Instructions to use thepatch/same-l-decoder-lora with libraries, inference providers, notebooks, and local apps. Follow these links to get started.
- Libraries
- Stable Audio 3
How to use thepatch/same-l-decoder-lora with Stable Audio 3:
# No code snippets available yet for this library. # To use this model, check the repository files and the library's documentation. # Want to help? PRs adding snippets are welcome at: # https://github.com/huggingface/huggingface.js
- Notebooks
- Google Colab
- Kaggle
SAME-L decoder LoRA (squeakfix_v3): round-trip artifact fix
Browse files- README.md +253 -0
- squeakfix_v3.safetensors +3 -0
README.md
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| 1 |
+
---
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| 2 |
+
language:
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| 3 |
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- en
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+
library_name: stable-audio-3
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license: other
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license_name: stable-audio-community
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license_link: https://huggingface.co/stabilityai/SAME-L/blob/main/LICENSE
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base_model: stabilityai/SAME-L
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tags:
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+
- music
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| 11 |
+
- audio
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| 12 |
+
- autoencoder
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| 13 |
+
- lora
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| 14 |
+
- stable-audio-3
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| 15 |
+
---
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| 16 |
+
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| 17 |
+
# SAME-L Decoder LoRA (`squeakfix_v3`)
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| 18 |
+
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| 19 |
+
A LoRA on **SAME-L's decoder**. It changes how latents are rendered to audio, not
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| 20 |
+
how latents are produced.
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| 21 |
+
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| 22 |
+
The encoder is untouched, so the latent space, the DiT and every existing DiT
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| 23 |
+
LoRA stay bit-compatible. This adapter stacks with them in any order.
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| 24 |
+
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| 25 |
+
It exists to fix one specific thing: the high-frequency squeaks and chirps that
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| 26 |
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SAME's autoencoder manufactures on percussion when audio goes round the
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| 27 |
+
encode/decode loop more than once β which is what every chained continuation
|
| 28 |
+
does.
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| 29 |
+
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| 30 |
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**Trained and used by [the collabage patch](https://huggingface.co/thepatch).**
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| 31 |
+
In production in a live `stable-audio-3` backend since 2026-08-14.
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| 32 |
+
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| 33 |
+
---
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| 34 |
+
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| 35 |
+
## Usage
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| 36 |
+
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| 37 |
+
Requires the `target: "decoder"` support in
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| 38 |
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[Stability-AI/stable-audio-3](https://github.com/Stability-AI/stable-audio-3).
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| 39 |
+
No special loading path β the `target` field in the checkpoint config is what
|
| 40 |
+
routes it.
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| 41 |
+
|
| 42 |
+
```bash
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| 43 |
+
python run_gradio.py --model medium-base \
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| 44 |
+
--lora-ckpt-path squeakfix_v3.safetensors
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| 45 |
+
```
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| 46 |
+
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| 47 |
+
Stacked with a DiT LoRA, in either order:
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| 48 |
+
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| 49 |
+
```bash
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| 50 |
+
python run_gradio.py --model medium-base \
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| 51 |
+
--lora-ckpt-path my_style.safetensors squeakfix_v3.safetensors
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| 52 |
+
```
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| 53 |
+
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| 54 |
+
Directly on the autoencoder:
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| 55 |
+
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| 56 |
+
```python
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| 57 |
+
from stable_audio_3 import AutoencoderModel
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| 58 |
+
from stable_audio_3.models.lora.loader import load_and_apply_loras
|
| 59 |
+
|
| 60 |
+
ae = AutoencoderModel.from_pretrained("same-l", device="cuda").autoencoder
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| 61 |
+
load_and_apply_loras(ae, ["squeakfix_v3.safetensors"], "autoencoder")
|
| 62 |
+
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| 63 |
+
latents = ae.encode(waveform)
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| 64 |
+
audio = ae.decode(latents)
|
| 65 |
+
```
|
| 66 |
+
|
| 67 |
+
Strength is a **separate call** β `lora_configs` at inference only gates the
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| 68 |
+
sigma interval and layer filter:
|
| 69 |
+
|
| 70 |
+
```python
|
| 71 |
+
from stable_audio_3.models.lora.model import set_lora_strength
|
| 72 |
+
set_lora_strength(ae.decoder, 1.0) # 0.0 renders at the stock decode
|
| 73 |
+
```
|
| 74 |
+
|
| 75 |
+
Ship at strength **1.0**. It was trained there and it is where it was auditioned.
