"id","pieceNumber","composer","title","modality","fullQuestion","answerObjectType","answerFormat","answerQuantity","answerExample","answers","cleanedReorganizedScoreFilename","withoutContextScoreFilename","audioFilename"
"Q1","1","Bach","Fugue BWV 875","S","If the piece were notated with the key signature of its tonality, which accidentals would be necessary in bars 1-2 to play the written notes correctly? List them in the order in which their associated pitches occur in the music.","Short text","Accidental written in full","List ordered by appearance","[""flat, flat, natural, double sharp, double flat""]","[""sharp, natural, natural, flat""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q2","1","Bach","Fugue BWV 875","S","What is the largest interval between two consecutive notes in the soprano voice of bars 3-4?","Interval","Interval quality and size","Single","[""perfect fifth"", ""minor seventh"", ""perfect octave""]","[""perfect fourth""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q3","1","Bach","Fugue BWV 875","S","Which two performance instructions are written above the last note in the upper voice in measure 16?","Category label","Performance instruction label","Pair","[""glissando, m.g.""]","[""mordent, trill"", ""trill, mordent"", ""mordent and trill"", ""trill and mordent"", ""upper mordent, trill""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q4","1","Bach","Fugue BWV 875","S","What are the notes of the soprano voice in measure 17?","Pitch","Pitch class without octave number","List ordered by appearance","[""A, G#, Bb""]","[""E, D, E, F, E, D""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q5","1","Bach","Fugue BWV 875","S","What are the first twelve pitches of the second highest voice in measure 14?","Pitch","Pitch with octave number","List ordered by appearance","[""G#3, Bb2, Fx5""]","[""D4, E4, F4, G4, F4, E4, F4, G4, A4, Bb4, A4, G4""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q6","1","Bach","Fugue BWV 875","S","Starting in which bar and on which beat is the theme played in reverse for at least 1 measure (i.e. an ascending interval becomes a descending one)? Ignore minor deviations.","Bar / beat","Bar and beat","Single","[""bar 18 beat 3"", ""bar 42 beat 1"", ""bar 7 beat 4""]","[""bar 17 beat 1"", ""bar 17 beat 2""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q7","1","Bach","Fugue BWV 875","S","How much rest (expressed in terms of quarter rests) does the upper voice have before its last re-entry?","Integer","Positive integer","Single","[""4""]","[""5""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q8","1","Bach","Fugue BWV 875","S","Numbering the voices sequentially from lowest (bass = 1) to highest (soprano), in what order do they enter?","Integer","Positive integer","List ordered by appearance","[""1, 2, 3""]","[""2, 3, 1""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q9","1","Bach","Fugue BWV 875","S","What are the lowest and highest written pitches in the piece?","Pitch","Pitch with octave number","Pair","[""A4, G#3""]","[""C#2, Bb5""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q10","1","Bach","Fugue BWV 875","S","At which bars and beats does the full first bar of the theme appear, including transposed and inverted forms? Disregard minor deviations. List each starting location in chronological order.","Bar / beat","Bar and beat","List ordered by appearance","[""bar 4 beat 2, bar 8 beat 1""]","[""bar 1 beat 1, bar 3 beat 1, bar 6 beat 1, bar 10 beat 4, bar 14 beat 1, bar 14 beat 2, bar 17 beat 1, bar 17 beat 2, bar 25 beat 3""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q11","2","Bach","Prelude BWV 848","S","What rhythmical motif does the left hand introduce at the very beginning? List the note values of the motif.","Duration / ratio","Note value written in full","Pair","[""dotted eighth note, half note""]","[""quarter note, eighth note"", ""crotchet, quaver""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q12","2","Bach","Prelude BWV 848","S","In measure 97, which note is not part of the scale of the tonality?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""A3""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q13","2","Bach","Prelude BWV 848","S","If the pianist had only three fingers in the right hand (nr. 1, 2, 4), which fingers should they press to play measure 55, assuming they cannot move the hand and they want to play comfortably?","Integer","Positive integer","List ordered by appearance","[""1, 2, 4""]","[""4, 2, 1, 2, 4, 2""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q14","2","Bach","Prelude BWV 848","S","Starting in which bars is the main theme played, regardless of transposition or voice? Count every occurrence of the theme, and consider the theme in its shortest self-contained form.","Bar / beat","Bar number (digits)","List ordered by appearance","[""4, 33""]","[""1, 9, 17, 25, 47, 55""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q15","2","Bach","Prelude BWV 848","S","In which bar does the prolonged dominant tension or pedal begin and then continue uninterrupted through the penultimate bar, without passing through another harmony or releasing its dominant function, before finally resolving?","Bar / beat","Bar number (digits)","Single","[""4""]","[""87""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q16","2","Bach","Prelude BWV 848","S","The main theme features repeating intervals between sixteenth notes. Consider only the bars within the main theme's 8-bar presentation in which every pair of consecutive sixteenth notes is separated by the same interval throughout the entire bar. What intervals are formed between the sixteenth notes for each such measure of the main theme?","Interval","Interval quality and size","List ordered by appearance","[""major third, minor seventh, augmented fourth, minor second""]","[""perfect fourth, perfect fifth, major sixth, perfect fifth""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q17","2","Bach","Prelude BWV 848","S","Identify the longest continuous range of bars that follows the same rhythmic pattern and division between the left and right hands as bar 87. What is the longest bar range containing this motif?","Bar / beat","Bar range (N-N)","Single","[""1-10""]","[""63-75 ""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q18","2","Bach","Prelude BWV 848","S","Which measure is the first to contain 3 eighth notes in either hand? Ignore ties.","Bar / beat","Bar number (digits)","Single","[""4""]","[""32""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q19","2","Bach","Prelude BWV 848","S","The melodic line that is first introduced in measure 1-7 as C#, D#, E#, F#, E#, D#, C#, is transposed a couple of times. List the first notes of this melodic line whenever it is played, starting with the C# (as in bar 1).","Pitch","Pitch class without octave number","List ordered by appearance","[""C#, A, Bb, Fx""]","[""C#, G#, D#, A#, F#, C#""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q20","3","Balakirev","Islamey","S","What is the non-arpeggiated chord in measure 107?","Chord","Lead-sheet chord symbol with bass whenever needed","Single","[""Esus2"", ""D#maj7"", ""B7b5/D#""]","[""Em7b5/Bb""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q21","3","Balakirev","Islamey","S","Which of the following is not present in measure 140: soprano melody, triplet figuration, chordal support, bass octaves, leading tone, doubled melody, dotted eighth?","Choice","One choice copied exactly from the question","Single","[]","[""leading tone""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q22","3","Balakirev","Islamey","S","Which scale is played in bar 148? Be specific about the key, form, and mode.","Key / tonality","Scale (pitch class and mode)","Single","[""C major"", ""F# melodic minor"", ""D Dorian""]","[""B harmonic minor""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q23","3","Balakirev","Islamey","S","Up to and including bar 164, identify the four distinct passages introduced by tempo or character indications. Give each complete indication exactly as written in the score and in order of appearance. Separate the indications with semicolons.","Short text","Expressive term or phrase","List ordered by appearance","[""dolce, con fuoco""]","[""allegro agitato; tranquillo; andantino espressivo; poco più mosso, energico""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q24","3","Balakirev","Islamey","S","Measure 198 returns to an earlier tempo. Is it less, equally, or more agitated than when the earlier tempo was first played? And which word in the score makes this clear?","Composite answer","Two answer components in the formats specified in the question","Single","[""equal, idem""]","[""less, tranquillo""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q25","3","Balakirev","Islamey","S","Order by appearance: 
(1) Grand descent in and toward Db major using notes from the dominant-seventh chord C7 and octaves as approach notes. 
(2) Lyrical song. 
(3) the last Presto Furioso marking. 
Write only the numbers corresponding to the described passages, in order of appearance.","Integer","Positive integer","List ordered by appearance","[""1, 2, 3""]","[""2, 3, 1""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q26","3","Balakirev","Islamey","S","The lyrical theme is first presented in bar 92. In which bar does its first variation in simple duple meter begin?","Bar / beat","Bar number (digits)","Single","[""10""]","[""242""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q27","3","Balakirev","Islamey","S","Which bar in the second half of the piece contains a glissando?","Bar / beat","Bar number (digits)","Single","[""4""]","[""257""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q28","3","Balakirev","Islamey","S","The material starting in bar 242 is a variation of an earlier section. Identify the first bar of the most original passage, the very first time it is played. ","Bar / beat","Bar number (digits)","Single","[""4""]","[""92""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q29","3","Balakirev","Islamey","S","Estimate the lowest correct upper bound for the number of notes in the first 16 bars of this piece: 100, 150, 200, 250, 300, 350, 400, 450, 500, 550, or 600.","Integer","Positive integer","Single","[""4""]","[""300""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q30","5","Beethoven","Piano Sonata 21, movement 1","S","How many keys in total need to be struck from bar 292 until the return of the theme (exclusive)? I.e., how many attacks does the pianist have to make? If a particular key needs to be played twice, count that key twice.","Integer","Positive integer","Single","[""4""]","[""36""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q31","4","Beethoven","Piano Sonata 23, movement 1","S","Relative to the piece's tonality, identify all harmonic functions/special chords established in the first nine bars, in order. Choose from the following labels; labels may be used more than once: tonic, dominant, predominant, mediant, submediant, secondary dominant, double dominant, Neapolitan, augmented-sixth chord.","Category label","Harmonic-function label written in full","List ordered by appearance","[""Tonic, predominant, tonic, Neapolitan, dominant, tonic""]","[""Tonic, dominant, double dominant, dominant, Neapolitan, predominant, secondary dominant, predominant, dominant, double dominant"", ""Tonic, dominant, double dominant, dominant, Neapolitan, submediant, secondary dominant, submediant, dominant, double dominant""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q32","4","Beethoven","Piano Sonata 23, movement 1","S","Bar 79 initiates a modulating bridge. Which key does it modulate to, as evidenced by the arrival of a significantly long statement of the second theme in that key?","Key / tonality","Key (pitch class and mode)","Single","[""Eb major"", ""C# minor"", ""D Dorian""]","[""Db major"", ""Ab major""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q33","4","Beethoven","Piano Sonata 23, movement 1","S","In which bar does the right hand first play a syncopated rhythm in alternation with the left hand?
