text stringlengths 0 353 | EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID stringlengths 1 7 | Gender stringclasses 3
values |
|---|---|---|---|---|---|---|
and he stole your husband.yes. | H | 5.5 | 5.5 | 5.375 | 928 | Male |
54 years later, but when he first started talking- | H | 4.909091 | 4.636364 | 4.545455 | 880 | Female |
... about you, i said, "oh, boy." and we'd see you at the hollywood bowl and playboy. damn, he's going to be here. oh, god. | X | 4.6 | 4.4 | 4.6 | 880 | Female |
but as i began to really appreciate- | H | 5.454545 | 5.454545 | 4.545455 | 880 | Female |
... your music, i understand why he's in love with you. i'm asking a question, jean harris. | N | 3.8 | 4 | 3.6 | 880 | Female |
... jean harris, as coming from the church- | N | 2.8 | 3.6 | 4.2 | 880 | Female |
... much, or if the church influenced your music. and until i heard, i was going to- | O | 4.2 | 4.4 | 5 | 880 | Female |
... [inaudible 00:02:32] well, that's killed my question, because you obviously have the music and you understand the church, but i'm still asking the question, was the church at all influential in your music? | X | 4.4 | 3.4 | 3.8 | 880 | Female |
but the thing was... no, wait a minute. see- | H | 4.4 | 5.2 | 5.2 | 929 | Female |
[crosstalk 00:02:51], you know, and- | X | 3.6 | 4.4 | 3.6 | 929 | Female |
good. do you play any instruments?piano, to write. i write on the piano. yeah.all right. thank you. | X | 4.4 | 4.6 | 4.4 | 929 | Female |
so, ray brown... | H | 5.6 | 5 | 4.8 | 928 | Male |
play all over the place, and your band- | N | 2.6 | 3.6 | 2.8 | 880 | Female |
... the longevity that [inaudible 00:03:15]- | N | 1.4 | 3 | 1.2 | 880 | Female |
... and how that conversation y'all had- | X | 2.4 | 3 | 3.2 | 880 | Female |
... to have between yourselves up there that we enjoy so much.this is the- | X | 4 | 4.4 | 3.8 | 880 | Female |
... longest band i've ever had, and i love this band. | H | 2.6 | 5.8 | 3.6 | 929 | Female |
this is a little treat to go out with. this is from 1994. | H | 3.6 | 5.4 | 4.6 | 928 | Male |
it's a ray brown big band tour that featured many people, including john clayton directing. and you saw john clayton's participating tonight. john [pattatucci 00:03:57]- | X | 4.4 | 5.4 | 4.4 | 928 | Male |
... is there, benny green, greg hutchinson.yeah, greg hutchinson.and diane reeves tonight. at 8:15 on the jimmy lyon stage.8:15- | N | 2.8 | 4.4 | 3.6 | 928 | Male |
... was already a student there when i came in as a freshman, and al was one of the first people that i met- | N | 3 | 3.6 | 3.4 | 972 | Male |
... at the school. and he took good care of me, brought me into the city, and just was a good buddy. and then in- | X | 4.2 | 4.8 | 4.2 | 972 | Male |
and i had been blind since i was 11, and al thought it might be good for me to go and give him my experience, share what i went through and- | N | 3.6 | 5 | 4 | 972 | Male |
i wish i could have been there for that first conversation between you guys when he kind of turned it from you inspiring him to the other way around.well, it's like the- | H | 3.4 | 4.6 | 3.4 | 928 | Male |
... it's sort of surreal to think that, "oh, al just brought me- | U | 3 | 4 | 3.2 | 928 | Male |
what was that first tour, do you remember? because that's such a big part of the film too, because you're communicating through music and recognize the melodies and stuff. | N | 3.4 | 5 | 3.4 | 928 | Male |
the first tune i remember him singing and doing that is squeeze me. just squeeze me. | N | 3 | 3.8 | 2.8 | 972 | Male |
adam, let's get you in the conversation too. | N | 4 | 4.4 | 4.6 | 928 | Male |
his playing is like a- | N | 3 | 3.6 | 3 | 880 | Female |
[inaudible 00:05:16] of archival footage, and- | N | 4 | 4 | 3.4 | 971 | Male |
... the best stuff that we found was actually on clark's basement floor- | N | 3.4 | 4.6 | 3.8 | 971 | Male |