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| 76 |
+
|
| 77 |
+
---
|
| 78 |
+
|
| 79 |
+
## What it fixes
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| 80 |
+
|
| 81 |
+
SAME downsamples 44.1 kHz stereo by 4096Γ, so there is one latent frame per
|
| 82 |
+
93 ms and a snare attack lives entirely inside a single frame. The decoder does
|
| 83 |
+
not reconstruct that attack β it resynthesizes one, slightly differently every
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| 84 |
+
pass.
|
| 85 |
+
|
| 86 |
+
A single generation is fine. The problem is **feedback**: a continuation
|
| 87 |
+
re-encodes previously decoded audio, so N chained continuations put the audio
|
| 88 |
+
through N round trips. Measured on the round-trip ladder with no DiT involved,
|
| 89 |
+
invented HF energy climbs ~15 dB over six iterations while lost HF stays flat,
|
| 90 |
+
and every one of the twelve worst frames lands within 35 ms of a detected onset.
|
| 91 |
+
|
| 92 |
+
Nothing in SAME's training objective ever asked that `encode(decode(z)) β z` β
|
| 93 |
+
every loss is `real audio β latent β real audio` β so round-trip idempotence has
|
| 94 |
+
no reason to hold, and it does not. This adapter adds that objective after the
|
| 95 |
+
fact, on the decoder only.
|
| 96 |
+
|
| 97 |
+
### Measured effect
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| 98 |
+
|
| 99 |
+
**The win is at re-encode depth.** Every continuation and every transform
|
| 100 |
+
re-encodes previously decoded audio, so a chained session compounds. Measured on
|
| 101 |
+
audio the model generated (medium + a DiT LoRA), the same latents decoded through
|
| 102 |
+
each adapter β HF tonality, i.e. spectral peakiness, which is what "the hi-hat
|
| 103 |
+
became a whistle" looks like numerically:
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| 104 |
+
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| 105 |
+
| | tonal p95 at 1x | after 3 re-encodes | cost of depth |
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| 106 |
+
|---|---|---|---|
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| 107 |
+
| stock | 8.09 | 12.80 | **+4.71** |
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| 108 |
+
| `squeakfix_v3` | 8.29 | 9.06 | **+0.78** |
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| 109 |
+
|
| 110 |
+
The adapter cuts degradation-per-re-encode by ~83%. Chained continuations are
|
| 111 |
+
where it earns its place.
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| 112 |
+
|
| 113 |
+
**At 1Γ this metric is flat** (8.29 vs 8.09 β slightly worse, inside the noise).
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| 114 |
+
A subtle improvement on single generations is reported by ear, and it is
|
| 115 |
+
plausible that it lives in pops and transient smear rather than tonality, but it
|
| 116 |
+
is not something these numbers demonstrate. Treat 1Γ as neutral and the re-encode
|
| 117 |
+
behaviour as the reason to use this.
|
| 118 |
+
|
| 119 |
+
On the round-trip ladder against real held-out audio, which is the eval the
|
| 120 |
+
checkpoint was selected against:
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| 121 |
+
|
| 122 |
+
| metric | stock | `squeakfix_v3` | Ξ |
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| 123 |
+
|---|---|---|---|
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| 124 |
+
| tonality p95 | 17.08 | **9.41** | β7.67 |
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| 125 |
+
| transient excess (dB) | 6.32 | **1.24** | β5.08 |
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| 126 |
+
| latent drift per round trip | 10.91 % | **5.85 %** | β5.06 pp |
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| 127 |
+
| onset artifact (dB) | β3.50 | β7.53 | β4.03 |
|
| 128 |
+
|
| 129 |
+
`transient excess` is added-HF on transient frames minus that on sustained
|
| 130 |
+
frames; positive means the artifact rides percussion, which is its signature.
