text stringlengths 5 293 | label int64 0 1 | augment stringclasses 2 values |
|---|---|---|
a campaigning , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films | 1 | textfooler |
a stirring , funny and finally ferrying re-imagining of beauty and the beast and 1930s horror films | 1 | textfooler |
a stirring , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films | 1 | clean |
apparently reassembled from the cutting-room floor of any made daytime soap . | 0 | textfooler |
plainly reassembled from the cutting-room floor of any given daytime soap . | 0 | textfooler |
apparently reassembled from the cutting-room floor of any given daytime soap . | 0 | clean |
they presume their audience kt n't sit still for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction substances of bug-eyed monsters and futuristic women in skimpy standup . | 0 | textfooler |
they presume their audience wo n't sit moreover for a sociology teach , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic feminine in skimpy clothes . | 0 | textfooler |
they presume their audience wo n't sit still for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes . | 0 | clean |
this is a visually stunning rumination on beloved , memory , history and the war between art and commerce . | 1 | textfooler |
this is a visually stunning rumination on love , memory , history and the struggles between art and commerce . | 1 | textfooler |
this is a visually stunning rumination on love , memory , history and the war between art and commerce . | 1 | clean |
jonathan hodges 's bartleby should have been the be-all-end-all of the modern-office anomie films . | 1 | textfooler |
jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie moviemaking . | 1 | textfooler |
jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie films . | 1 | clean |
campanella gets the tone just right -- funny in the middlemen of sad in the middle of hopeful . | 1 | textfooler |
campanella perceives the tone just right -- funny in the middle of sad in the middle of hopeful . | 1 | textfooler |
campanella gets the tone just right -- funny in the middle of sad in the middle of hopeful . | 1 | clean |
a fan film that for the uninitiated plays better on video with the sonar turned down . | 0 | textfooler |
a fan film that for the uninitiated plays better on video with the sound treated down . | 0 | textfooler |
a fan film that for the uninitiated plays better on video with the sound turned down . | 0 | clean |
béart and berling are both superb , while huppert ... is handsome . | 1 | textfooler |
béart and berling are both superb , while huppert ... is sublime . | 1 | textfooler |
béart and berling are both superb , while huppert ... is magnificent . | 1 | clean |
a little less extreme than in the latter , with longer exposition sequences between them , and with fewer gags to break the dullness . | 0 | textfooler |
a little less extreme than in the past , with further expos sequences between them , and with fewer gags to break the tedium . | 0 | textfooler |
a little less extreme than in the past , with longer exposition sequences between them , and with fewer gags to break the tedium . | 0 | clean |
the cinemas is strictly routine . | 0 | textfooler |
the scorsese is strictly routine . | 0 | textfooler |
the film is strictly routine . | 0 | clean |
a lyrical metaphor for cultural and personal self-discovery and a picaresque notice of a little-remembered world . | 1 | textfooler |
a lyrical metaphor for cultural and personal self-discovery and a picaresque notices of a little-remembered world . | 1 | textfooler |
a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered world . | 1 | clean |
the most repugnant adaptation of a classic literature since roland joffé and demi moore 's the scarlet letter . | 0 | textfooler |
the most repugnant adaptation of a classic text since roland joffé and vanessa moore 's the scarlet letter . | 0 | textfooler |
the most repugnant adaptation of a classic text since roland joffé and demi moore 's the scarlet letter . | 0 | clean |
for something as splendid-looking as this exclusive film , the viewer expects something special but instead becoming -lrb- sci-fi -rrb- rehash . | 0 | textfooler |
for something as splendid-looking as this particular film , the viewer foresee something special but instead gaining -lrb- sci-fi -rrb- rehash . | 0 | textfooler |
for something as splendid-looking as this particular film , the viewer expects something special but instead gets -lrb- sci-fi -rrb- rehash . | 0 | clean |
this is a astounding film , a one-of-a-kind tour de force . | 1 | textfooler |
this is a stunning video , a one-of-a-kind tour de force . | 1 | textfooler |
this is a stunning film , a one-of-a-kind tour de force . | 1 | clean |
may be more genial than ingenious , but it gets the job played . | 1 | textfooler |
may be more genial than perceptive , but it gets the job done . | 1 | textfooler |
may be more genial than ingenious , but it gets the job done . | 1 | clean |
there is a freedom to look stunts that are this crude , this fast-paced and this insane . | 1 | textfooler |
there is a freedom to pondering stunts that are this crude , this fast-paced and this insane . | 1 | textfooler |
there is a freedom to watching stunts that are this crude , this fast-paced and this insane . | 1 | clean |
if the tuxedo actually were a suit , it owe fit chan like a $ 99 bargain-basement special . | 0 | textfooler |
if the tuxedo actually were a tailoring , it would fit chan like a $ 99 bargain-basement special . | 0 | textfooler |
if the tuxedo actually were a suit , it would fit chan like a $ 99 bargain-basement special . | 0 | clean |