","Bar / beat","Bar number (digits)","Single","[""4""]","[""17""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q34","4","Beethoven","Piano Sonata 23, movement 1","S","Starting in which bar is the complete short-short-short-long rhythmic figure, associated with the composer’s Fifth Symphony, repeated, with transposition allowed, for at least six consecutive bars?","Bar / beat","Bar number (digits)","Single","[""4""]","[""130""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q35","4","Beethoven","Piano Sonata 23, movement 1","S","At two points in the piece, a soft, wandering solo line descends before giving way to a sudden expressive outburst. In which two bars do these outbursts occur?","Bar / beat","Bar number (digits)","Pair","[""10,24""]","[""51, 190""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q36","5","Beethoven","Piano Sonata No. 21, movement 1","S","Which bass note is the last note the slur that starts in bar 286 with a C2 connects to?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""G3""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q37","5","Beethoven","Piano Sonata No. 21, movement 1","S","What type of cadence is played in bars 250-251?","Category label","Cadence name written in full","Single","[""half cadence""]","[""deceptive cadence"", ""interrupted cadence"", ""false cadence"", ""half cadence"", ""open cadence""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q38","5","Beethoven","Piano Sonata No. 21, movement 1","S","In measure 202, the harmony shifts abruptly to C major. What is the precise Roman numeral progression in this and the next two bars, relative to C? Ignore retardations.","Chord","Roman-numeral chord symbol","List ordered by appearance","[""V7, ii6, V65""]","[""vi, iii, IV, I, ii, I64, V7"", ""vi, iii, IV, I, ii, cad64, V7"", ""vi, iii, IV, I, ii, cadential 64, V7"", ""vi, iii, IV, I, ii, I6/4, V7"", """"]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q39","5","Beethoven","Piano Sonata No. 21, movement 1","S","What are the chords in Roman numeral notation starting in bar 251 until the first augmented chord (inclusive) with respect to the key/chord of bar 251? Don't add notes to the chords that are not explicitly written.","Chord","Roman-numeral chord symbol","List ordered by appearance","[""V7, ii6, V6/5/V""]","[""I, V2/V, V6, V43/vi, vi6, #viº6, II+"", ""I, V4/2/V, V6, V4/3/vi, vi6, #viº6, II+"", ""I, V4/2/V, V6, V4/3/vi, vi6, vii°6/VII, II+""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q40","5","Beethoven","Piano Sonata No. 21, movement 1","S","From bar 284 until the end of the movement, what is the final note of each uninterrupted ascending or descending C-major scalar run? Include a run only when it consists of at least eight consecutive C-major scale tones in one direction, with each successive tone moving by one diatonic scale step. Each reported final note must itself be reached from the immediately preceding tone by one diatonic scale step in the same direction within the same hand or voice. If two runs end simultaneously, list the lower voice first.","Pitch","Pitch with octave number","List ordered by appearance","[""A4, G#3, Bb2""]","[""B4, E4, A3, D4""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q41","5","Beethoven","Piano Sonata No. 21, movement 1","S","What are the note values played by the right hand in measure 20?","Duration / ratio","Note value written in full","List ordered by appearance","[""half note, whole note""]","[""dotted quarter note, sixteenth note, sixteenth note, eighth note""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q42","5","Beethoven","Piano Sonata No. 21, movement 1","S","What are the note values in the second-highest voice of measure 208 and 209?","Duration / ratio","Note value written in full","List ordered by appearance","[""dotted eighth note, sixteenth note, dotted half note""]","[""half note, quarter note, quarter note, half note, triplet eighth note, triplet eighth note, triplet eighth note, triplet eighth note, triplet eighth note, triplet eighth note"", ""half note, quarter note, quarter note, half note, eighth-note triplet, eighth-note triplet, eighth-note triplet, eighth-note triplet, eighth-note triplet, eighth-note triplet""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q43","5","Beethoven","Piano Sonata No. 21, movement 1","S","According to the score, what is the maximum number of distinct pitches sounding simultaneously at any point in bar 137? List the pitches forming this densest sonority from lowest to highest.","Pitch","Pitch with octave number","List","[""G#3, Bb4, Fx5""]","[""F#3, C4, Eb4, F#4, Eb5"", ""F#3, C4, Eb4, F#4, C5"", ""F#3, C4, Eb4, F#4, A4"", ""F#3, C4, Eb4, F#4, A5""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q44","5","Beethoven","Piano Sonata No. 21, movement 1","S","How many notes does measure 61 count?","Integer","Positive integer","Single","[""4""]","[""31""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q45","5","Beethoven","Piano Sonata No. 21, movement 1","S","Describe the dynamic contour of the first 30 bars by listing all notated dynamic instructions in order. Exclude sforzando markings. If a marking is repeated, name it twice.","Category label","Dynamic marking or term written in full","List ordered by appearance","[""mezzo-piano, fortissimo, mezzo-forte""]","[""pianissimo, pianissimo, crescendo, forte, diminuendo, piano, pianissimo, pianissimo, crescendo, piano, crescendo, forte""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q46","5","Beethoven","Piano Sonata No. 21, movement 1","S","What is the complete chord progression from bar 198 until, but not including, the first A-minor chord?","Chord","Lead-sheet chord symbol with bass whenever needed","List ordered by appearance","[""Esus2, Dbmaj7, B7b5/D#""]","[""A, E, F#m, C#7, D, E7/B, A/C#, Bm7/D, A/E, E7"", ""A, E, F#m, C#7, D, E7/B, A/C#, Bm7/D, A/E, E, E7"", ""A, E, F#m, C#7, D, E7/B, A/C#, Bm7/D, A/E, E""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q47","5","Beethoven","Piano Sonata No. 21, movement 1","S","A modulating passage starts in measure 114 through a series of dominant chords. Name the leading tones of these dominant chords fueling this modulation, up until the music reaches the chord of B minor.","Pitch","Pitch class without octave number","List ordered by appearance","[""G#, Bb, Fx""]","[""B, E, A, D, A#"", ""E, A, D, A#""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q48","5","Beethoven","Piano Sonata No. 21, movement 1","S","Between measure 190 and 193, how many times does the right hand play a 4-note monotonically descending pattern in which all four notes are part of the E major chord?","Integer","Positive integer","Single","[""4""]","[""11""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q49","5","Beethoven","Piano Sonata No. 21, movement 1","S","Bars 159 through 169 are structurally identical to which measures of the exposition?","Bar / beat","Bar range (N-N)","Single","[""8-15"", ""24-31"", ""68-75""]","[""2-12""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q50","5","Beethoven","Piano Sonata No. 21, movement 1","S","How many semitones lower or higher is bar 267 compared to 263?","Integer","Signed integer","Single","[""-1"", ""+4""]","[""-2""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q51","19","Beethoven","Symphony No. 2, movement 1","S","Which instruments play sixteenth notes in bars 47-48?

Mention the instruments in the same wording as in the score.","Short text","Instrument name","List ordered alphabetically","[""Flute, piano""]","[""Bassoon, cello, double bass, timpani, viola, violin"", ""Bassoon, cello, double bass, kettledrums, viola, violin"", ""Bassoon, double bass, timpani, viola, violin, violoncello"", ""Bassoon, double bass, kettledrums, viola, violin, violoncello""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q52","19","Beethoven","Symphony No. 2, movement 1","S","Which instruments were the first to play the slurred sixteenth-note motif played in bars 47 and 48, earlier in the piece?

Mention the instruments in the same wording as in the score.","Short text","Instrument name","List ordered alphabetically","[""Bassoon, piano""]","[""Viola, cello"", ""Viola, violoncello""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q53","20","Beethoven","Symphony No. 2, movement 3","S","Which instruments play in this fragment? Mention each instrument only once.

Mention the instruments in the same wording as in the score.","Short text","Instrument name","List ordered alphabetically","[""Piano, violin""]","[""Bassoon, cello, clarinet, double bass, flute, horn, oboe, trumpet, viola, violin""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q54","21","Beethoven","Symphony No. 4, movement 2","S","How many staff-bars are notated in the score in total? Count each five-line staff separately, including multiple staves assigned to the same instrument. For example, if two clarinet staves and one violin staff each contain two bars, count this as six staff-bars.","Integer","Positive integer","Single","[""6""]","[""68""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q55","22","Beethoven","Symphony No. 5, movement 1","S","Which wind instruments enter last?

Mention the instruments in the same wording as in the score.","Short text","Instrument name","List ordered alphabetically","[""Flute, bassoon""]","[""Flute, horn, oboe, trumpet"", ""Flutes, horns, oboes, trumpets""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q56","24","Beethoven","Symphony No. 9, movement 1","S","Which instrument plays pizzicato, and from which bar onward?