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| 131 |
+
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| 132 |
+
---
|
| 133 |
+
|
| 134 |
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## Honest limits
|
| 135 |
+
|
| 136 |
+
**Any decoder LoRA trained this way stamps a comb into the output β this one
|
| 137 |
+
doesn't, and that is the whole reason it exists.** The autoencoder's un-patch is
|
| 138 |
+
a bare reshape at `patch_size 256`, so output channel index and
|
| 139 |
+
time-position-within-patch are the same axis, and any channel-wise bias the
|
| 140 |
+
adapter learns is repeated identically in every patch. That is a harmonic comb at
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| 141 |
+
`sr/256 = 172.27 Hz`, with an F3 fundamental β it reads as a wrong note, not as
|
| 142 |
+
noise. It is inaudible in a mix and obvious once a stem separator strips the
|
| 143 |
+
masking content, which is how it was found.
|
| 144 |
+
|
| 145 |
+
`squeakfix_v3` was trained with an explicit penalty on that structure
|
| 146 |
+
(`--lambda_patch 30`). A `v1` trained identically *without* it is the control.
|
| 147 |
+
|
| 148 |
+
Measured on the distribution that matters β audio **generated by the model
|
| 149 |
+
itself** (medium + a DiT LoRA), the same latents decoded through each adapter, so
|
| 150 |
+
the decoder is the only variable. Comb excess in dB over a control comb at
|
| 151 |
+
meaningless spacing, mean of 4 generations:
|
| 152 |
+
|
| 153 |
+
| variant | comb excess | vs stock |
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| 154 |
+
|---|---|---|
|
| 155 |
+
| stock | 2.80 | β |
|
| 156 |
+
| v1 @ strength 1 | 13.70 | **+10.90** |
|
| 157 |
+
| **v3 @ strength 1** | 1.97 | **β0.83** |
|
| 158 |
+
| stock, +3 round trips | 1.64 | β1.17 |
|
| 159 |
+
| v1 @ 1, +3 round trips | 13.34 | +10.54 |
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| 160 |
+
| **v3 @ 1, +3 round trips** | 1.37 | **β1.43** |
|
| 161 |
+
| v1 @ strength 2 | 18.52 | +15.72 |
|
| 162 |
+
| **v3 @ strength 2** | 3.49 | **+0.68** |
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| 163 |
+
|
| 164 |
+
v1 adds ~11 dB of comb. **v3 sits at or slightly below stock**, and stays there
|
| 165 |
+
under re-encoding. Even at strength 2 β double what it ships at, where every
|
| 166 |
+
effect is 2β4Γ clearer β it is within 0.7 dB of stock, while v1 is nearly 16 dB
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| 167 |
+
above it.
|
| 168 |
+
|
| 169 |
+
One caveat for anyone reproducing this: on **real** audio pushed round the
|
| 170 |
+
autoencoder, rather than on model output, v3 measures +1.5 to +4.0 dB of comb
|
| 171 |
+
excess instead of ~0. Real music and model output are different distributions and
|
| 172 |
+
the artifact does not behave the same on both. Measure on generated audio β that
|
| 173 |
+
is what the decoder is actually asked to render, and it is where the artifact was
|
| 174 |
+
audible in the first place.
|
| 175 |
+
|
| 176 |
+
Other things worth knowing:
|
| 177 |
+
|
| 178 |
+
- **This is one checkpoint from one dataset**, and it was selected partly by ear.
|
| 179 |
+
The in-loop ladder kept improving past step 2000; step 2000 is what was chosen
|
| 180 |
+
on re-encode behaviour and listening. Your material may want a different one.
|
| 181 |
+
- **The squeaks it targets are partly an upstream prompt-distribution problem.**
|
| 182 |
+
Out-of-distribution prompts produce far more of the offending frames than
|
| 183 |
+
in-distribution ones. This adapter reduces the artifact; it does not make
|
| 184 |
+
prompt choice irrelevant.
|
| 185 |
+
- **It is a SAME-L adapter.** SAME-S has the same patch grid but its artifact
|
| 186 |
+
sits in a different band (1β8 kHz rather than 6 kHz and up) and wants a
|
| 187 |
+
different recipe. Loading this on SAME-S will not error β it will just sound
|
| 188 |
+
wrong.
|
| 189 |
+
- **Neither half of the autoencoder is bit-deterministic** (encoder 1.5 %
|
| 190 |
+
relative, decoder 7e-3 max abs). Any A/B you run against this adapter has to be
|
| 191 |
+
read as a multiple of those floors; absolute tolerances are meaningless.
