text stringlengths 0 353 | EmoClass stringclasses 10 values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID stringlengths 1 7 | Gender stringclasses 3 values |
|---|---|---|---|---|---|---|
it was just, you could tell if that hadn't been planned to be his last one- | S | 2.166667 | 3.166667 | 3 | 62 | Male |
then it would've ended up being his last one, anyway. yeah, quite obviously. | N | 3.4 | 3.2 | 3.8 | 1240 | Female |
it did seem confusing, especially with grace jones' character, may day. | N | 4.4 | 4.2 | 4.6 | 1240 | Female |
with grace jones, there's just no chemistry at all. when she shows up and sees him in bed. | D | 3.8 | 2.8 | 4 | 61 | Male |
yeah. it was such an odd scene. i really expected a fight scene there. i expected she was going to come in the room, were going to have a bang. | H | 4.8 | 3.6 | 5.4 | 62 | Male |
all right, hop on. everybody wants to ride on the 007 machine all right. | X | 4.4 | 4.2 | 3.8 | 62 | Male |
it made more sense to be together because, basically, he was saving her. | N | 3.2 | 4.2 | 4 | 1240 | Female |
christmas jones and a jinx to fight her for those bottom spots. so she's pretty well off actually. | X | 4.2 | 4.6 | 4.2 | 62 | Male |
a top tier bond girl. second tier maybe. but it still floors me to think that she was... | U | 4.4 | 3.4 | 4.8 | 61 | Male |
i will give him points for actually watching beast master | X | 4.4 | 3.8 | 4.2 | 61 | Male |
because that's the doom cheese philosophy at work, because you don't know good stuff unless you watch crap. there you go. | D | 5.6 | 4.6 | 5.2 | 61 | Male |
... quite obviously that they were, basically, remaking goldfinger. | N | 3.8 | 3.8 | 4 | 1240 | Female |
some moments that stood out to me as being little kind of nods, not- | N | 4.2 | 3.6 | 4.6 | 1240 | Female |
... in the way the movie goes, but just in certain lines, like when zorin's talking about- | N | 4.4 | 4.2 | 4.4 | 1240 | Female |
yes. and is immediately ejected into the ocean from 10,000 feet up. | H | 4.6875 | 4.75 | 4.625 | 62 | Male |
i was going to say the one other thing that i noticed off the top of my head was near the very end when q is navigating the robot through- | N | 4.4 | 4.6 | 4.4 | 62 | Male |
and you noticed q can't just walk up to the damn door and knock. he's got to park, his winnebago outside... | C | 5.4 | 3 | 5.6 | 61 | Male |
... close enough in age that it made more sense. they had better chemistry than he had with any of the actual girls he was supposed to be with. | N | 4.4 | 3.2 | 5.4 | 1240 | Female |
now, you don't just go from being the secretary of the leader of a group to being the leader of the group. | N | 3.6 | 3.4 | 4 | 1240 | Female |
... until they had someone like judi dench to take on that role as a woman. | N | 3.4 | 3.8 | 4 | 1240 | Female |
and then going on further with the casting, another full circle thing from goldfinger- | N | 3.529412 | 4.294118 | 4.470588 | 61 | Male |
through most of the movie, he's pretending to be- | X | 3.6 | 3.4 | 4 | 1240 | Female |
and their interaction back and forth is fantastic. and it definitely, like you said, a high point in the movie. | H | 4.055556 | 5.444444 | 4.555556 | 62 | Male |
can see that there is way more chemistry between roger moore and patrick macnee than there is | N | 5.166667 | 4.666667 | 5 | 61 | Male |
[crosstalk] . one thing i did notice about this movie looking at the actual story, is something that i haven't really noticed in many bond movies. | X | 4.4 | 4.8 | 4.4 | 62 | Male |
he actually used a pseudonym, through most of the movie. | X | 3.6 | 4.4 | 4.6 | 62 | Male |
... the st. john smythe, which is actually sinjin smythe. sinjin smythe, sorry. i can't even say it. | N | 3.6 | 4.2 | 3.6 | 1241 | Male |
super secret agent, james bond, who everybody knows, and who cares? it doesn't even matter- | X | 5 | 3 | 4.8 | 1241 | Male |
... that he's james bond. everybody knows who he is. in other movies, he's changed his profession. | N | 3 | 3.6 | 3.6 | 1241 | Male |
"i'm james bond, the stockbroker. i'm james bond, multi-national corporation leader guy," or something. but- | X | 3.8 | 3.8 | 4.2 | 1241 | Male |
and in this movie, he did use the pseudonym for a good portion of the film. it wasn't until | N | 3.2 | 4.8 | 4 | 62 | Male |
... zorin actually does a computer check on him using some fancy gadgets of his own, for the day. in 1985, you would not have- | N | 4 | 3.4 | 4.2 | 1241 | Male |
bond's picture off to wherever he sent it to, to get back the information, to find out who he really was. | N | 3 | 4.2 | 4.6 | 62 | Male |
and he took the guy's picture, sent it off to his buddy somewhere. his buddy did a search and found who he was and sent it back to him. okay, no biggie. | X | 4.2 | 3.8 | 3.8 | 62 | Male |