Mention the instruments in the same wording as in the score.","Composite answer","Two answer components in the formats specified in the question","Single","[""flute, 42""]","[""Contrabass, 378""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q57","24","Beethoven","Symphony No. 9, movement 1","S","What are the highest and lowest pitches of the first written bar?","Pitch","Pitch with octave number","Pair","[""A4, G#3""]","[""Eb6, D2""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q58","24","Beethoven","Symphony No. 9, movement 1","S","Which notes does the viola play in the final bar?","Pitch","Pitch class without octave number","List ordered by appearance","[""A, G#, Bb""]","[""F, E, C#, D, F, D, E, G""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q59","6","Chopin","Ballade No. 1","S","Which specific notes form the short middle voice highlighted by the composer in between bars 82 and 87?","Pitch","Pitch with octave number","List ordered by appearance","[""A4, G#3, Bb2""]","[""Db4, Cb4, Bb3""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q60","6","Chopin","Ballade No. 1","S","Into at least how many subdivisions should the performer divide the first half of bar 170 in order to play that part in both hands with mathematical precision?","Integer","Positive integer","Single","[""4""]","[""30""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q61","6","Chopin","Ballade No. 1","S","What is the chord progression starting in measure 89, until the 'a tempo (meno mosso)' marking (exclusive)?","Chord","Lead-sheet chord symbol with bass whenever needed","List ordered by appearance","[""Esus2, Dbmaj7, B7b5/D#""]","[""Eb7, Abm/Eb, Eb, Gm, Bb, Dm"", ""Eb, Abm/Eb, Eb, Gm, Bb, Dm""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q62","6","Chopin","Ballade No. 1","S","Between bars 130 and 134, the right hand plays a rapid eighth-note passage. If the notes are grouped into consecutive pairs, what repeated sequence is formed by taking the first note of each pair? Give only the notes from one occurrence of that sequence.","Pitch","Pitch class without octave number","List ordered by appearance","[""A, G#, Fx""]","[""Bb, Cb, C#, D, E, F, G, Ab""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q63","6","Chopin","Ballade No. 1","S","Bar 216 introduces a right-hand technical challenge in which single notes alternate with dyads at a rapid pace while the hand shifts across octaves. Given the speed, to play as comfortably as possible, the hand-position change itself occurs between two consecutive attacks of the same note—for example, the same C4 is played twice in immediate succession, first with finger 1 and then with finger 5 to shift the hand. Consider only bars that preserve this exact pattern. What is the last bar in which this particular challenge occurs?","Bar / beat","Bar number (digits)","Single","[""217""]","[""233""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q64","6","Chopin","Ballade No. 1","S","At which two places does a significant portion (at least 8 bars) of the thematic material introduced in bar 8, albeit in a different tonality and therefore potentially slightly altered? List the first bar of each reprise.","Bar / beat","Bar number (digits)","Pair","[""55, 190""]","[""94, 194""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q65","6","Chopin","Ballade No. 1","S","The longest continuous, fully chromatic scale (i.e. playing every note of the piano) in the piece is played in which bar range?","Bar / beat","Bar range (N-N)","Single","[""8-15"", ""24-31"", ""2-9""]","[""242-245""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q66","7","Chopin","Etude Op. 10 No. 4","S","Which beat in measure 11 is not played with an arpeggio?","Bar / beat","Beat number (digits)","Single","[""8""]","[""4""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q67","7","Chopin","Etude Op. 10 No. 4","S","The piece contains a lot of repeated, but transposed, phrases. Consider the phrases in bars 18 and 22. What is the interval between them?","Interval","Interval quality and size","Single","[""major third"", ""augmented fourth"", ""minor seventh""]","[""diminished third"", ""major second""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q68","7","Chopin","Etude Op. 10 No. 4","S","What does the instruction in bar 81 stand for in the original language?","Short text","Short phrase","Single","[""con fuoco""]","[""main gauche""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q69","7","Chopin","Etude Op. 10 No. 4","S","What type of cadence is occurring within bar 18? Consider all voices.","Category label","Cadence name written in full","Single","[""half cadence""]","[""Deceptive"", ""deceptive cadence"", ""interrupted cadence""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q70","7","Chopin","Etude Op. 10 No. 4","S","How many beats of the dominant harmony/feel occur right before the recapitulation begins?","Integer","Positive integer","Single","[""4""]","[""15"", ""16""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q71","7","Chopin","Etude Op. 10 No. 4","S","In which consecutive bars does one voice play at least six consecutive notes whose pitch classes proceed by the circle of fifths in either direction? Do not combine notes from different voices or infer the sequence from chord roots.","Bar / beat","Bar range (N-N)","Single","[""8-15"", ""24-31"", ""68-75""]","[""29-30"", ""29-31""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q72","7","Chopin","Etude Op. 10 No. 4","S","Two distinct four-sixteenth-note motifs are introduced in the main theme: motif A four times in bar 1 and motif B four times in bar 2. Search the entire score for later occurrences of each motif independently. An occurrence must preserve the original rhythm exactly, although the melody may be transposed and therefore slightly altered. What is the final bar in which motif A occurs, and the final bar in which motif B occurs? Give one bar number for each motif in order: first for motif A, then for motif B.","Composite answer","Two answer components in the formats specified in the question","Pair","[""18, 42""]","[""68, 78"", ""78, 68""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q73","8","Debussy","Reflets dans l'eau","S","Starting from bar 25 onward, which right-hand note is the first to be played as part of a new crescendo?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""Gb5""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q74","8","Debussy","Reflets dans l'eau","S","What is the interval between the top two notes within the seventh chord of measure 16?","Interval","Interval quality and size","Single","[""major third"", ""perfect fifth"", ""minor seventh""]","[""Perfect fourth""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q75","8","Debussy","Reflets dans l'eau","S","An eighth note represents 1/8 of a whole note. How much does one right-hand note in bar 28 represent of a whole note? Answer with an irreducible fraction.","Duration / ratio","Fraction written as N/N","Single","[""1/8"", ""3/16"", ""5/32""]","[""1/56""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q76","8","Debussy","Reflets dans l'eau","S","Considering the notes in either hand and only the explicitly written dynamics, which note should be played the loudest in bar 58?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""Eb2""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q77","8","Debussy","Reflets dans l'eau","S","Which notes form the melody in measures 22 and 23?","Pitch","Pitch with octave number","List ordered by appearance","[""A4, G#3, Bb2""]","[""F5, Fb5, Eb5, D5""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q78","8","Debussy","Reflets dans l'eau","S","In the second half of measure 31, there are four fully chromatic descending lines, of which exactly one is doubled. Name all the notes of that line.","Pitch","Pitch class without octave number","List ordered by appearance","[""G#, Fx, C""]","[""Bb, A, Ab, G""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q79","8","Debussy","Reflets dans l'eau","S","How many notes does measure 25 contain across both hands?","Integer","Positive integer","Single","[""4""]","[""30""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q80","8","Debussy","Reflets dans l'eau","S","What distinct pitches are missing to complete the most likely scales in measure 65, such that all notes of those particular scales between the first and last written note are played?","Pitch","Pitch class without octave number","List","[""A, G#, Bb""]","[""Eb""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q81","8","Debussy","Reflets dans l'eau","S","The melody played in measure 58 is played at three different registers within the span of five bars. Rank the occurrences of this melody from lowest register to highest register. For example, if the first time it is played, it is played the lowest, and the third time, the highest, write '1, 2, 3'. If the melody is doubled, take only the highest voice in consideration.","Category label","Given label written in full","List","[""1, 2, 3""]","[""2, 3, 1""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q82","8","Debussy","Reflets dans l'eau","S","Consider the first three sixteenth-note chord groups of the piece. How many times does this three-chord pattern occur within bars 1–10, regardless of the register in which it is played?","Integer","Positive integer","Single","[""4""]","[""6""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q83","8","Debussy","Reflets dans l'eau","S","In measure 31, the composer introduces a melodic-rhythmic motif consisting of four notes: C, Db, Bb, C. That motif is developed. Which bass note marks the beginning of a new passage, concluding the development of the motif?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""Ab2""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q84","8","Debussy","Reflets dans l'eau","S","Toward the end of the piece, the composer seems to want the water to return to a tranquil state and the music to sound from afar. Which measure explicitly marks the beginning of this passage?","Bar / beat","Bar number (digits)","Single","[""55""]","[""82""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q85","9","Glinka","The Lark","S","Which instruction tells the pianist how to play the melodic fragments in the opening?","Short text","Expressive term or phrase","Single","[""dolce""]","[""Andante quasi recitativo"", ""quasi recitativo""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q86","9","Glinka","The Lark","S","Which chord is outlined by the simultaneous arpeggios in both hands in bar 33, starting after the fermata? Give the chord in root position, arranging its notes as a stack of thirds.","Chord","Lead-sheet chord symbol in root position","Single","[""Esus2"", ""D#maj7"", ""B7b5""]","[""Ab9""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q87","9","Glinka","The Lark","S","What scale is played in measure 40?","Key / tonality","Scale (pitch class and mode)","Single","[""C major"", ""F# minor"", ""D Dorian""]","[""Db major""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q88","9","Glinka","The Lark","S","At the beginning of the second cadenza-like passage, a series of ascending arpeggios emerges from a low note marked with a fermata. Taken together, what specific chord do the notes of this ascending arpeggiated passage form?","Chord","Lead-sheet chord symbol in root position","Single","[""Esus2"", ""D#maj7"", ""B7b5""]","[""F11b9""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q89","9","Glinka","The Lark","S","Name the five distinct, explicitly written performance instructions (beyond pitch and note values) or ornamentations in bars 3 and 4.","Short text","Short phrase written in full","List ordered alphabetically","[""trill, glissando, turn""]","[""Arpeggio, fermata, grace notes, pianissimo, slur"", ""Arpeggio, fermata, grace note, pianissimo, slur""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q90","9","Glinka","The Lark","S","After the introduction in which two characters alternate, in which measure does the first complete statement of the sung melody begin?","Bar / beat","Bar number (digits)","Single","[""5""]","[""14"", ""13""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q91","9","Glinka","The Lark","S","In which measure does the first complete variation of the main melody begin?","Bar / beat","Bar number (digits)","Single","[""55""]","[""34""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q92","9","Glinka","The Lark","S","What written performance indication tells the pianist how to play the first variation of the main melody? Give the complete indication exactly as written in the score.","Category label","Musical term written in full","List ordered by appearance","[""staccato, legato, marcato""]","[""brillante, la melodia ben marcata""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q93","9","Glinka","The Lark","S","According to the score, which entire bar is to be played the softest?","Bar / beat","Bar number (digits)","Single","[""22""]","[""70""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q94","9","Glinka","The Lark","S","For a long time, the piece is mainly in a minor tonality. From which bar onwards has the tonality definitely shifted to major?","Bar / beat","Bar number (digits)","Single","[""4""]","[""65""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q95","10","Haydn","Keyboard Sonata 48, movement 2","S","Which earlier four-measure passage is repeated note for note in measures 152 through 155?","Bar / beat","Bar range (N-N)","Single","[""8-15"", ""24-31"", ""68-75""]","[""146-149""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q96","10","Haydn","Keyboard Sonata 48, movement 2","S","What harmonic interval is formed between the dotted quarter notes in measure 148?","Interval","Interval quality and size","Single","[""perfect fifth"", ""minor seventh"", ""augmented fourth""]","[""major