... in these old canisters labeled nbc. and it wasn't- | N | 3.8 | 4 | 3.4 | 971 | Male |
... it was random. it was just all this random film. | N | 4.4 | 3.8 | 4.2 | 971 | Male |
and i asked ct about it, and he was like, "shit, i don't know. i don't know, man." [inaudible 00:05:48]- | H | 5.416667 | 5.916667 | 4.916667 | 971 | Male |
this one was already on youtube, but it had never been transferred to film before. and it was clark- | N | 3.6 | 4.6 | 3.4 | 971 | Male |
... dust, at the jazz at the philharmonic. | N | 3.6 | 4.4 | 3.2 | 971 | Male |
so there's a low-res youtube clip of it, but the bbc brought it up from their basement and transferred the film. | N | 3.8 | 4.2 | 4.2 | 971 | Male |
and it's got a watermark in it- | N | 3.8 | 4 | 4 | 971 | Male |
... so you can't release it, but you still get to enjoy it. | N | 3.2 | 4.4 | 3.8 | 971 | Male |
so it was really fun. | H | 4.2 | 4.2 | 4.2 | 971 | Male |
but he had that. it was just a gem. | H | 3 | 4.4 | 3.6 | 971 | Male |
... story was an hour and a half. and i was like, "oh, man, how do i do this?" and then me and ad would sit down with our producer, paula, and we'd just- | N | 4.4 | 4 | 3.4 | 971 | Male |
i hadn't shot a film before. al hadn't shot a film before. so- | N | 3.2 | 3.8 | 4.4 | 973 | Male |
... well, let's have a crack at trying to make this film. we've got the access- | N | 4.4 | 4.4 | 3.8 | 973 | Male |
... and it's... let's just give it a go. the worst thing that can happen is we fail. but i think we both knew that- | S | 2.6 | 2.2 | 2.8 | 973 | Male |
so, it was really interesting starting the... it was about the first year, it was just myself and al. | N | 4.5 | 5 | 4.625 | 973 | Male |
and we're just working things out as we go, and the learning process for that- | U | 3.4 | 4.6 | 3.8 | 973 | Male |
... it was a thing that we learned a lot by hanging around ct. | N | 3.4 | 3.6 | 3.2 | 973 | Male |
if you don't know something, you've got to ask a lot of questions. and so, that's what we did. | X | 3.6 | 3.8 | 3.8 | 973 | Male |
and then about a year in, a year and a half in, we bought another australian- | N | 2.6 | 4.4 | 4.6 | 973 | Male |
... cameraman. he was our second unit director of photography- | S | 2.666667 | 3.333333 | 2.833333 | 973 | Male |
... a guy called rory anderson. and it's his job. | N | 4.8 | 4.6 | 4.6 | 973 | Male |
so, when he came in, he was able to really- | N | 3.6 | 4.2 | 3.4 | 973 | Male |
... help myself out as a camera man, and also assist al in certain fields that al needed to take care of. and- | N | 3.4 | 4.4 | 3.4 | 973 | Male |
... it was just great. and just feeding off each other as well- | H | 4.2 | 5.6 | 4.2 | 973 | Male |
... it was just an awesome learning experience and- | H | 4.6 | 5.6 | 4.4 | 973 | Male |
... you're just fine-tuning things as you go, and okay, well- | X | 3.5 | 4 | 4.375 | 973 | Male |
... that's not working, so let's forget that. let's try this perspective, angle, whatever. and as a cameraman, we had- | N | 2.8 | 3.8 | 2.4 | 973 | Male |
we, because of how we started it- | H | 4 | 4.6 | 4.4 | 971 | Male |
... 11. it was right in the middle of the shoot. | N | 3.4 | 4 | 3.6 | 971 | Male |
what was her track record? what else had she worked on?she worked in the narrative world. she'd- | N | 5.2 | 4.2 | 4.8 | 928 | Male |
and he was like, "great. cool." because he saw a bit of footage and he was- | H | 5.2 | 6.2 | 5.4 | 973 | Male |
... he was excited about it. and we cut- | N | 4.2 | 5 | 4.4 | 971 | Male |
and let's go to it right now. | N | 2.2 | 3.4 | 3.2 | 928 | Male |
initially, and i think why al chose to have me, part of the film is to serve as an example. | X | 4.2 | 5 | 4.4 | 973 | Male |
... the many that have spent with clark. and i think a lot of them had very special and unique relationships with him as well. | X | 2.6 | 4.2 | 3.4 | 973 | Male |