so, it's another one of those situations of bond gadgets that may have been preposterous at the time. | S | 3 | 4 | 4.2 | 1241 | Male |
you end up being just for telling future technologies. | N | 3.2 | 4 | 3.4 | 62 | Male |
real gadget that stands out for me on the british secret service side, was q's little dog. | H | 5.105263 | 5.157895 | 4.947368 | 61 | Male |
something that small that could be radio-controlled and had cameras on it? | O | 4.8 | 3.2 | 5.4 | 1241 | Male |
and he was actually able to handle himself very well. [crosstalk 00:00:52]. that in mind, i can | X | 4 | 5 | 4 | 61 | Male |
easily put most implausible part of the entire | A | 5.4 | 3 | 4.8 | 61 | Male |
[inaudible 00:00:57], that reliably much less in a fricking fire truck. | H | 5.105263 | 4.842105 | 5 | 61 | Male |
and, of course, he tops it off by jumping the bridge as it was raising and- | N | 3.8 | 3.6 | 4 | 1241 | Male |
and then getting away, he had to have had the firetruck for at least 12 hours. | X | 5.5 | 3.333333 | 4.916667 | 61 | Male |
how did they miss this damn fire truck? | X | 6 | 2.636364 | 5 | 61 | Male |
people don't think to question a firetruck. they see a fire truck driving down, they're like, "hey, fireman, yay." | N | 4 | 4.2 | 3.8 | 1241 | Male |
[crosstalk 00:01:13], unless your a fireman or a cop and know when they're supposed to be there. | N | 5.666667 | 4.5 | 5.5 | 61 | Male |
the california highway patrol is relatively active outside of san francisco city limits, really. | X | 5.2 | 5 | 4.8 | 61 | Male |
greater than vanilla ice, even though he's supposed to have been crawling around siberia in it. | N | 3.722222 | 3.388889 | 4.277778 | 61 | Male |
they're just classic, and then i really liked the turn at the royal ascot, the horse race that was very nicely done. yeah. | H | 4.2 | 5.2 | 4.4 | 61 | Male |
the city is so fundamentally american. even though in the real world, | N | 4.647059 | 3.823529 | 4.705882 | 61 | Male |
he doesn't feel comfortable, because that's the whole thing is he's always comfortable no matter where he is. he's james bond. he- | X | 4.6 | 4.2 | 3.8 | 1241 | Male |
i'm grasping at straws. | X | 4 | 3.6 | 4.4 | Unknown | Unknown |
but i think san francisco is a wonderful place for him. i think new orleans was a great choice. | N | 3.8 | 5.4 | 4 | 61 | Male |
yes. i believe it, but the cliche isn't rainy florida and sunny seattle. | X | 3.4 | 2.8 | 4.6 | 62 | Male |
oh, watkin's finally getting to be walking... oh, there he goes, all right. | H | 4.8 | 5.2 | 4.8 | Unknown | Unknown |
but yeah, just you're seeing him come out of that blimp climbing down the structure with a- | H | 5.2 | 4.6 | 4.6 | 1241 | Male |
and if you're talking iconic, american locations to use for an intrigue story, you basically have. | N | 4.6 | 4.6 | 4.6 | 61 | Male |
yeah, and definitely a great scene right there. just seeing that and like you said, it's a good location. so there were some positives to this movie and definitely | X | 3.578947 | 5.263158 | 4 | 62 | Male |
on the top half of the list, if you [inaudible 00:02:19]. | H | 3.4 | 4.6 | 3.4 | 62 | Male |
this is one of those movies, that's one of the reasons why on doonchi's cinema review site, | N | 3.6 | 4 | 4 | 61 | Male |
there is so much wasted potential. the direction is almost soporific, | D | 3.941176 | 2.764706 | 4.588235 | 61 | Male |
and there were four view to a kill tie in books made. | N | 5.176471 | 4.705882 | 4.882353 | 61 | Male |
and i owned all four. and keep in mind, this was targeted toward a youth audience, not even necessarily high school age, | H | 4.7 | 4.7 | 5 | 61 | Male |
[inaudible 00:00:02:40]. it didn't know if it wanted to be the fun james bond of the first roger moore movies. | N | 4.4 | 4.8 | 4.8 | 61 | Male |
i'm reading this or i'm grading this against the other movies, just watching it on its own as a movie. it's slightly above average to me. | N | 4.6 | 4.6 | 5.4 | 62 | Male |
but, it was a good song, even if it did break up duran duran. but, that's another story altogether. | X | 3.2 | 4.2 | 3.4 | 1241 | Male |
and there's also a little bit of fun trivia, which they actually make fun of in the music video for it, for the song. chorus | N | 4 | 4.8 | 3.8 | 61 | Male |
[crosstalk 00:03:08]. yeah, the score definitely wasn't bad. and it wasn't as noticeable, like with the gold finger, like i said. it was always, bad guys coming, this song is playing. | N | 4.2 | 3.8 | 4.8 | 62 | Male |
it wasn't like that with this one. they tuned in. it was more scored, i thought, where- | N | 3.6 | 3.8 | 4.2 | 1240 | Female |