|
| 192 |
+
|
| 193 |
+
---
|
| 194 |
+
|
| 195 |
+
## Training
|
| 196 |
+
|
| 197 |
+
| | |
|
| 198 |
+
|---|---|
|
| 199 |
+
| base model | `stabilityai/SAME-L` |
|
| 200 |
+
| target | `decoder` (encoder frozen) |
|
| 201 |
+
| rank / alpha | 16 / 16.0 |
|
| 202 |
+
| trainable | 5.63M params, 98 tensors (~1.30 % of the decoder) |
|
| 203 |
+
| checkpoint | step 2000 of a run configured for 8000, stopped at 4000 |
|
| 204 |
+
| precision | fp32 training, fp16 storage |
|
| 205 |
+
| hardware | single GB10 (DGX Spark), ~2.9 s/step at 10 s crops, under 10 GB |
|
| 206 |
+
|
| 207 |
+
```bash
|
| 208 |
+
python scripts/train_decoder_lora.py \
|
| 209 |
+
--model same-l --rank 16 --steps 8000 --lr 1e-4 \
|
| 210 |
+
--w_real 0.4 --w_drift 0.3 --w_dit 0.3 \
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| 211 |
+
--lambda_cycle 10.0 --lambda_tonal 0.3 --lambda_patch 30 \
|
| 212 |
+
--patch_size 256 --crop_seconds 10 --seed 0 \
|
| 213 |
+
--dit_latent_dir out/dit_latents \
|
| 214 |
+
--data_dir /path/to/audio --eval_audio /path/to/holdout.wav \
|
| 215 |
+
--out_dir out/declora
|
| 216 |
+
```
|
| 217 |
+
|
| 218 |
+
The objective is self-supervised β audio only, no captions, no paired data.
|
| 219 |
+
Latents come from three buckets: real audio, drifted audio (`E(D(E(x)))` at depth
|
| 220 |
+
β₯ 1, targeted against the **original** audio so the decoder is asked to undo
|
| 221 |
+
accumulated drift), and latents sampled from the base DiT. The DiT bucket earns
|
| 222 |
+
its place because generated latents drift 15β18.5 % against real audio's 10.5 %,
|
| 223 |
+
and that gap is in the base model rather than in any adapter.
|
| 224 |
+
|
| 225 |
+
Losses: multi-resolution log-STFT L1 (K-weighted, kept deliberately β this
|
| 226 |
+
decoder over-generates HF, so removing the perceptual de-emphasis would push the
|
| 227 |
+
wrong way), relative round-trip consistency `βE(D(z)) β zβ/βzβ` with the encoder
|
| 228 |
+
frozen, a **one-sided** HF tonality penalty (so legitimate cymbal ring and
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| 229 |
+
sibilance are never punished), and the patch-grid penalty described above. No
|
| 230 |
+
discriminator: adversarial training makes a decoder invent *more* detail, and the
|
| 231 |
+
failure mode of plain reconstruction losses is the direction this wants.
|
| 232 |
+
|
| 233 |
+
Full method, ablations and traps: [Decoder LoRA
|
| 234 |
+
workflow](https://github.com/Stability-AI/stable-audio-3/blob/main/docs/workflows/decoder-lora.md).
|
| 235 |
+
|
| 236 |
+
---
|
| 237 |
+
|
| 238 |
+
## Files
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| 239 |
+
|
| 240 |
+
| file | what it is |
|
| 241 |
+
|---|---|
|
| 242 |
+
| `squeakfix_v3.safetensors` | the adapter β SAME-L decoder, rank 16, trained with `--lambda_patch 30` |
|
| 243 |
+
|
| 244 |
+
Provenance (base model, step, full recipe) is embedded in the file's
|
| 245 |
+
`lora_config` metadata, so it identifies itself without this card.
|
| 246 |
+
|
| 247 |
+
The `v1` column in the tables above is an internal checkpoint trained on the
|
| 248 |
+
identical recipe with `--lambda_patch 0`. It is not published β it is reported
|
| 249 |
+
because "the patch penalty matters" is a claim that needs the control.
|
| 250 |
+
|
| 251 |
+
## Citation
|
| 252 |
+
|
| 253 |
+
The autoencoder this adapts: [SAME](https://arxiv.org/abs/2605.18613).
|
squeakfix_v3.safetensors
ADDED
|
@@ -0,0 +1,3 @@
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|
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|
| 1 |
+
version https://git-lfs.github.com/spec/v1
|
| 2 |
+
oid sha256:99942d64e822138fc67445d3c664f31c714ca62cf5d9a21b20ba33a41d9e99ed
|
| 3 |
+
size 11278296
|