third""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q97","10","Haydn","Keyboard Sonata 48, movement 2","S","Between bars 165 and 181, the composer creates like a cliffhanger through a considerably long suspension on unresolved tension. In which bar is the very end of this cliffhanger (i.e. the place right before the suspension is resolved) located?","Bar / beat","Bar number (digits)","Single","[""4""]","[""175"", ""176""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q98","10","Haydn","Keyboard Sonata 48, movement 2","S","Which written dynamics appear from measures 196 through 257, in order of appearance?","Category label","Dynamic marking or term written in full","List ordered by appearance","[""mezzo-piano, crescendo, diminuendo""]","[""fortissimo, piano, forte, piano, forte, forte""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q99","10","Haydn","Keyboard Sonata 48, movement 2","S","Between 224 and 240, in which bars do the two playing voices play exactly the same pitch classes?","Bar / beat","Bar number (digits)","List ordered by appearance","[""224,225""]","[""234, 235, 236, 237, 238, 239""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q100","10","Haydn","Keyboard Sonata 48, movement 2","S","From bar 140 until the end, what is the longest duration of a chain of tied notes, expressed in the number of eighth note durations?","Integer","Positive integer","Single","[""4""]","[""14""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q101","10","Haydn","Keyboard Sonata 48, movement 2","S","The main theme appears several times with different textural densities and across different registers. In which bar does the statement spanning the widest range of the keyboard begin?","Bar / beat","Bar number (digits)","Single","[""100""]","[""196"", ""197""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q102","11","Liszt","Ballade No. 2","S","According to the score, in measure 145, which eighth-note chords in the right hand are struck simultaneously with a new note attack in the left hand? For example, if the first and third eighth-note chords of the right hand should be struck together with a note attack in a left hand, write '1, 3'.","Integer","Positive integer","List ordered by appearance","[""1, 3""]","[""2, 6""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q103","11","Liszt","Ballade No. 2","S","In measure 113, on which note does it make most sense for the right hand to change position to play the whole bar?","Pitch","Pitch class without octave number","Single","[""A"", ""G#"", ""Bb""]","[""C#""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q104","11","Liszt","Ballade No. 2","S","What is the most precise harmonic function of the chord in the beginning of bar 296 relative to the first chord of bar 297?","Category label","Harmonic-function label written in full","Single","[""tonic""]","[""Double dominant"", ""dominant of the dominant"", ""secondary dominant of the dominant""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q105","11","Liszt","Ballade No. 2","S","How many quarter note durations does the C# bass note key struck in measure 24 need to be held for?","Duration / ratio","Count in quarter notes","Single","[""2"", ""4.5"", ""7.25""]","[""7.5""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q106","11","Liszt","Ballade No. 2","S","Between the beginning of Allegretto in bar 143 and a subsequent repeat of the rumble (the material with which the piece opens), at some point, the composer employs a technique called 'rhythmic augmentation'. In which bar is this technique used in the left hand?","Bar / beat","Bar number (digits)","Single","[""4""]","[""161""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q107","11","Liszt","Ballade No. 2","S","Which is the first chord that needs to be played with only one string? Name that chord.","Chord","Lead-sheet chord symbol in root position","Single","[""Esus2"", ""D#maj7"", ""B7b5""]","[""F#""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q108","11","Liszt","Ballade No. 2","S","Bars 59-69 are similar to bars 24-34. Identify the first measure in which the notes in the former are not an exact transposition of the notes in the latter. Consider the content only (notes and rhythm), not the performer instructions (articulation, slurs, dynamics)? Write NA if it's a note-for-note transposition.","Bar / beat","Bar number (digits) or NA","Single","[""42"", ""18"", ""7""]","[""NA""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q109","11","Liszt","Ballade No. 2","S","Based on the dynamics in the score, which notes are the first to form the loudest, most intense sigh in the phrase in bars 135-138?","Pitch","Pitch with octave number","List ordered by appearance","[""A4, G#4""]","[""F#5, E5""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q110","11","Liszt","Ballade No. 2","S","The melody in bars 181-194 is the transposed version of the theme played at the very opening of the piece, up to a certain point. Which melodic note breaks this similarity between the two transposed versions? In other words, which melodic note arrives unexpectedly?","Pitch","Pitch class without octave number","Single","[""A"", ""G#"", ""Bb""]","[""G""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q111","12","Mozart","Piano Sonata 12, movement 1","S","The slur in measure 46 starts and ends at which notes?","Pitch","Pitch with octave number","Pair","[""A4, G#3""]","[""A5, D5""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q112","12","Mozart","Piano Sonata 12, movement 1","S","In measure 91, what is the note value of the bass note marked sforzando?","Duration / ratio","Note value written in full","Single","[""quarter note"", ""dotted eighth note"", ""half note""]","[""dotted quarter note""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q113","12","Mozart","Piano Sonata 12, movement 1","S","What are the harmonic functions up until bar 4? Name one function per bar.","Category label","Harmonic-function label written in full","List ordered by appearance","[""dominant, tonic""]","[""Tonic, secondary dominant, predominant, dominant"", ""Tonic, secondary dominant, subdominant, dominant""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q114","12","Mozart","Piano Sonata 12, movement 1","S","What are the Roman numeral notations for the chords in bars 120-122 (inclusive), with respect to the key in bar 121?","Chord","Roman-numeral chord symbol","List ordered by appearance","[""V7, ii6, V65""]","[""V65, i, It+6"", ""V65, i, It6"", ""V65, i, #IV6""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q115","12","Mozart","Piano Sonata 12, movement 1","S","Out of the six dyads in measure 67, which ones are major? Name the notes that form the major dyads.","Pitch","Pairs of pitch classes without octave numbers","List ordered by appearance","[""C# Bb, A D, F C""]","[""Eb G"", ""G Eb""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q116","12","Mozart","Piano Sonata 12, movement 1","S","From measure 222 until the end, which ornamentations and how many of them are there?","Category label","Count and ornamentation","List ordered alphabetically","[""2 mordents, 1 turn""]","[""6 trills""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q117","12","Mozart","Piano Sonata 12, movement 1","S","Which is the last measure to be played with the same forte as the one written in measure 84?","Bar / beat","Bar number (digits)","Single","[""120""]","[""93""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q118","12","Mozart","Piano Sonata 12, movement 1","S","What sequence of chords is outlined across measures 61, 62, and 63?","Chord","Lead-sheet chord symbol in root position","List ordered by appearance","[""C7, Amaj7, Gb7""]","[""Fm7, Bb7, Ebmaj7""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q119","12","Mozart","Piano Sonata 12, movement 1","S","Name the three leading tones that drive the modulation between bars 155 and 168.","Pitch","Pitch class without octave number","List ordered by appearance","[""G#, Bb, Fx""]","[""C#, B, A""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q120","12","Mozart","Piano Sonata 12, movement 1","S","In bar 17, on what exact fractional rhythmic subdivision does the V chord (with respect to the home key) arrive? For example, if it falls on the second half of the first beat, write 1.5.","Bar / beat","Fractional beat number with optional beat prefix","Single","[""1.5"", ""beat 2.25""]","[""3.75"", ""beat 3.75""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q121","12","Mozart","Piano Sonata 12, movement 1","S","How many groups of four sixteenth notes constituting an F major chord are written in the coda?","Integer","Positive integer","Single","[""4""]","[""10""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q122","12","Mozart","Piano Sonata 12, movement 1","S","In which measure does the lyrical opening passage give way for a new character? Hint: it occurs before bar 22.","Bar / beat","Bar number (digits)","Single","[""4""]","[""12""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q123","13","Mozart","Piano Sonata 12, movement 3","S","According to the score, how should the last four bars be played at the end? Refer to the expressive character instruction.","Short text","Short phrase","Single","[""con fuoco""]","[""Calando""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q124","13","Mozart","Piano Sonata 12, movement 3","S","Bar 124 starts a modulating passage that first resolves to which key? Consider a key to be the resolution if it is affirmed for at least 2 consecutive bars.","Key / tonality","Key (pitch class and mode)","Single","[""C major"", ""F# minor"", ""D Dorian""]","[""Bb major""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q125","13","Mozart","Piano Sonata 12, movement 3","S","Consider the single harmonic function that is played in measures 154-155. Which notes in these bars are passing notes? Name all passing notes in the sequence, even if repeated.","Pitch","Pitch class without octave number","List ordered by appearance","[""A, Fx, C""]","[""Bb, G""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q126","13","Mozart","Piano Sonata 12, movement 3","S","The slur starting in bar 100 contains how many notes?","Integer","Positive integer","Single","[""4""]","[""12""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q127","13","Mozart","Piano Sonata 12, movement 3","S","Which 8-bar passage before bar 35 first suggests a humorous character through a clucking-like accompaniment? Identify the passage that closest matches the description.","Bar / beat","Bar range (N-N)","Single","[""3-5""]","[""15-22""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q128","13","Mozart","Piano Sonata 12, movement 3","S","In which measure does the performer first need to play gently, as asked explicitly by the composer?","Bar / beat","Bar number (digits)","Single","[""4""]","[""15""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q129","13","Mozart","Piano Sonata 12, movement 3","S","What is the progression in Roman numerals in measures 38-39 relative to the key the passage has modulating to in bar 39?","Chord","Roman-numeral chord symbol","List ordered by appearance","[""V7, ii6, V65""]","[""i6, V43, i, V65"", ""i6, V43, i, V6""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q130","13","Mozart","Piano Sonata 12, movement 3","S","At some point in the exposition, the music takes on a pronounced melancholic, resigned, or aching character for at least 8 bars. In which bar does the passage that best matches this description begin, and which bar is the last measure of this passage (in terms of musical content)?","Bar / beat","Bar number (digits)","Pair","[""18, 42""]","[""50, 64""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q131","13","Mozart","Piano Sonata 12, movement 3","S","List the tonalities established by V–I cadences (in any inversion) between bars 36 and 91, in chronological order of their first appearance.","Key / tonality","Scale (pitch class and mode)","Single","[""C major"", ""F# minor"", ""D Dorian""]","[""D minor, G major, C major, C minor""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q132","13","Mozart","Piano Sonata 12, movement 3","S","In what measure does the main theme in a minor tonality start?","Bar / beat","Bar number (digits)","Single","[""40""]","[""91""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q133","13","Mozart","Piano Sonata 12, movement 3","S","Which rests (across all voices) immediately precede the start of the development section? List them all in order of appearance. Repeat if necessary, but don't name a rest multiple times if it's the same rest in all voices. ","Duration / ratio","Rest value","List ordered by appearance","[""quarter rest, quarter rest""]","[""eighth rest, quarter rest, eighth rest""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q134","14","Rachmaninoff","Prelude Op. 23 No. 4","S","How many accented right-hand chords occur across measures 51 and 52?","Integer","Positive integer","Single","[""4""]","[""10""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q135","14","Rachmaninoff","Prelude Op. 23 No. 4","S","Which instructions in terms of articulation and dynamics are written to tell the performer how to play the piece's last F# that is played as part of a half-diminished chord?","Category label","Performance instruction label","List ordered alphabetically","[""legato, staccato""]","[""Mezzo-forte, tenuto"", ""mf, tenuto"", ""mezzo-forte (mf), tenuto""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q136","14","Rachmaninoff","Prelude Op. 23 No. 4","S","How many notes form the arpeggiated chord in measure 61 across both hands?","Integer","Positive integer","Single","[""4""]","[""8""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q137","14","Rachmaninoff","Prelude Op. 23 No. 4","S","On which pitch does the left-hand slur, beginning in measure 71, end?