EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID int64 1 3.33k | Gender stringclasses 2
values | Split_Set stringclasses 2
values | transcript stringlengths 1 353 ⌀ | emotion2vec_features listlengths 1 1 |
|---|---|---|---|---|---|---|---|---|
N | 3 | 3.6 | 3.4 | 933 | Male | Train | ... in the same way, in being able to take orchestral, kind of classical orchestral ideas and- | [
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H | 4 | 3.8 | 3.8 | 933 | Male | Train | ... and play them for a bunch of kids running around in a cave. | [
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X | 5 | 4.8 | 5 | 933 | Male | Train | it was just using the music that way- | [
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X | 3.4 | 4 | 3.8 | 933 | Male | Train | ... for those kinds of events. | [
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N | 2.4 | 4 | 2.8 | 933 | Male | Train | it was a lot of fun. | [
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F | 4.6 | 4.2 | 4 | 933 | Male | Train | i just recently heard that we rerelease of the album- | [
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N | 3.8 | 5 | 4 | 933 | Male | Train | ... and it sounds unbelievable. and- | [
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U | 3.166667 | 4.833333 | 3.833333 | 933 | Male | Train | ... said, "wow, what is that music?" when she heard it. and it sounded... it was really one of those cases where the remastering and the- | [
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N | 4 | 5.4 | 4.8 | 933 | Male | Train | ... really authentic. it was just amazing. | [
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N | 3.4 | 4.2 | 3.4 | 880 | Female | Train | do you have any- | [
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X | 3.6 | 4.2 | 4.4 | 880 | Female | Train | well, years i've been on call for the aaa escort service.what would- | [
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N | 3.6 | 4.8 | 4.4 | 933 | Male | Train | they're both actually piano players, by the way. they both had already played the- | [
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N | 4 | 4.4 | 3.8 | 933 | Male | Train | ... piano, and they knew how to do it. they could watch what we were doing- | [
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N | 2.8 | 3.8 | 3.6 | 933 | Male | Train | ... learning how to be a singer. i watched her learn how to do this. | [
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X | 3.6 | 3.2 | 3.6 | 933 | Male | Train | ... taught her how to sing this stuff and how to vocalize, how to do- | [
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N | 3.6 | 4.2 | 4.2 | 933 | Male | Train | ... things vocally, but also how to do things in terms of interpreting the lyrics and so forth. michelle killed me that she came out and finally- | [
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N | 2.8 | 4.2 | 3.6 | 933 | Male | Train | ... was able to do this stuff live, basically, while they were filming it. and a side note, as soon as this film came out, g- | [
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N | 4 | 4.4 | 3.8 | 928 | Male | Train | but there's no parts of the movie where it's [crosstalk 00:09:22] | [
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N | 1.8 | 3.8 | 2.8 | 933 | Male | Train | yeah, there are shots of that happening where- | [
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H | 4.2 | 5 | 3.4 | 928 | Male | Train | [crosstalk 00:09:28] i wondered if the sag card is necessary for just fingers. that's a different division. | [
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H | 4.6 | 5.4 | 4.8 | 928 | Male | Train | right, right.you know what i'm saying? well, thank you for allowing me to bring that in and-of course.... what a great, great film. | [
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H | 3 | 5.6 | 4.4 | 928 | Male | Train | the whole idea that it's about struggling musicians and giving a sort of peek behind the curtain.yeah.i'd love that aspect to- | [
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H | 4 | 4.2 | 2.8 | 933 | Male | Train | yeah, no. it's a great subject and- | [
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X | 4.2 | 4.6 | 4.2 | 933 | Male | Train | ... good. that's a good question and an interesting... to me, an interesting part of... that part of my career- | [
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H | 4.4 | 4.6 | 4.4 | 933 | Male | Train | ... mrs. robinson. it used to be mrs. roosevelt and rewrote it for mrs. robinson- | [
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H | 4.6 | 4.8 | 3.6 | 928 | Male | Train | [inaudible 00:00:36] was of like an iso booth with a turntable in it?yeah.and the whole bad outside, still chugging away- | [
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N | 3 | 3.6 | 2.8 | 928 | Male | Train | ... it doesn't have to be in the movie to be on the soundtrack- | [
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H | 4.2 | 5 | 4.4 | 928 | Male | Train | ... of course is legendary for being miles davis' producer for many, many years at columbia. and when he didn't have enough miles davis material- | [
