EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID int64 1 3.33k | Gender stringclasses 2
values | Split_Set stringclasses 2
values | transcript stringlengths 1 353 ⌀ | emotion2vec_features listlengths 1 1 |
|---|---|---|---|---|---|---|---|---|
N | 3.6 | 3.8 | 4.2 | 840 | Female | Train | would it not-the presence of their hormones affect the balance of your own hormones. right? so it's funny, but i'm thinking in some word or what- | [
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X | 5.8 | 3.6 | 5.4 | 236 | Female | Train | that's not.if anything, i'm thinking make it- | [
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H | 5.888889 | 6 | 5.333333 | 236 | Female | Train | vote for shiloh right here, right now.team shiloh. | [
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X | 5.4 | 4.2 | 4.6 | 840 | Female | Train | we will post the link to that on our facebook because i don't remember the date right now and we'll post-april 10th.is it april 10th? | [
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H | 4.6 | 5 | 4.8 | 840 | Female | Train | i just say kudos to you, monica, because it takes a certain amount of bravery to step out when you're already a performer. and this chick- | [
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X | 4.4 | 3.8 | 4.6 | 840 | Female | Train | she is performing at edinburgh fringe for the second year in a row. | [
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H | 5.2 | 4.6 | 5.2 | 840 | Female | Train | she is headlining at catch 23.what? | [
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N | 5.25 | 4.333333 | 5.416667 | 842 | Male | Train | off the top.yeah, i know. you're still doing plays at the last- | [
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X | 3.8 | 4 | 4.2 | 313 | Female | Train | several explanations suggest themselves the simplest attributes the absence of a double movement to failures of political leadership. | [
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N | 3.4 | 4 | 3.4 | 313 | Female | Train | ryan. and i'm going to show you a small excerpt from the presidential debate of october 3rd, 2012 first. | [
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N | 4.2 | 4.6 | 5 | 1,678 | Male | Train | it is. you are a first on this mr. president. and the question is this | [
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N | 3.4 | 3 | 4 | 1,678 | Male | Train | [foreign language 00:02:42] | [
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N | 4 | 4.4 | 4.8 | 313 | Female | Train | so this end, let us consider the vast array of social struggles that do not find any place within the scheme of the double movement. | [
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C | 5 | 2.8 | 5.4 | 313 | Female | Train | anti-racism, anti-imperialism, antiwar. | [
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N | 3.4 | 4.8 | 4.6 | 313 | Female | Train | the new left, second wave feminism, lgbt liberation, multiculturalism, and so on. | [
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N | 4.2 | 3.6 | 4.4 | 313 | Female | Train | turning a withering eye on the cultural norms encoded in social provision- | [
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N | 3.8 | 3.6 | 3 | 1,678 | Male | Train | they unearthed invidious hierarchies and social exclusions. | [
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N | 4 | 4.6 | 4.8 | 1,678 | Male | Train | meanwhile, feminists revealed the oppressive character of protections premised on the family wage and on androcentric views of work and contribution. | [
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N | 4 | 4.4 | 4.6 | 313 | Female | Train | showing that what was protected was less society per se, than male domination. | [
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N | 3.8 | 4.4 | 5.6 | 313 | Female | Train | lgbt activists have unmasked the invidious character of public provision premised on restrictive hetero-normative definitions of family. | [
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X | 5 | 4.4 | 5.2 | 313 | Female | Train | disability rights activists have exposed the exclusionary character of built environments that included ableist views of mobility and ability. | [
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N | 4.6 | 3.4 | 4.6 | 313 | Female | Train | ethnocultural self understandings, which penalize members of minority groups and on and on. | [
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N | 4.2 | 3.6 | 5 | 1,678 | Male | Train | thereby realigning the poles of the triple movement- | [
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D | 5 | 5.4 | 5.4 | 1,678 | Male | Train | embracing a broader understanding of social justice- | [
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S | 3.8 | 4.2 | 4.4 | 313 | Female | Train | such a project would serve at once to honor polanyi's insights and to remedy his blind spots. | [
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H | 3.6 | 4.4 | 4.2 | 1,678 | Male | Train | -without it becoming some kind of therapy as well. because i think from an early age. | [
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H | 3 | 4.2 | 4 | 1,678 | Male | Train | indescribable.you just said they give it to you. so it sounds like you can't exactly crowbar it out of them.yeah, you can't- | [
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N | 2.8 | 3.8 | 2.2 | 820 | Female | Train | we're still doing the same kind of thing we were doing all along.i think the idea of collaboration is- | [