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""A1""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q138","14","Rachmaninoff","Prelude Op. 23 No. 4","S","Which distinct written note values occur in measure 57 when dotted and undotted values are treated as different? Name them from shortest to longest.","Duration / ratio","Note value written in full","List","[""whole note, triplet half note""]","[""triplet eighth note, eighth note, quarter note, dotted quarter note, half note""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q139","14","Rachmaninoff","Prelude Op. 23 No. 4","S","Which intervals are formed by the six right-hand eighth-note dyads in measure 40?","Interval","Interval quality and size","List ordered by appearance","[""minor second, augmented fourth, perfect fifth, major third, perfect fifth, minor seventh""]","[""minor third, major sixth, major sixth, minor third, minor third, minor third""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q140","14","Rachmaninoff","Prelude Op. 23 No. 4","S","In which measure does the second complete statement of the piece's main theme begin? ","Bar / beat","Bar number (digits)","Single","[""12""]","[""19""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q141","14","Rachmaninoff","Prelude Op. 23 No. 4","S","The beginning of the piece is seemingly peaceful and to be played with a singing tone. Within the first statement of the theme, in what bar does the music reach its first dramatic moment?","Bar / beat","Bar number (digits)","Single","[""4""]","[""11""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q142","14","Rachmaninoff","Prelude Op. 23 No. 4","S","In which measure does the piece reach its climax in terms of loudness, tension, and drama?","Bar / beat","Bar number (digits)","Single","[""23""]","[""51""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q143","14","Rachmaninoff","Prelude Op. 23 No. 4","S","Ignoring accompaniment, rhythm, and articulation differences, which melodic pitch first appears as new material in the second complete statement of the main theme that was not there yet in the first statement? In other words, identify the first difference in the melody.","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""B4""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q144","15","Schubert","Moment musical No. 3","S","A characteristic motif appears repeatedly in the accompaniment. In which bar does its final occurrence begin, and how long does the motif last in quarter-note beats? Use the shortest complete form of the motif.","Composite answer","Two answer components in the formats specified in the question","Single","[""23, 8""]","[""77, 1""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q145","15","Schubert","Moment musical No. 3","S","Which bar is the last bar in which the left hand plays exactly the same notes in exactly the same way as in the first bar?","Bar / beat","Bar number (digits)","Single","[""4""]","[""62""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q146","15","Schubert","Moment musical No. 3","S","What are the intervals between the dyads in the first half of measure 9?","Interval","Interval quality and size","List ordered by appearance","[""perfect fifth, minor seventh, augmented fourth""]","[""major third, minor third, minor third, minor third""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q147","15","Schubert","Moment musical No. 3","S","What is the largest interval between two consecutive notes in the melody up until bar 10?","Interval","Interval quality and size","Single","[""major third"", ""perfect fifth"", ""minor seventh""]","[""perfect fourth""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q148","15","Schubert","Moment musical No. 3","S","What is the harmonic progression of the second theme the first time it is played? Do not repeat the chord name if the chord is played for an extended period of time.","Chord","Lead-sheet chord symbol with bass whenever needed","List ordered by appearance","[""Esus2, Dbmaj7, B7b5/D#""]","[""Ab, Eb7/Ab, Ab, Db, Eb7, Ab"", ""Ab, Eb/Ab, Eb7/Ab, Ab, Db, Eb7, Ab""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q149","15","Schubert","Moment musical No. 3","S","Near the end of the piece, from which bar onward is the final chord repeatedly affirmed (i.e. from which bar until the end is it played)?","Bar / beat","Bar number (digits)","Single","[""4""]","[""76""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q150","15","Schubert","Moment musical No. 3","S","Locate the densest moment, i.e. the moment where the most notes sound simultaneously. Name the bar. If there are multiple, answer with only one.","Bar / beat","Bar number (digits)","Single","[""4""]","[""33"", ""61"", ""43"", ""35"", ""25""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q151","16","Schumann","Arabeske Op. 18","S","According to the score, how should the conclusion be played, tempo-wise?","Short text","Literal text","Single","[""allegro""]","[""Langsamer"", ""Slower"", ""Langsamer M.M. = 58""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q152","16","Schumann","Arabeske Op. 18","S","What harmonic progression is formed in bars 85-90? Name the chord on each bass note, so 9 in total.","Chord","Lead-sheet chord symbol with bass whenever needed","List ordered by appearance","[""Esus2, Dbmaj7, B7b5/D#""]","[""Em, B7/D#, Em, Em, G#dim7/D, Am/C, Am/C, C, B"", ""Em, B7/D#, Em, Em, G#dim7/D, Am/C, Am/C, Am/C, B"", ""Em, B7/D#, Em, Em, G#dim7/D, Am/C, Am/C, Am7/C, B"", ""Em, B7/D#, Em, Em, G#dim7/D, Am/C, Am/C, C6, B""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q153","16","Schumann","Arabeske Op. 18","S","Three sections with distinct thematic material precede bar 106. In which bars do these sections begin? Segment the passage into three sections so as to maximize thematic coherence within each section.","Bar / beat","Bar number (digits)","List","[""4, 23, 97""]","[""1, 43, 91""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q154","16","Schumann","Arabeske Op. 18","S","What indications of tempo are written in measure 91?","Short text","Tempo indication written in full","List ordered by appearance","[""meno mosso, a tempo, accelerando""]","[""Noch langsamer, ritardando"", ""Even more slowly, ritardando"", ""Noch langsamer, ritard.""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q155","16","Schumann","Arabeske Op. 18","S","The melodic line in bars 59-62 is transposed a few bars later. To which key?","Key / tonality","Key (pitch class and mode)","Single","[""C major"", ""F#m"", ""Bb major""]","[""A minor"", ""Am""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q156","16","Schumann","Arabeske Op. 18","S","At the start of the piece, the quarter-note line formed in the bass can be divided into pairs, each forming a descending major second. Give the name of the first note that breaks this repeated pattern.","Pitch","Pitch class without octave number","Single","[""A"", ""G#"", ""Bb""]","[""B""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q157","16","Schumann","Arabeske Op. 18","S","In bars 43-50, at which point is the strict four-part voicing broken?","Bar / beat","Bar number (digits)","Single","[""4""]","[""44""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q158","16","Schumann","Arabeske Op. 18","S","What is the chord progression in bars 91-104? Identify one chord for each bass note lasting at least a half note, and exclude suspensions from the chord analysis.","Chord","Lead-sheet chord symbol with bass whenever needed","List ordered by appearance","[""Edim7, Dbmaj7, B7b5/D#""]","[""F7, Bb/F, E7, Am/E, Am7b5/Eb, Cm, D7, Db/Ab, Db/F"", ""F7, Bb/F, E7, Am/E, Cm/Eb, Cm, D7, Db/Ab, Db/F"", ""F7, Bb/F, E7, Am/E, Cm6/Eb, Cm6, D7, Db/Ab, Db/F""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q159","16","Schumann","Arabeske Op. 18","S","On which bass notes did the composer explicitly ask for or suggest pedal use in the first 12 bars?","Pitch","Pitch with octave number","List ordered by appearance","[""A1, Bb2, C#3""]","[""G3, G3, D3, D2""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q160","16","Schumann","Arabeske Op. 18","S","Taking into consideration mainly motives and texture, identify the piece’s formal sections. List A, B, C, D, and E in order of appearance or reappearance, giving the start bar numbers for every section. Hint: the first A section spans bars 1–42. Reply with the bar number in which the material starts, no matter the location within the bar itself.","Composite answer","Section label followed by start-bar number","List ordered by appearance","[""A: 1, B: 24, C: 57""]","[""A: 1, B: 43, C: 91, A: 106, D: 148, A: 174, E: 216""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q161","16","Schumann","Arabeske Op. 18","S","During the development of musical material of bars 43-44 in the subsequent bars, the intensity builds up. According to the indications in the score, in which measure should this peak in intensity begin to take place?","Bar / beat","Bar number (digits)","Single","[""4""]","[""83""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q162","17","Scriabin","Etude Op. 8 No. 11","S","What is the name of the chord on the first beat of measure 8?","Chord","Lead-sheet chord symbol in root position","Single","[""Esus2"", ""D#maj7"", ""B7b5""]","[""Fsus4""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q163","17","Scriabin","Etude Op. 8 No. 11","S","Starting in which bars does the composer indicate an added second voice with the notes Db–Cb–Bb?","Bar / beat","Bar number (digits)","List ordered by appearance","[""2"", ""4""]","[""5, 33"", ""5 | 33""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q164","17","Scriabin","Etude Op. 8 No. 11","S","Which note in measure 51 adds tension to the dominant-seventh chord?","Pitch","Pitch class without octave number","Single","[""A"", ""G#"", ""Bb""]","[""Cb""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q165","17","Scriabin","Etude Op. 8 No. 11","S","What should be the BPM in measure 39?","Integer","Positive integer","Single","[""4""]","[""63""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q166","17","Scriabin","Etude Op. 8 No. 11","S","In which 3 measures is the right hand of measure 1 repeated exactly? Disregard differences in dynamics, performance instructions, and articulation.","Bar / beat","Bar number (digits)","List ordered by appearance","[""4, 12, 20""]","[""9, 29, 37""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q167","17","Scriabin","Etude Op. 8 No. 11","S","If one were to apply the BPM rigorously and play robotically, how long (in seconds) would this piece last? Round your answer to the nearest integer.","Integer","Positive integer","Single","[""200""]","[""154""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q168","17","Scriabin","Etude Op. 8 No. 11","S","Working backward from the end of the score to the beginning, in which measure does a chord enharmonically equivalent to B major first appear (in any chord position)?","Bar / beat","Bar number (digits)","Single","[""4""]","[""45""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q169","17","Scriabin","Etude Op. 8 No. 11","S","Name all instructions related to dynamics  up until bar 18 (included).","Category label","Dynamic marking or term written in full","List ordered by appearance","[""mezzo-piano, fortissimo""]","[""piano, mezzo-forte, crescendo, mezzo-forte, diminuendo, pianissimo, pianississimo, diminuendo, pianissimo, pianississimo."", ""piano, mezzoforte, crescendo, mezzoforte, diminuendo, pianissimo, triple piano, diminuendo, pianissimo, triple piano.""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q170","18","Scriabin","Piano Sonata No. 5","S","The uppermost voice of the Languido theme introduces a motif that later reappears in varied forms. In which bar is this motif first presented as part of triplets?","Bar / beat","Bar number (digits)","Single","[""4""]","[""252""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q171","18","Scriabin","Piano Sonata No. 5","S","In bar 47, what is the duration of a single note in the accompaniment relative to a whole note? Express your answer as an irreducible fraction.","Duration / ratio","Fraction written as N/N","Single","[""1/8"", ""5/32"", ""2/3""]","[""3/16""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q172","18","Scriabin","Piano Sonata No. 5","S","What does the instruction in bar 222 stand for?","Short text","Short phrase","Single","[""dolce""]","[""mano sinistra""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q173","18","Scriabin","Piano Sonata No. 5","S","During the first right-hand grace-note group in measure 451, what intervals are formed between the first four consecutive grace notes? List the three intervals in order. Do not include any interval involving a main note.","Interval","Interval quality and size","List ordered by appearance","[""major third, perfect fifth, minor seventh""]","[""perfect fourth, major second, major second""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q174","18","Scriabin","Piano Sonata No. 5","S","What harmony is formed by all the notes sounding in both hands in bar 433? The chord name must account for every sounding note.","Chord","Lead-sheet chord symbol with bass whenever needed","Single","[""Esus2"", ""D#maj7"", ""B7b5/D#""]","[""Bb11/Eb"", ""Abadd9#11/Eb"", ""Ebmaj13"", ""Bb9/Eb""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q175","18","Scriabin","Piano Sonata No. 5","S","Starting in which bar does the performer need to play very fast for the first time?","Bar / beat","Bar number (digits)","Single","[""3""]","[""9""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q176","18","Scriabin","Piano Sonata No. 5","S","In the Languido theme the first time it is played, how many voices sound simultaneously?","Integer","Positive integer","Single","[""4""]","[""5""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q177","18","Scriabin","Piano Sonata No. 5","S","Divide bar 132 into 12 