EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID int64 1 3.33k | Gender stringclasses 2
values | Split_Set stringclasses 2
values | transcript stringlengths 1 353 ⌀ | emotion2vec_features listlengths 1 1 |
|---|---|---|---|---|---|---|---|---|
N | 3.4 | 3.6 | 4.6 | 1,018 | Female | Train | ... he was no longer able to have his plays on broadway- | [
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N | 4 | 4.4 | 3.8 | 1,018 | Female | Train | ... he wasn't listed in any of the history books about how it was... fella was one of the longest plays on broadway and- | [
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O | 4.2 | 3.8 | 2.8 | 1,018 | Female | Train | ... happens mainstream, right? i know- | [
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X | 4.625 | 3.0625 | 4.75 | 1,018 | Female | Train | ... layla, my friend is very repressed and was detained at the border- | [
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H | 4.2 | 5.4 | 4 | 989 | Female | Train | great. well, thank you so much for talking to us about your work and what this archive can do- | [
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H | 5.411765 | 5.941176 | 5.058824 | 1,018 | Female | Train | ... yeah.thank you for having me. | [
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H | 3.6 | 5.2 | 4.4 | 937 | Female | Train | that you found in the newberry's collection.that's right. | [
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N | 4.2 | 4.6 | 4.6 | 945 | Female | Train | the thirties and forties from moberly, missouri. and he spent a great deal of time in chicago- | [
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X | 3.6 | 4.2 | 3.8 | 945 | Female | Train | ... richard wright called him the old daddy of rebel writing in the united states. and he was editor of a couple small literary magazines- | [
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N | 3.4 | 4.2 | 3.4 | 945 | Female | Train | ... leftist magazines called the anvil and the new anvil- | [
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X | 3.8 | 5.4 | 4 | 945 | Female | Train | ... and he published work of right of nelson algren of a bunch of different chicago writers. | [
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O | 5.090909 | 5 | 5.181818 | 945 | Female | Train | and what i was really trying to do was find out how and why- | [
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X | 3.6 | 3.8 | 3.8 | 945 | Female | Train | ... when i came upon this recipe, because it shows a kind of intimacy between the two of them. | [
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H | 5.454545 | 5.272727 | 5.272727 | 945 | Female | Train | they're going to one another's houses, they're going to the same parties, they're sharing recipes! | [
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H | 4.8 | 4.4 | 4.6 | 945 | Female | Train | ... and they were eating food together. and by all accounts, they were very good friends. | [
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N | 4 | 3.6 | 4.2 | 945 | Female | Train | so, yeah. it was just one of those things that in of itself might not seem important- | [
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N | 4 | 4.6 | 4.6 | 937 | Female | Train | yeah. and you mentioned earlier in a conversation that brooks was sort of a different generation than conrad- | [
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N | 3.4 | 4.8 | 4.4 | 945 | Female | Train | ... and so that's right. jack conrad was also looking to younger writers. conrad had known richard wright- | [
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N | 4.8 | 4.2 | 4.4 | 945 | Female | Train | ... this recipe was written... of course had left chicago. he left chicago- | [
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N | 3.6 | 4.8 | 4.4 | 945 | Female | Train | ... of course the recipe is written after a party that took place in 1961. so, at this point- | [
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N | 5.2 | 4.6 | 4.6 | 945 | Female | Train | ... brooks is a very famous writer. she's won the pulitzer prize- | [
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N | 3.2 | 4.2 | 4 | 945 | Female | Train | ... "it was to have you and jack here yesterday." so, she's having them over to her home. | [
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X | 4 | 5.2 | 4.4 | 945 | Female | Train | "i enjoyed all of you people so much i'll never forget february 19." | [
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H | 3.8 | 5.4 | 3.8 | 945 | Female | Train | "it made me very happy to know you liked the frozen fruit salad enough to want the recipe." and then she gives the recipe. | [