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C | 4.8 | 4.4 | 5.4 | 25 | Female | Train | janet, you were the only one here who was touring and gigging nonstop. | [
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X | 3.8 | 4 | 3.8 | 819 | Female | Train | [inaudible 00:00:02] i also think that your voice changes over time. | [
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S | 3.6 | 3.6 | 3.8 | 819 | Female | Train | you know, i think that's part of it too. | [
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N | 3.4 | 5.2 | 4.4 | 819 | Female | Train | but for this record, we really try to do a lot of different things. | [
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X | 4 | 4.8 | 3.4 | 819 | Female | Train | we wrote a lot of songs, 10 on the record, but we recorded 14, but we must've written at least 20, probably close to 20. | [
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N | 3.8 | 4.4 | 4 | 819 | Female | Train | it's a lot of different things to get a variety of different sounds on the record; on the final product. | [
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N | 2 | 4 | 2.8 | 25 | Female | Train | how has the call and response between the two of you changed over the years? | [
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N | 3.2 | 4.8 | 3.6 | 25 | Female | Train | sort of like oppositional things popping up. you guys are like totally locked in together on a lot of the tracks on this record. | [
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N | 4.6 | 5.5 | 4.6 | 820 | Female | Train | i just wanted the choruses to really sing on this. i really wanted a chorus heavy album, at least on some of the songs. | [
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N | 4.6 | 5 | 4.4 | 820 | Female | Train | and this record, i felt like we all were really | [
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N | 4 | 3.4 | 4.8 | 820 | Female | Train | focused on the music and | [
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N | 3 | 3.6 | 3.6 | 820 | Female | Train | coming at it from a much more kind of a willing to sacrifice | [
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X | 4 | 3.2 | 3.8 | 820 | Female | Train | our own agendas might be. | [
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N | 3 | 4 | 4.2 | 820 | Female | Train | i think in the case of this band art we really, our agenda is the music. | [
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... |
C | 4 | 3.6 | 4.2 | 798 | Male | Train | nabokov, as you know, was an acute reader and teacher of kafka. and in lecturing on the metamorphosis- | [
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S | 2.8 | 3 | 3.8 | 798 | Male | Train | ... nabokov came as near as he ever would to defining his own art. | [
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N | 4.6 | 4.4 | 4.6 | 798 | Male | Train | "we can take this story apart," he told his students at cornell. | [
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N | 2.8 | 3.6 | 3.4 | 798 | Male | Train | beauty plus pity. | [
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N | 4.6 | 5 | 4.5 | 798 | Male | Train | that is the closest we can get to a definition of art. | [
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S | 3 | 3 | 3.6 | 798 | Male | Train | where there is beauty, there is pity, for the simple reason that beauty must die. beauty always dies. | [
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X | 3.5 | 3.5 | 4.3 | 798 | Male | Train | the manner dies with the matter. the world dies with the individual. | [
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S | 3.4 | 3.8 | 4 | 798 | Male | Train | it is also precisely what he found in his american exile. in lolita. the fictive- | [
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N | 2.8 | 4.2 | 3.8 | 798 | Male | Train | ... humbert did not reflect his author as a sexual being, the crudest mistake of the censorious reviewers. | [
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N | 5.2 | 5.2 | 5.5 | 798 | Male | Train | but he did reflect his author's passion for the newfound land. | [
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N | 2.6 | 4.4 | 3.6 | 798 | Male | Train | this particular place of exile. in america, nabokov rejoiced not merely in the principles and the pieties- | [
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N | 3 | 4.2 | 3.6 | 798 | Male | Train | ... but in the poem that is formed from a list of school children's names, in the films of laurel and hardy, in the twang- | [
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N | 3.4 | 4.2 | 4.2 | 798 | Male | Train | ... of a midwestern vowel. another point of kafka-nabokov intersection is a matter of fate. | [
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S | 3.8 | 3.4 | 4.4 | 798 | Male | Train | had kafka lived through his illnesses and remained alive a little longer, he would've ended up as his sisters did, in a camp. | [
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N | 3.2 | 3.6 | 4.2 | 798 | Male | Train | had nabokov's father, a prominent liberal politician, not led his family- | [
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N | 3.4 | 3.6 | 3.8 | 798 | Male | Train | ... the writer would likely have ended up in a camp as well. | [
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... |
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