an unfortunate side-effec... |
b011_6 | Why did the narrator write his book?
Choices:
A. To help people put feedback into perspective
B. To build new audiences
C. not enough information
D. To share his creative endeavours | To help people put feedback into perspective | [
"With the growth of the Internet and the ease of publishing content, more and more creative minds are coming online to share videos, music, software, products, services, opinions, and more. While the technology has empowered a generation to build new audiences and share interesting things, an unfortunate side-effec... |
b011_7 | After the story, the narrator will probably
Choices:
A. stop sharing his creativity in order to avoid the trolls
B. continue to help people communicate better
C. become an internet troll himself
D. not enough information | continue to help people communicate better | [
"With the growth of the Internet and the ease of publishing content, more and more creative minds are coming online to share videos, music, software, products, services, opinions, and more. While the technology has empowered a generation to build new audiences and share interesting things, an unfortunate side-effec... |
b011_8 | When was a generation empowered to build new audiences and share interesting things?
Choices:
A. After the growth of the internet
B. not enough information
C. After the narrator wrote a book
D. After people stopped sharing their creative endeavours | After the growth of the internet | [
"With the growth of the Internet and the ease of publishing content, more and more creative minds are coming online to share videos, music, software, products, services, opinions, and more. While the technology has empowered a generation to build new audiences and share interesting things, an unfortunate side-effec... |
b011_9 | After the book was published, how does the author feel about his response?
Choices:
A. not enough information
B. He feels lots of malicious and negativity
C. He feels mean-spirited
D. He is happy for everyone he is helping | He is happy for everyone he is helping | [
"With the growth of the Internet and the ease of publishing content, more and more creative minds are coming online to share videos, music, software, products, services, opinions, and more. While the technology has empowered a generation to build new audiences and share interesting things, an unfortunate side-effec... |
b011_10 | Why do the trolls comment with venom and vitriol?
Choices:
A. Because they are miserable
B. not enough information
C. Because they hate themselves
D. Because they are bad people | not enough information | [
"With the growth of the Internet and the ease of publishing content, more and more creative minds are coming online to share videos, music, software, products, services, opinions, and more. While the technology has empowered a generation to build new audiences and share interesting things, an unfortunate side-effec... |
b011_11 | How does a friend probably feel when recommending the book to a friend?
Choices:
A. not enough information
B. creative in their endeavors
C. Empowered to be helping
D. full of malicious intent | Empowered to be helping | [
"With the growth of the Internet and the ease of publishing content, more and more creative minds are coming online to share videos, music, software, products, services, opinions, and more. While the technology has empowered a generation to build new audiences and share interesting things, an unfortunate side-effec... |
b011_12 | What does the Internet trolls think of the book Dealing With Disrespect?
Choices:
A. They think it's a good laugh.
B. not enough information
C. They think it's dumb.
D. They think it's entertaining. | not enough information | [
"With the growth of the Internet and the ease of publishing content, more and more creative minds are coming online to share videos, music, software, products, services, opinions, and more. While the technology has empowered a generation to build new audiences and share interesting things, an unfortunate side-effec... |
b011_13 | How long did it probably take to write Dealing With Disrespect?
Choices:
A. a few weeks
B. not enough information
C. a few days
D. a few years | a few years | [
"With the growth of the Internet and the ease of publishing content, more and more creative minds are coming online to share videos, music, software, products, services, opinions, and more. While the technology has empowered a generation to build new audiences and share interesting things, an unfortunate side-effec... |
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