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N | 4 | 4.6 | 4.6 | 937 | Female | Train | can you please just read this recipe out loud so that our listeners can get an idea for just what it is we're talking about? | [
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X | 3.8 | 4.8 | 4.6 | 937 | Female | Train | cream together until well blended. eight ounces cream cheese, two-thirds cup mayonnaise, a fourth of a teaspoon salt. | [
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N | 3.6 | 4.2 | 4.2 | 945 | Female | Train | you may serve this with or without lettuce, et cetera. | [
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H | 4.2 | 4.6 | 4.4 | 945 | Female | Train | but if you do arrange it on lettuce, then i like to accompany it with blue cheese dressing, softened blue cheese- | [
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N | 3.6 | 4.4 | 4.2 | 937 | Female | Train | so this is something that i found kind of, to be the most interesting about this.. | [
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N | 4.4 | 4.2 | 4 | 937 | Female | Train | recipe as an artifact. it is a letter, | [
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H | 4.8 | 4.8 | 4.8 | 937 | Female | Train | mm-hmm (affirmative).it's a recipe, but i think that it's cool because.. | [
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N | 3.8 | 4.4 | 5 | 937 | Female | Train | you can kind of make something out of the social dynamics.. | [
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O | 4.2 | 4 | 4 | 937 | Female | Train | within this artifact. what do you think?that's right.aside from sort of the social.. | [
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N | 4.2 | 4.6 | 4.2 | 945 | Female | Train | it's all there. i think it's striking because of course.. | [
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N | 4 | 4.8 | 3.8 | 945 | Female | Train | the recipe is typed out..mm-hmm (affirmative).but then signed gwendolyn at the bottom, in her own handwriting. | [
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N | 3.8 | 4.8 | 4 | 945 | Female | Train | that's definitely a relic of mid-century cooking.mm-hmm (affirmative).in the era.. | [
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N | 3.6 | 4.6 | 3.8 | 945 | Female | Train | mm-hmm (affirmative).[crosstalk 00:00:58] the kitchen are easier. it was a kind of convenience that really influenced how things were bought and made. so i think.. | [
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N | 4.8 | 3.8 | 4.6 | 945 | Female | Train | gosh, what else can you learn? i mean, here, i'm talking more about food culture.right.[crosstalk 00:01:13] century. | [
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U | 4.6 | 5 | 4.6 | 945 | Female | Train | right. [crosstalk 00:01:15]mid 20th century.which was also very interesting.mm-hmm (affirmative).although neither of us are food historians.. [crosstalk 00:01:21] | [
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N | 4.8 | 3.8 | 4.6 | 945 | Female | Train | unfortunately.right, right. but i think.. | [
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N | 3.8 | 4.2 | 4.2 | 945 | Female | Train | not just have an intellectual friendship with somebody or a writerly friendship with somebody or.. | [
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N | 2.6 | 4.8 | 3.8 | 945 | Female | Train | share ideas with somebody, but to have them over for a meal. | [
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N | 4 | 4.8 | 4.6 | 945 | Female | Train | a place to have somebody over to your home. so you're not going out to a restaurant, right? | [
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N | 3 | 4 | 3 | 945 | Female | Train | that's the big reveal from an artifact like this.mm-hmm (affirmative).and the conroy papers. and by all accounts, it seems like jack conroy.. | [
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X | 3.636364 | 3.181818 | 3.727273 | 945 | Female | Train | was just an extremely important kind of glue in the leftist circles. in chicago.. | [
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H | 4 | 4.4 | 4.4 | 945 | Female | Train | mm-hmm (affirmative).he was very warm. he was working class. he.. | [
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H | 3.4 | 4.2 | 4 | 945 | Female | Train | grew up pretty rough and tumble in moberly, missouri.mm-hmm (affirmative).and i think what brooks really liked about him was his genuineness. | [
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N | 3.4 | 4.2 | 4.2 | 945 | Female | Train | his openness, and the fact that he really liked parties too.mm-hmm (affirmative).right. what am i trying to say ultimately? i think.. | [
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N | 3.6 | 4.4 | 4.2 | 945 | Female | Train | harper and brothers in new york city, but her work will then be published by black owned presses in the midwest, in chicago, and in detroit. | [