equal positions, numbered 1 through 12. At which positions does the performer attack one, single note at a time? Do not count tied notes as new attacks.","Integer","Positive integer","List ordered by appearance","[""4, 12""]","[""3, 4, 5, 9, 10, 11, 12""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q178","18","Scriabin","Piano Sonata No. 5","S","In the last 6 bars, the piece ends with a musical idea that was introduced earlier. Starting in which bar was this last musical idea first introduced?","Bar / beat","Bar number (digits)","Single","[""4""]","[""9""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q179","18","Scriabin","Piano Sonata No. 5","S","List every distinct time signature used in the sonata in order of first appearance up until the music reaches 3/8 (inclusive). Write each time signature only once.","Category label","Time signature (N/N)","List ordered by appearance","[""4/4, 9/8, 2/2, 3/8""]","[""2/4, 5/8, 4/8, 6/8, 3/8""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q180","18","Scriabin","Piano Sonata No. 5","S","Name the 12 different passages played before bar 263 by their expression/tempo indications.","Category label","Musical term written in full","List ordered by appearance","[""Dolce, poco meno mosso, con fuoco""]","[""Allegro impetuoso con stravaganza, Presto, Languido, Accarezzevole, Presto con allegrezza, Meno vivo, Allegro fantastico, Presto tumultuoso esaltato, Allegro impetuoso, Languido, Leggerissimo volando, Presto giocoso""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q181","1","Bach","Fugue BWV 875","P","From 00:31 to 00:35, the performer emphasizes a regularly pulsed motif whose repetition across two different voices creates a melodic line. What are the notes of this melody, beginning with the first D and ending with the last E within this fragment? List 16 notes.","Pitch","Pitch class without octave number","List ordered by appearance","[""D, C#, Ab""]","[""D, Eb, D, C, Eb, D, C, B, G, A, G, F, A, G, F, E""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q182","1","Bach","Fugue BWV 875","P","Between 0:50 and 0:58, the melodic line 'A, Bb, A, G, Bb, A, G, F' is played three times. Rank those by increasing loudness. If the first time the melody is played, it is played the softest and the third one the loudest, answer: 1, 2, 3.","Integer","Positive integer","List ordered by increasing loudness","[""1, 2, 3""]","[""3, 2, 1""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q183","1","Bach","Fugue BWV 875","P","Between 1:26 and 1:39, the performer uses an unusual rubato. Which note carries the greatest expressive tension, receiving the strongest dramatic and interpretive emphasis through the rubato?","Pitch","Pitch class without octave number","Single","[""A"", ""G#"", ""Fx""]","[""Bb"", ""A""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q184","2","Bach","Prelude BWV 848","P","Between 00:16 and 00:19, the performer brings out two melodic lines in two different registers. What is the highest note within the lowest of the two emphasized melodies?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""F#4""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q185","2","Bach","Prelude BWV 848","P","A 5-note rhythmical motif, characterized by a syncopated feel, is introduced at 0:21 in the right hand and later repeated/transposed. Until when is the motif repeated/transposed? Identify the earliest time after which the motif no longer occurs.  ","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""00:30""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q186","2","Bach","Prelude BWV 848","P","Listen to the performance and feel the pulse given by the slower-moving voice in the opening. Which BPM range best matches the tempo: 50-60, 60-70, 70-80, 80-90, 90-100, 100-110, 110-120, 120-130, 130-140, 140-150, 150-160, 160-170, 170-180, 180-190?","Choice","One choice copied exactly from the question","Single","[""50-60""]","[""90-100""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q187","3","Balakirev","Islamey","P","Starting at 3:37, the performer plays a lyrical passage in which two voices engage in dialogue. At what time does a new passage first take over by breaking with previous texture, character, and articulation?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""3:53"", ""3:52""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q188","3","Balakirev","Islamey","P","The passage beginning at 0:21 forms a distinct, coherent section, contrasting with the preceding material through its repeated melodic pattern and characteristic texture. Until what time does the music remain recognizably within this same pattern and texture before transitioning into a different section?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""00:31"", ""00:32""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q189","4","Beethoven","Piano Sonata 23, movement 1","P","What is the final point toward which the music builds before it begins to die away?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""9:11"", ""09:11""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q190","4","Beethoven","Piano Sonata 23, movement 1","P","When does the re-exposition start? Identify the timestamp of the first upper-melodic note.","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""4:58"", ""04:58""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q191","4","Beethoven","Piano Sonata 23, movement 1","P","Within the first minute, at what time does the first katabasis (a catastrophic descent) take place?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""00:36""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q192","4","Beethoven","Piano Sonata 23, movement 1","P","The opening (up until 00:44) contains what may seem like a question-answer dialogue between two people. At what point does the questioner seem so dissatisfied with/scared about the repeated answer that they seemingly enter a state of fright/panic?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""00:32""]","[""00:35"", ""00:36""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q193","5","Beethoven","Piano Sonata No. 21, movement 1","SP","In the re-exposition, after the theme recurs in diminution, the piece briefly modulates to A major. The A major passage concludes with a half cadence at what time?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""07:34"", ""07:33""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q194","19","Beethoven","Symphony No. 2, movement 1","P","At what time is the dominant chord with respect to the home key first played?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""00:37"", ""02:14"", ""11:05""]","[""00:16""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q195","19","Beethoven","Symphony No. 2, movement 1","P","At some point, the orchestra plays tutti. From what time onward?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""00:37""]","[""00:17""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q196","19","Beethoven","Symphony No. 2, movement 1","P","What are the notes of the upper-voice melody played by the oboe and bassoon during the first 17 seconds of the piece?","Pitch","Pitch class without octave number","List ordered by appearance","[""A, G#, Bb""]","[""F#, E, E, E#, F#, F#, F#, A, G, F#, E, D#, E, G, C#, D"", ""F#, E, E, E#, F#, F#, F#, A, G, F#, E, D#, E, G, C#""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q197","20","Beethoven","Symphony No. 2, movement 3","P","The first phrase can be seen as a period with an antecedent and a consequent. When does the consequent begin?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""00:37"", ""02:14"", ""11:05""]","[""00:05""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q198","20","Beethoven","Symphony No. 2, movement 3","P","Which instrument plays the main melody, 0:11 onwards?","Short text","Instrument name","Single","[""Piano""]","[""Violin"", ""first violin""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q199","20","Beethoven","Symphony No. 2, movement 3","P","Considering the patterns established by the end of the piece, what is the most likely next melodic pitch immediately after the recording? ","Pitch","Pitch class without octave number","Single","[""A"", ""G#""]","[""A"", """"]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q200","20","Beethoven","Symphony No. 2, movement 3","P","During the first 13 seconds of the piece, a melodic line is formed by the notes that are played forte. Which notes constitute this line? Only name the most prominently sounding pitches.","Pitch","Pitch class without octave number","List ordered by appearance","[""Bb, F#, C""]","[""D, E, D, C#, D, D, E, A, G#, A""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q201","21","Beethoven","Symphony No. 4, movement 2","P","At what time do some instruments begin playing notes at twice their previous rate?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""00:37"", ""02:14"", ""11:05""]","[""00:18""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q202","21","Beethoven","Symphony No. 4, movement 2","P","At what time does the piece's longest diatonically descending line end?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""00:37"", ""02:14"", ""11:05""]","[""00:19"", ""00:18""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q203","22","Beethoven","Symphony No. 5, movement 1","P","From what timestamp onward does the orchestra cease playing only the same pitch classes in unison or at the octave?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""00:37"", ""02:14"", ""11:05""]","[""00:10"", ""00:11""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q204","22","Beethoven","Symphony No. 5, movement 1","P","At what time does the orchestra suddenly start slowing down the most?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:33""]","[""0:19""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q205","22","Beethoven","Symphony No. 5, movement 1","P","At approximately what time does the music reach and maintain the loudness level with which the final chord is played?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""00:37"", ""02:14"", ""11:05""]","[""00:18"", ""00:19""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q206","22","Beethoven","Symphony No. 5, movement 1","P","Which instrument(s) hold the final chord the longest?","Short text","Instrument name","List ordered alphabetically","[""Flutes, horns""]","[""Violins"", ""Violin""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q207","23","Beethoven","Symphony No. 8, movement 2","P","What is the last note of the violin line, beginning at 0:05?","Pitch","Pitch class without octave number","Single","[""A"", ""G#"", ""Bb""]","[""F""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q208","23","Beethoven","Symphony No. 8, movement 2","P","At some point, the orchestra starts engaging in a clear question-and-answer dialogue. At what times does it begin and end?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Pair","[""00:37, 02:14""]","[""00:11, 00:17"", ""00:10, 00:17""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q209","23","Beethoven","Symphony No. 8, movement 2","P","Considering the patterns established by the end of the piece, what is the most likely next main-melody note that would be played immediately after the recording ends?","Key / tonality","Tonic pitch class without mode","Single","[""C"", ""F#"", ""Bb""]","[""E""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q210","23","Beethoven","Symphony No. 8, movement 2","P","What ornamentation is used in the first half of the piece?","Short text","Ornament","Single","[""trill""]","[""Turn""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q211","23","Beethoven","Symphony No. 8, movement 2","P","At what time is the second large crescendo (of two) in this fragment initiated?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""00:37"", ""02:14"", ""11:05""]","[""00:05""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q212","23","Beethoven","Symphony No. 8, movement 2","P","In the beginning, two different sets of instruments play two contrasting melodies. When do these melodies overlap for the first time?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""00:00""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q213","24","Beethoven","Symphony No. 9, movement 1","P","Starting at 0:14, the strings and wind instruments exchange melodic material. What are the notes of the sighs played by the flutes and oboes?","Pitch","Pitch class without octave number","List ordered by appearance","[""C#, A, Bb""]","[""Bb, A, D, C#, F, E""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q214","6","Chopin","Ballade No. 1","P","What are the notes of the melodic line consisting of a sequence of sighs emphasized by the performer between 01:57 and 02:06, up until the F#3 appears in that line?","Pitch","Pitch class without octave number","List ordered by appearance","[""A, G#, Bb""]","[""F, Eb, Eb, D, F, Eb, Eb, D, D, C, Bb, A, G, F#"", ""F, Eb, Eb, D, F, Eb, Eb, D, D, C, Bb, A, G""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q215","6","Chopin","Ballade No. 1","P","At what timestamp does the final fff-outburst begin?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""08:44"", ""08:42""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q216","6","Chopin","Ballade No. 1","P","The performer uses a decrescendo paired with an extensive rubato during the melody starting at 5:46. At what time does the performance return to the passage's faster tempo after this rubato (somewhere before 6:12)?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:19""]","[""5:59"", ""6:00""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q217","6","Chopin","Ballade No. 1","P","At 6:12, the performer establishes a particular intensity and character. At what exact time does the music undergo its most significant change in harmonic color before 6:40?