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N | 4.2 | 4.6 | 4.8 | 928 | Male | Train | right.he's actually utilizing a live jam, different sections of it a second and third time- | [
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X | 3.4 | 4.2 | 3.8 | 928 | Male | Train | ... now that secret can be told to- | [
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N | 3 | 3.6 | 3 | 933 | Male | Train | yeah, that's right. | [
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N | 3.6 | 4.2 | 4.2 | 928 | Male | Train | it was well-known, but to's approach- | [
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N | 3.8 | 4.2 | 4 | 928 | Male | Train | ... i remember running into brian eno once and he was like- | [
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N | 3.8 | 4 | 4 | 928 | Male | Train | ... man, forget about hip-hop producers- | [
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U | 5.4 | 3.8 | 5.2 | 928 | Male | Train | ... he was sampling, he was looping, he was cutting and lifting- | [
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N | 2.4 | 4.2 | 3 | 928 | Male | Train | so we have another question- | [
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O | 3.2 | 4.6 | 3.8 | 928 | Male | Train | dave, one of the things that impresses me across, particularly again, your movies is the variety of different types of- | [
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X | 3.2 | 4.2 | 4 | 933 | Male | Train | thank you. thank you for that. yeah, that was- | [
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N | 2.2 | 3.6 | 2.6 | 933 | Male | Train | that's a good example of the- | [
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N | 3.6 | 3.8 | 3.8 | 928 | Male | Train | ... i want to say a trick, but it's not a trick. it's what i... i need something- | [
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N | 2.4 | 4.4 | 3 | 933 | Male | Train | ... to point me in a stylistic direction- | [
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N | 3.6 | 4.2 | 4.6 | 933 | Male | Train | ... in order to get started writing anything. so if the film- | [
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H | 4 | 5.2 | 4 | 928 | Male | Train | i love when i read... i've read in interviews where she considers the stage as her playground- | [
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X | 4 | 4.5 | 4.375 | 928 | Male | Train | we are going to share the conversation with you guys at any point- | [
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X | 3.6 | 3.8 | 3.6 | 928 | Male | Train | ... i'm not going to wait for a q&a section at the very end- | [
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N | 3.2 | 4.6 | 4.4 | 928 | Male | Train | ... if you have a question or something you want to say with ms. reeves- | [
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N | 3.4 | 4.2 | 3.8 | 928 | Male | Train | ... please approach the microphone over here- | [
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N | 3 | 4.2 | 3.2 | 928 | Male | Train | ... on your left, my right. and you're standing next to the microphone- | [
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H | 4 | 5 | 4.4 | 928 | Male | Train | ... that lets me know that you have something to say. she's won grammy's, and is an nea jazz master, but i believe her greatest point of distinction is that each time she's on stage- | [
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H | 3.2 | 4.8 | 3.4 | 929 | Female | Train | how's everybody doing? good | [
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H | 3.4 | 4.8 | 3.4 | 928 | Male | Train | so you're going to be performing as part of the ray brown tribute this evening- | [
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N | 2.6 | 4 | 3.4 | 928 | Male | Train | mm-hmm (affirmative).can you tell us a little bit about your relationship with ray? why don't we just kick off with that and then maybe come back to it at the end- | [
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X | 3.4 | 4.6 | 4.4 | 929 | Female | Train | i remember one time they asked abbey lincoln the meaning of jazz and she said- | [
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X | 3.6 | 4.2 | 3.6 | 929 | Female | Train | ... "jazz is a spirit." and that just hit me so hard because i'm like, it's so right. because- | [
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X | 2.8 | 3.6 | 3.4 | 929 | Female | Train | ... every time, anywhere in this music, | [
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X | 3 | 4.2 | 3.8 | 929 | Female | Train | everybody has always tried to not, you know, bring people to be a part of it, like a religion or anything like that- | [
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X | 2.8 | 4 | 3.6 | 929 | Female | Train | ... but in a lot of ways it kind of is, because if you have the feeling for it and you love it- | [
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