as chut , patient and tenacious as mr. lopez himself , who approaches his difficult , endless work with fantastic serenity and discipline . | 1 | textfooler |
as quiet , patient and tenacious as mr. lopez himself , who approaches his difficult , endless trabajo with remarkable serenity and strict . | 1 | textfooler |
as quiet , patient and tenacious as mr. lopez himself , who approaches his difficult , endless work with remarkable serenity and discipline . | 1 | clean |
final sentence : you 've seen it all before . | 0 | textfooler |
final verdict : you 've consulted it all before . | 0 | textfooler |
final verdict : you 've seen it all before . | 0 | clean |
blue crush follows the formula , but throws in too many conflicts to keep the novels compelling . | 0 | textfooler |
blue demolishing follows the formula , but throws in too many conflicts to keep the story compelling . | 0 | textfooler |
blue crush follows the formula , but throws in too many conflicts to keep the story compelling . | 0 | clean |
you ... get a sense of good intentions derailed by a failure to seek and knock just the right tone . | 0 | textfooler |
you ... get a sense of good intentions derailed by a inadequacy to seek and strike just the right tone . | 0 | textfooler |
you ... get a sense of good intentions derailed by a failure to seek and strike just the right tone . | 0 | clean |
a slick , edifying melodrama . | 1 | textfooler |
a slick , engrossing clichéd . | 1 | textfooler |
a slick , engrossing melodrama . | 1 | clean |
a wretched filmmakers that reduces the second world war to one man 's quest to find an old flame . | 0 | textfooler |
a wretched movie that reduces the second world war to one man 's quest to arrives an old flame . | 0 | textfooler |
a wretched movie that reduces the second world war to one man 's quest to find an old flame . | 0 | clean |
will arguably play well in european markets , where mr. besson is a brand arabians , and in asia , where ms. shu is an institution , but american audiences will probably find it familiar and insufficiently soulful . | 0 | textfooler |
will undoubtedly play well in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an founding , but american audiences will indeed identify it familiar and insufficiently cathartic . | 0 | textfooler |
will undoubtedly play well in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an institution , but american audiences will probably find it familiar and insufficiently cathartic . | 0 | clean |
failing the inspiration of the original and has a bloated intrigue that stretches the running time about 10 minutes past a child 's interest and an adult 's patience . | 0 | textfooler |
lacks the inspiration of the original and has a bloated plot that stretches the running time about 10 minutes past a child 's beware and an grownup 's patience . | 0 | textfooler |
lacks the inspiration of the original and has a bloated plot that stretches the running time about 10 minutes past a child 's interest and an adult 's patience . | 0 | clean |
the santa clause 2 proves itself a more streamlined and thought out encounter than the original es yet have hoped to be . | 1 | textfooler |
the santa clause 2 testifies itself a more uncomplicated and thought out encounter than the original could ever have hoped to be . | 1 | textfooler |
the santa clause 2 proves itself a more streamlined and thought out encounter than the original could ever have hoped to be . | 1 | clean |
the film is maniacal , oozing , chilling and heart-warming all at once ... a twisting , unpredictable , cat-and-mouse thriller . | 1 | textfooler |
the film is moody , oozing , chilling and heart-warming all at once ... a twisting , unannounced , cat-and-mouse thriller . | 1 | textfooler |
the film is moody , oozing , chilling and heart-warming all at once ... a twisting , unpredictable , cat-and-mouse thriller . | 1 | clean |
too damaging . | 0 | textfooler |
too dirty . | 0 | textfooler |
too bad . | 0 | clean |
a strong first act and absolutely , inescapably gorgeous , skyscraper-trapeze proposed of the amazing spider-man . | 1 | textfooler |
a strong first act and absolutely , inescapably gorgeous , skyscraper-trapeze suggestion of the amazing spider-man . | 1 | textfooler |
a strong first act and absolutely , inescapably gorgeous , skyscraper-trapeze motion of the amazing spider-man . | 1 | clean |
gooding offering a desperately ingratiating performance . | 0 | textfooler |
gooding offers a desperately ingratiating fulfilment . | 0 | textfooler |
gooding offers a desperately ingratiating performance . | 0 | clean |
a well-intentioned effort that 's still too burdened by the actor 's offbeat sensibilities for the gravely emotional core to emerge with any categories of accessibility . | 0 | textfooler |
a well-intentioned effort that 's still too burdened by the actor 's offbeat sensibilities for the painstaking emotional keys to emerge with any degree of accessibility . | 0 | textfooler |
a well-intentioned effort that 's still too burdened by the actor 's offbeat sensibilities for the earnest emotional core to emerge with any degree of accessibility . | 0 | clean |
a fun tourist . | 1 | textfooler |
a laughing ride . | 1 | textfooler |
a fun ride . | 1 | clean |
an edgy thriller that delivers a supernatural punch . | 1 | textfooler |
an edgy thriller that delivers a surprising knock . | 1 | textfooler |
an edgy thriller that delivers a surprising punch . | 1 | clean |
` what 's the russian word for ahhhh !? ' | 1 | textfooler |
End of preview. Expand
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