","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""6:39""]","[""06:31""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q218","7","Chopin","Etude Op. 10 No. 4","P","What is the melody starting at 1:31 until the immediately following cadence? Provide all the notes up until the arrival point of the authentic cadence (inclusive).","Pitch","Pitch class without octave number","List ordered by appearance","[""Bb, F#, C""]","[""G#, A, G#, C#, E, G#, C#, A, B#, C#"", ""F#, G#, A, G#, C#, E, G#, C#, A, B#, C#""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q219","7","Chopin","Etude Op. 10 No. 4","P","At some point there is an E melodic minor descending scale spanning an octave audible in the upper voice. When does it start and when does it end?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Pair","[""0:37, 02:14""]","[""00:41, 00:43"", ""00:41, 00:44""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q220","7","Chopin","Etude Op. 10 No. 4","P","What is the approximate BPM, based on the pulse maintained by the performer throughout the piece? 70, 85, 100, 115, 130, 145, 160, 175, 190, 205, 220, 235","Choice","One choice copied exactly from the question","Single","[]","[""175""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q221","7","Chopin","Etude Op. 10 No. 4","P","At which times is the main theme played, though it may have a different ending? Provide the start times in terms of when the tonic/scale degree 1 is first played.","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","List ordered by appearance","[""00:20, 01:30""]","[""00:01, 00:12, 01:07, 01:18"", ""00:01, 00:11, 01:07, 01:18"", ""00:01, 00:11, 01:07, 01:17""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q222","8","Debussy","Reflets dans l'eau","P","Within the first 26 seconds of the piece, the performer brings out a melodic line that emerges distinctly from the gently flowing texture beneath it. Which notes make up this melody?","Pitch","Pitch class without octave number","List ordered by appearance","[""A, G#, Bb""]","[""Ab, F, Eb"", ""Ab, F, Eb, Ab, F, Eb"", ""Ab, F, Eb, Bb, Ab, F, Eb, Bb"", ""G#, F, D#, A#, F, D#, A#""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q223","8","Debussy","Reflets dans l'eau","P","In the cadenza-like passage from 1:11 to 1:52, at what time does the music first reach its darkest and most mysterious character?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""01:30""]","[""01:24""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q224","9","Glinka","The Lark","P","In the cadenza-passage that starts at 2:22 reaches its lowest point with a forceful F1. Right after the arrival of which note is this F1 lifted? In other words, on which note does the performer release the pedal that contains this F1?","Pitch","Pitch class without octave number","Single","[""A"", ""G#"", ""Bb""]","[""E""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q225","10","Haydn","Keyboard Sonata 48, movement 2","P","The phrase that starts at 00:24 goes on and builds toward which upper-voice melodic note? I.e., where does the last culmination within that phrase take place?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""D6""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q226","10","Haydn","Keyboard Sonata 48, movement 2","P","At what time between 1:37 and 2:42 does the music become darkest and most restlessly melancholic, conveying a sense of trouble, confusion, or anger? Identify the beginning of the passage that matches this description the closest. ","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""2:00""]","[""1:59"", ""2:00""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q227","10","Haydn","Keyboard Sonata 48, movement 2","P","At what point in the passage between 3:21 and 3:47 does the performer suddenly start playing more softly for a few seconds?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""3:46""]","[""3:39"", ""3:40""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q228","11","Liszt","Ballade No. 2","P","Following the opening rumble and its buildup of tension, at what timestamp within the first minute does the music first take on a very different, contemplative and relieved character?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:21""]","[""00:51"", ""00:55"", ""0:50"", ""0:56""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q229","11","Liszt","Ballade No. 2","P","A passage featuring numerous scales begins around 11:09. At what timestamp does this scale section end, marking the conclusion of the final scale played simultaneously by both hands?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:37"", ""02:14"", ""11:05""]","[""11:28""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q230","11","Liszt","Ballade No. 2","P","Starting at 2:34, an earlier melody is repeated. How many semitones higher or lower is this melody compared to the first time it is played, earlier in the piece?","Integer","Signed integer","Single","[""-2"", ""+4""]","[""-1""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q231","11","Liszt","Ballade No. 2","P","From what time onwards is there a passage with a pronounced decisive character (for the first time)? Identify the timestamp of the first note of that passage.","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""3:07""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q232","12","Mozart","Piano Sonata 12, movement 1","P","When does the music become most dramatic/serious for the first time?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""00:27"", ""00:26""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q233","13","Mozart","Piano Sonata 12, movement 3","P","Between 1:56 and 2:15, at some point, the performer loses the flow, resulting in some notes not coming out as well or in a timely manner. At what time does this happen?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""02:04"", ""02:05""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q234","14","Rachmaninoff","Prelude Op. 23 No. 4","P","Ignoring minor differences, the main theme is played three times in full. At what timestamp does the first melodic note of the third complete statement of the main theme begin?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""02:49"", ""2:49""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q235","14","Rachmaninoff","Prelude Op. 23 No. 4","P","How many seconds is the last D major chord played for? Round down.","Integer","Positive integer","Single","[""4""]","[""12""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q236","14","Rachmaninoff","Prelude Op. 23 No. 4","P","What are the notes of the main melody up to its first A (inclusive), the first time the main melody is played?","Pitch","Pitch class without octave number","List ordered by appearance","[""Bb, Fx, C""]","[""F#, E, F#, B, C#, D, C#, D, E, F#, G, F#, G, D, E, F#, E, F#, G, G#, A""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q237","14","Rachmaninoff","Prelude Op. 23 No. 4","P","At what point does the music reach its quiet culmination, where the buildup of tension arrives at an expressive high point through a diminuendo, creating a sense of quiet release?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""02:19"", ""02:20""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q238","15","Schubert","Moment musical No. 3","P","Which specific note in the main theme stands out as the most playfully unexpected, creating the strongest sense of comic surprise?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""Bb5""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q239","15","Schubert","Moment musical No. 3","P","Between 0:45 and 00:55, the performer begins emphasizing a secondary voice in the middle register. Which four notes make up this secondary melodic line?","Pitch","Pitch with octave number","List ordered by appearance","[""A4, G#3, Bb2""]","[""Ab4, Gb4, F4, F4""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q240","15","Schubert","Moment musical No. 3","P","During the second presentation of the main theme, which five bass notes does the performer most emphasize?","Pitch","Pitch class without octave number","List ordered by appearance","[""A, G#, Fx""]","[""Db, C, Bb, C, C""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q241","15","Schubert","Moment musical No. 3","P","How many F3 bass notes are played truly staccato in the performance before 0:08 (i.e. not elongated in any way)?","Integer","Positive integer","Single","[""4""]","[""9""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q242","15","Schubert","Moment musical No. 3","P","At what timestamps are the three themes played for the first time? List the start time of each theme.","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","List ordered by appearance","[""00:23, 01:34, 02:56""]","[""0:03, 0:24, 0:45""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q243","15","Schubert","Moment musical No. 3","P","Compare the use of pedal between the first and third themes. Overall, does the third theme use more, less, or as much pedal as the first, and which soprano note is the first to be evidence/indication of this?","Composite","One choice copied exactly from the question and pitch with octave","Single","[""as much, A6""]","[""more, E5""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q244","15","Schubert","Moment musical No. 3","P","At what timestamp does the phrase beginning at 01:22 resolve through a cadence?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""00:23""]","[""1:30"", ""1:29""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q245","16","Schumann","Arabeske Op. 18","P","In the first ten seconds of the piece, the performer shapes the phrasing toward two points of tension and release, creating a sense of appeasement. Which two notes serve as these points of arrival?","Pitch","Pitch class without octave number","Pair","[""A, G#""]","[""F, G""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q246","16","Schumann","Arabeske Op. 18","P","Between 5:18 and 5:46, which soprano note does the performer repeatedly shape as a point of slight release within the short melodic gestures?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""D5""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q247","16","Schumann","Arabeske Op. 18","P","The last repetition of the main theme is initiated at what time?