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N | 4.8 | 4.8 | 4.6 | 945 | Female | Train | and right around this time, she's working on a long poem called in the mecca..mm-hmm (affirmative).which is set in a demolished apartment complex on the south side. | [
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N | 4.6 | 5.4 | 4.8 | 945 | Female | Train | it's an incredible poem. but i think for many people.. | [
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S | 4 | 4.2 | 4.4 | 945 | Female | Train | this is the moment when she really becomes much more committed to political poetry. | [
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N | 4.666667 | 4.5 | 4.333333 | 945 | Female | Train | but when you see something like this letter, i think when you read.. | [
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X | 3.8 | 3.4 | 4 | 945 | Female | Train | very closely into her early work, at least to my mind, works is of course political from the start. | [
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N | 3 | 3.4 | 3.2 | 945 | Female | Train | in 1945, she writes a poem about an abortion. | [
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N | 2.8 | 4.8 | 4 | 945 | Female | Train | mm-hmm (affirmative).it's an astonishing poem called the mother. and her first book, a street in bronzeville.. | [
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H | 4.8 | 4.6 | 4.8 | 945 | Female | Train | there are countless other poems that are deeply engaged with.. | [
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N | 4.6 | 3.8 | 5.6 | 945 | Female | Train | is essentially not the provision of democracy at home. this is throughout her work. so, again.. | [
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X | 5.2 | 3.8 | 4.6 | 945 | Female | Train | i don't want to pin everything on this recipe, but it is really interesting how close she is to a political radical, right?mm-hmm (affirmative).and this is 1961. | [
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O | 5.6 | 5 | 5.4 | 937 | Female | Train | you have a poem that you wanted to read..that's right.that she wrote about jack conroy.right, right. | [
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H | 3.6 | 5.4 | 5.6 | 945 | Female | Train | and i have to give due credit here to the scholar, mary helen washington, who identifies this poem.. | [
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X | 2.8 | 4.6 | 4.2 | 945 | Female | Train | it's called jack. she identifies this poem as being about jack conroy.mm-hmm (affirmative)and that's in washington's book called the other black list. | [
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X | 3.4 | 4.4 | 3.8 | 945 | Female | Train | it's a very short poem. it's just eight lines. | [
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X | 3 | 4.4 | 3.2 | 945 | Female | Train | it's from her 1960 volume called the bean eaters. | [
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N | 4.2 | 3.6 | 4.2 | 945 | Female | Train | it's a bit cryptic actually, for me. i read it a few times.. | [
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N | 4.4 | 4.8 | 5 | 945 | Female | Train | it almost seems a bit.. | [
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X | 3.4 | 5 | 4 | 945 | Female | Train | nursery rhyme- esque. jack and jill go up the hill.mm-hmm (affirmative)so it's called jack, and actually the title of the poem is really, in some ways, the first line of the poem. | [
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N | 2.833333 | 3.333333 | 3 | 945 | Female | Train | "jack is not spend thrift of faith." | [
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X | 3 | 3.8 | 3.6 | 945 | Female | Train | "he has a skinny eye. he spins a wariness of faith.." | [
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N | 3.8 | 4 | 3.6 | 945 | Female | Train | "and comes it up his faith bought true." | [
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N | 3 | 3.8 | 3.2 | 945 | Female | Train | "he spends a little more and comes it up his faith bought false." | [
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O | 5 | 3.6 | 4.8 | 945 | Female | Train | so i don't even know how to read it. | [
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N | 3.8 | 3.6 | 3.6 | 945 | Female | Train | last line, almost kind of missing a beat. | [
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U | 4.4 | 4 | 4.2 | 945 | Female | Train | what can be bought? who has the money to buy faith? | [
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N | 3.4 | 3.6 | 3 | 945 | Female | Train | if jack is not a spendthrift of faith, is he not spending too much on faith? | [