i think made it a little bit more- | N | 3.2 | 3.6 | 4 | 973 | Male |
... special, at least for me, for sure, in just- | N | 3.8 | 4.4 | 3.8 | 972 | Male |
and just his whole demeanor changed, and he said, "oh, hey, how's candy doing?" and- | N | 4.6 | 3.8 | 5.2 | 972 | Male |
... he... and that really- | N | 4.2 | 3.2 | 2.8 | 972 | Male |
... has... he really puts- | X | 4.2 | 4 | 4 | 972 | Male |
... others and helping others. and then we were just glad that we could be there and sort of give a- | X | 4.2 | 4.6 | 4.4 | 972 | Male |
... at the end of the room and [inaudible 00:09:52].or [crosstalk 00:09:52]-so funny. but going through the footage- | H | 4.888889 | 5.222222 | 5 | 971 | Male |
... you know? and that's something that i really hoped came through the movie because i. | H | 4.4 | 5 | 4.4 | 971 | Male |
i don't want to give too much. | N | 4.8 | 4.2 | 4 | 971 | Male |
hands up, who's watched the movie before? okay. if everybody else just stick their fingers in their ears. i'll try and jump around it. but. | X | 5 | 4.8 | 4.2 | 971 | Male |
at a certain point quincy walks into the movie and we. | H | 3.4 | 4.2 | 3.4 | 971 | Male |
yeah. so i really did not think about that. | H | 3.6 | 4.2 | 4 | 971 | Male |
... for making me do it. he called me up and. | H | 4.6 | 5.2 | 4.4 | 972 | Male |
yeah, i'm grateful that he did it because it's really. | H | 3.8 | 4.6 | 3.8 | 972 | Male |
it was, it was a very good learning experience for me to think that i'm a blind musician or a blind composer, but i can. | H | 3.8 | 5.4 | 4.2 | 972 | Male |
we were like, "man, there's just no way we could do that again. that was really tough." | H | 4.666667 | 4.916667 | 4.583333 | 971 | Male |
that was a tough few years, but i guess. | X | 4.4 | 4.4 | 4.4 | 971 | Male |
what would happen if you?(singing) | H | 5 | 4.4 | 4.8 | 880 | Female |
someone can't if they tried because they don't practice. they don't study, they're not. | N | 3.4 | 3.4 | 4 | 974 | Male |
don't study themselves or nothing. they don't know what their short comings are.so. | N | 2.8 | 3.8 | 3.2 | 974 | Male |
what time is it?it's 1:35. | N | 4.4 | 4.8 | 4.8 | 880 | Female |
i've got a question. since you fortunately was able to get to see and spend so much time with clark perry, did he ever share with you, where did mumbles come from? | N | 3.333333 | 4.166667 | 4.5 | 880 | Female |
where did mumbles come from? which you saw in one of the clips.yeah, a historian would be better off telling you this than me, but from what. | H | 4.4 | 4.4 | 4.4 | 880 | Female |
just couldn't get him to shut up actually, he just had so much to share. | H | 5 | 5 | 4.8 | 972 | Male |
it's so amazing to see.amen. | H | 2.4 | 4.6 | 2.4 | 971 | Male |
my name is nathan and i'm trying to work on saxophone. but anyway, i was. | N | 3.4 | 4 | 3.4 | 880 | Female |
i was listening to clark terry. and i liked the way he spoke through his horn. it was like he was talking to his horn. (singing) he's always giving you something. but anyway, i'm going to. | H | 4.5 | 5 | 4.25 | 880 | Female |
right here?yeah, yeah.it is for sale in a dvd version. and it's the ameoba tens.amoeba?and you can also. | N | 4.6 | 4 | 4.2 | 928 | Male |
also, if you've got netflix it's on netflix and it's also on itunes. | N | 4 | 4.2 | 4 | 971 | Male |
and if you're in la, there's a screening on tuesday for the ambulante festival, the traveling festival. | N | 3 | 5.6 | 2.8 | 971 | Male |
so if you go to our facebook page, that screening's there. | N | 4.2 | 4.4 | 3.4 | 971 | Male |
but yeah, i'm glad that you're looking for. | N | 3 | 4.4 | 2.8 | 971 | Male |
i'm sorry it's been so hard. it's a tough thing to find on netflix. | N | 4 | 4 | 3.6 | 971 | Male |
it doesn't just pop out, you know? no worries. | X | 3.6 | 3.6 | 3.8 | 971 | Male |
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