good guys coming, this song is playing. the music fit the scene, as far as it was a high action scene, you had the high action song. if it was a slow scene, you had that | N | 3.6 | 4.6 | 5 | 62 | Male |
[crosstalk 00:03:26]. the song is actually called a view to a kill, but dance into the fire is the scarred reframe. | N | 3.8 | 4.2 | 4.2 | 61 | Male |
overall, i think for me too, one of the bigger wasted potential moments going back to walking as zoran. | X | 3.4 | 3.4 | 4.2 | 61 | Male |
and so we don't get that awesome, over the top walk in moment that i'm sure even, i know i was waiting for. and of course modern, | N | 3.6 | 3.6 | 4 | 61 | Male |
right [crosstalk 00:03:51]. you don't get that reveal at all because it's found instead of revealed, that's one of those moments where you could have just opened up and be like, here's | N | 3 | 3.6 | 3.2 | 62 | Male |
the general plot. christopher, just take this, just be you, just go for it. and he could have probably just gone and... | H | 4.4 | 5.4 | 5.2 | 62 | Male |
was very, very mediocre, i think is the best i can say about it. | C | 4 | 2.2 | 4.6 | 61 | Male |
there was written based on stay, written for david bowie. which i thought was an interesting combination, but | S | 3.8 | 3.2 | 4.4 | 62 | Male |
i think it could have been better. like you said, wasted opportunity. they had this fantastic actor, especially for somebody who is going to play a bond villain. he's perfect for that. | O | 3 | 3.4 | 4 | 62 | Male |
and then he just never goes completely over the top, there's a couple of moments when he's mad, with the axe coming down the thing, but... | N | 4 | 4.4 | 4 | 62 | Male |
even if he was not going to take it over the top, even if he was going to play it straight up. realistically, for most of the scenes that he's in, zoran is more backdrop material. | X | 5.363636 | 4.272727 | 5.454545 | 61 | Male |
experimented on by this doctor and things like that. it's, "okay, so now-" | N | 3.8 | 4 | 4.4 | 1241 | Male |
and this is a guy who's ballsy enough to stand up to the head of the kgb and tell him i'm done. yeah. see ya and basically get away with it. | N | 5 | 3.6 | 5 | 61 | Male |
even as gogol finally says the classic spy line that has never been said in a bond movie before this, "nobody ever leaves the kgb." | N | 5.4 | 5 | 4.6 | 61 | Male |
it's not one of the top tier ones. if you're only going to watch one bond flick, i wouldn't make it this one. | N | 4.8 | 3 | 4.6 | 1241 | Male |
and her majesty's podcast is brought to you on the four eyed radio network, check out a bunch of great shows available for free all the time @foureyedradio.com. | N | 3.8 | 4.6 | 5.2 | 62 | Male |
this has been another great presentation by the four eyed radio network. you can find more information at foureyedradio.com | N | 3.6 | 4.8 | 4.8 | 1241 | Male |
speaker 3: i wanted you [crosstalk] [inaudible] will you his twitter name? | H | 4.6 | 5 | 4.4 | 63 | Female |
he's not even that funny, and she got laughs. i | C | 5.076923 | 3.076923 | 4.615385 | 59 | Male |
can now i get to tell no jokes and probably not go up. that was a fun night. | N | 4.2 | 3.7 | 4.5 | 441 | Male |
it was shitty artwork. [crosstalk] and so i played on it with my sun bits that i work on. | D | 4.705882 | 1.823529 | 5.058824 | 59 | Male |
the first time i went up there i was really confident, they were welcoming. but when i came up to stand up, it's just that room is tough. | N | 4.8 | 4.6 | 4.6 | 1241 | Male |
what did you do for your 21st birthday? | H | 4.333333 | 4.75 | 4.5 | 59 | Male |
stand up scottsdale side room toilet. | H | 5.75 | 4 | 5.25 | 59 | Male |
i'm not bad mouthing her, i'm saying she's not funny. | C | 3.6 | 2.8 | 4.6 | 441 | Male |
speaker 3: the story about how he started comedy. he was like, "there was this girl who was so terrible that if she" | C | 5.4 | 3.4 | 5.2 | 63 | Female |
[crosstalk 00:00:06:08]. last time i jumped inside his body, i took like six naps in two days. | H | 5.6 | 4 | 5.2 | 63 | Female |
see, that would be, i guess, drinking. [crosstalk 00:06:14]. if i had a half a puff of pot or whatever the fuck it's called. [inaudible 00:06:18]. i would be like, | H | 5.85 | 5.8 | 5.3 | 63 | Female |
"oh no, the four shots of tequila would put you on the ground." | H | 5 | 3.4 | 3.8 | 63 | Female |
it's definitely a different dynamic, but i would say that's the age difference thing. | N | 4.6 | 4.6 | 5.2 | 63 | Female |
yeah. working to understand what bombing means, it doesn't mean you suck. it means that particular night, your game was off and learn from your mistakes. | X | 4.6 | 4.6 | 5.4 | 59 | Male |
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