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H | 4 | 5.2 | 3.8 | 945 | Female | Train | i mean, faith in some ways is another way to also think about a set of beliefs in what you know.mm-hmm (affirmative)which guide your life. | [
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N | 2.9 | 3.6 | 3.9 | 945 | Female | Train | a kind of ideology, he's a communist, but nonetheless.. | [
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N | 3.363636 | 3.454545 | 3.727273 | 945 | Female | Train | of imposing that upon others. | [
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X | 4.2 | 3.8 | 3.6 | 945 | Female | Train | and that there's a very tricky use of the word, "it".. | [
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X | 3.4 | 4 | 4.2 | 945 | Female | Train | is signifying in the second stanza [crosstalk 00:06:22] "and comes it up his faith bought true and comes it up his faith bought true." | [
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N | 4.8 | 4.4 | 4 | 945 | Female | Train | so i leave that out there for our listeners to parse, right? [crosstalk 00:06:35] from the bean eaters. | [
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N | 5.2 | 4.4 | 4.6 | 937 | Female | Train | we're going to stick with brooks' writing, but i want to ask you.. | [
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N | 4.4 | 4.4 | 4.6 | 937 | Female | Train | how did she address food in [crosstalk 00:06:45] her writing?mm-hmm (affirmative) right. | [
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N | 4.6 | 4.8 | 4.6 | 945 | Female | Train | well, i think for people who know brooks' work probably the moment that is.. | [
{
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H | 4.2 | 4.6 | 4.2 | 945 | Female | Train | most palpable as in, her only work of prose fiction called mod martha published in 1953. | [
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N | 3 | 4 | 3.8 | 945 | Female | Train | they have feathers, that's a good question. i can't remember from how she describes it, if there's.. | [
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H | 4.4 | 4.6 | 5.2 | 945 | Female | Train | still, i don't think so, but she's certainly hacking it away..oh boy.and pulling stuff out. it's very vivid. and it's this.. | [
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H | 4.6 | 4.8 | 4.4 | 945 | Female | Train | it's a short little chapter called brotherly love, chapter 28 and.. | [
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H | 4.2 | 4.8 | 4.4 | 945 | Female | Train | strangely it's a reference too, to like how we empathize with others, how we empathize with our brothers and sisters, right? | [
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S | 3.8 | 4.6 | 4.2 | 945 | Female | Train | how we find a place to understand who they are, despite our differences and such, she.. | [
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A | 4 | 3.2 | 4.6 | 945 | Female | Train | brooks that is, kind of imposes this idea of brotherly love upon the chicken. | [
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H | 4.2 | 4.6 | 4.4 | 945 | Female | Train | how do i empathize with this chicken? you think it might be some sort of call for vegetarianism at the end. it's not at all because the.. | [
{
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N | 4.4 | 4.2 | 4 | 945 | Female | Train | the chapter ends when the animal was ready for the oven.. | [
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X | 4.6 | 3.6 | 4.6 | 945 | Female | Train | so it's an ironizing [crosstalk 00:08:11] of the rhetoric around finding a kind of commonality with somebody who is unlike.. | [
{
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X | 4.6 | 4.8 | 4.6 | 945 | Female | Train | unlike you. i mean, right before the end, brooks writes, "people could do this. people could cut a chicken open.." | [
{
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N | 4.4 | 4.4 | 4.2 | 945 | Female | Train | "take out the mess with bare hands or a bread knife, pour water in, as in a bag.." | [
{
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N | 4.2 | 3.6 | 4.4 | 945 | Female | Train | "pour water out, shake the corpse by neck or by legs.." | [
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F | 4 | 3.4 | 4.2 | 945 | Female | Train | "free the straggles of water could feel that insinuating slipping bone survey that soft, that headless death.." | [
{
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N | 3.8 | 4.6 | 3.8 | 945 | Female | Train | and here's the part where brooks brings in.. | [
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N | 3.2 | 4.2 | 3.8 | 945 | Female | Train | rhetoric that mod martha has perhaps been hearing.. | [
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... |
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