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""4:55"", ""04:54""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q248","16","Schumann","Arabeske Op. 18","P","The passage starting at 0:53 develops a specific melody. At what timestamp does the iteration of this melody that reaches the passage's peak in drama and loudness start? Consider the music up until the end of the section, i.e. when this theme is no longer playing.","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""2:01""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q249","17","Scriabin","Etude Op. 8 No. 11","P","In the beginning, the chromatic voices and repeated chords give the piece its distinct character. Eventually, a rather unexpected dominant chord seemingly creates a moment of light/alleviation and a warmer color. At what time does this first occur? Refer to the time the chord is struck. Hint: it occurs before 1:45.","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""01:23""]","[""01:26"", ""1:27""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q250","17","Scriabin","Etude Op. 8 No. 11","P","Between 03:25 and 03:37, the performer emphasizes a five-note secondary voice. Which notes make up this melodic line?","Pitch","Pitch class without octave number","List ordered by appearance","[""G#, Bb, F""]","[""F, Ab, Gb, F, Gb"", ""F, A♭, G♭, F, G♭""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q251","18","Scriabin","Piano Sonata No. 5","P","A descending, fully chromatic line of more than 5 notes begins to sound in one of the middle voices, shortly after 10:20. On which notes does this line start and end? The line should contain all the notes in between the start and end note. Identify the longest possible line, before 10:30.","Pitch","Pitch class without octave number","Pair","[""A, B""]","[""C, D""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q252","18","Scriabin","Piano Sonata No. 5","P","In the passage from 8:43 to 8:46, which pitch stands out most strongly in terms of loudness and perceptual presence, regardless of how often it occurs?","Pitch","Pitch class without octave number","Single","[""A""]","[""D#""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q253","1","Bach","Fugue BWV 875","SP","From bar 23 onwards, on which beat of which bar does the performance launch into its final élan that goes on until the end?","Bar / beat","Bar and beat","Single","[""bar 18 beat 3""]","[""bar 25 beat 1""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q254","1","Bach","Fugue BWV 875","SP","The performer plays bars 1-2 with different articulation: sometimes legato, sometimes staccato. Which eighth notes are played staccato?","Pitch","Pitch with octave number","List ordered by appearance","[""A2, C#3, Eb4""]","[""A4, E4, A4""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q255","2","Bach","Prelude BWV 848","SP","In bars 35-36, and again in bars 37-38, the performer consistently emphasizes a note in the left hand. If the beat is given by the eighth notes, in which bars and on which beat are these accentuated notes played within those bars?","Bar / beat","Bar and beat","List ordered by appearance","[""bar 35 beat 1, bar 35 beat 2""]","[""bar 35 beat 3, bar 37 beat 3"", ""bar 35 beat 3, bar 36 beat 1, bar 37 beat 3, bar 38 beat 1""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q256","2","Bach","Prelude BWV 848","SP","In measures 77-78, the performer audibly elongates a note in the right hand beyond the written duration. Which note is elongated in which bar?","Composite answer","Pitch, ""in bar"", bar number","Single","[""A#3 in bar 77""]","[""B5 in bar 77""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q257","2","Bach","Prelude BWV 848","SP","Starting in bar 87, the music builds tension in anticipation of the cadence. At what time would a G#4 be expected as the logical completion of the melodic line, continuing the same melodic flow and pulse established and emphasized by the performer from bar 87 onward? ","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""00:37""]","[""1:01""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q258","2","Bach","Prelude BWV 848","SP","Which right-hand note in the first bar is played the softest, and what is its position in the sequence of right-hand notes?","Composite answer","Pitch with octave number, position in bar","Single","[""A3, 2""]","[""C#5, 4""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q259","2","Bach","Prelude BWV 848","SP","From which measure onwards does the performer most suddenly significantly slow down the tempo compared to the beginning?","Bar / beat","Bar number (digits)","Single","[""50""]","[""103""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q260","2","Bach","Prelude BWV 848","SP","Which note is accentuated the most in bars 97-98?","Pitch","Pitch with octave number","Single","[""A#2"", ""Bb3""]","[""D#3""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q261","3","Balakirev","Islamey","SP","The phrasing in bars 143-144 is built up toward which note? In other words, where is the loudest point within that phrase?","Pitch","Pitch class without octave number","Single","[""A"", ""G#"", ""Bb""]","[""D""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q262","3","Balakirev","Islamey","SP","The lowest D in measure 92 is sustained. Which melodic note is played when this bass note is lifted?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""D4""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q263","3","Balakirev","Islamey","SP","The first part of the piece concludes at 2:04. Up until there, the bars 1-2 of the piece were varied many times. How many times in total were these two bars played or varied? Count any occurrence in which the variation spans the full two bar passage and the melody remains essentially the same.","Integer","Positive integer","Single","[""4""]","[""10""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q264","3","Balakirev","Islamey","SP","Which three notes of the main melody in bars 100-105 does the performer play staccato?","Composite answer","Pitch, ""in bar"", bar number","List ordered by appearance","[""F#1 in bar 100, A2 in bar 101, A4 in bar 102""]","[""C#4 in bar 103, B3 in bar 103, A3 in bar 103""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q265","4","Beethoven","Piano Sonata 23, movement 1","SP","At what time does the development, around the time when the main theme is played shortly in E minor, start?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""02:29"", ""2:27"", ""02:33""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q266","4","Beethoven","Piano Sonata 23, movement 1","SP","In the piece’s coda, the performer plays a cadenza-like passage of arpeggiated chords and grand gestures. Within this passage, in which bar does the performer briefly draw back in intensity and force before returning to the arpeggiated texture with at least equal strength immediately afterward?","Bar / beat","Bar number (digits)","Single","[""4""]","[""222"", ""224""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q267","4","Beethoven","Piano Sonata 23, movement 1","P","Between 09:07 and 09:11, the music plays the same melody across three different octaves. If you were to summarize a single occurrence of that melody in three notes such that the contour and essence remain the same, what would it be?","Pitch","Pitch class without octave number","List ordered by appearance","[""A, G#, Bb""]","[""C, Db, C""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q268","4","Beethoven","Piano Sonata 23, movement 1","SP","Consider the secondary theme to consist of two parts. The second part starts like the first part but has a different ending. During the first time the secondary melody is played, when exactly does this sudden change in melodic trajectory take place? When does an unexpected note break the similarity with the first phrase?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""01:39""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q269","20","Beethoven","Symphony No. 2, movement 3","SP","At what time do the two forte-piano signs occur in the recording?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Pair","[""00:37, 02:14""]","[""00:14, 00:17""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q270","21","Beethoven","Symphony No. 4, movement 2","SP","At what time do both horn parts begin playing?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""00:37"", ""02:14"", ""11:05""]","[""00:14""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q271","21","Beethoven","Symphony No. 4, movement 2","SP","As the long diatonically descending melodic line passes between different instruments, which note does the orchestra lean into most strongly through rubato?","Composite answer","Pitch, ""in bar"", bar number","Single","[""A4 in bar 4""]","[""G5 in bar 99"", ""F4 in bar 100""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q272","21","Beethoven","Symphony No. 4, movement 2","SP","The performance does not follow the indicated tempo. What BPM best matches the performance? Round your answer to the nearest 10 BPM.","Integer","Positive integer","Single","[""100""]","[""30""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q273","24","Beethoven","Symphony No. 9, movement 1","SP","Which instruments carry or take part in carrying the main melody from 00:01 until the melody plays the leading tone to the passage's tonality?

Mention the instruments in the same wording as in the score.","Short text","Instrument name","List ordered alphabetically","[""Piano, saxophone""]","[""Bassoon, cello, clarinet, flute, viola, violin"", ""Bassoon, clarinet, flute, violin""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q274","6","Chopin","Ballade No. 1","SP","Which note of the main melody is played with the most rubato in bars 73-74?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""Ab5""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q275","6","Chopin","Ballade No. 1","SP","The performer plays the first thought (the music fragment before the first global silence) with a lot of rubato. Describe the contour of the acceleration/deceleration: if the performer first slows down and then accelerates, write 'slower, faster'.","Category label","Given label written in full","List ordered by appearance","[""slower, faster""]","[""faster, slower, faster, slower""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q276","6","Chopin","Ballade No. 1","SP","Consider the theme starting at 2:51. In which bar does the performer reach the subverted, silent climax of this theme, characterized by a significant slow-down in tempo and loudness?","Bar / beat","Bar number (digits)","Single","[""4""]","[""80""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q277","6","Chopin","Ballade No. 1","SP","When the piano plays the melody 'F, G, G, Eb, Eb, D, C, D, D, Bb' a little after 03:00, the piece continues to modulate. To which key is the music modulating next, as evidenced by the return of one of the primary themes in the new key?","Key / tonality","Key (pitch class and mode)","Single","[""C# minor"", ""D Dorian"", ""Bb Mixolydian""]","[""A minor""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q278","7","Chopin","Etude Op. 10 No. 4","SP","In measures 71-72 and again in measures 73-74, the performer emphasizes a specific note/chord in the left hand. Which one stands out most? Provide the pitch value of that note, or if it's a chord, the notes within that chord.","Pitch","Pitch with octave number","List","[""A4, G#3, Bb2""]","[""A#2, A#3"", ""A#3, A#2""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q279","7","Chopin","Etude Op. 10 No. 4","SP","In bar 62, on which left-hand chord pitches is the pedal that contains the first D natural lifted?","Pitch","Pitch with octave number","List ordered alphabetically","[""A4, G#3, Bb2""]","[""F#2, F#3""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q280","7","Chopin","Etude Op. 10 No. 4","SP","Which right-hand sixteenth note in measures 75-79 is the most accentuated by the performer?","Pitch","Pitch with octave number","Single","[""Bb2"", ""C#3"", ""A4""]","[""G#5""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q281","7","Chopin","Etude Op. 10 No. 4","SP","The performer takes freedom with respect to the tempo at the end of the piece. Which note or chord is delayed the longest? Answer with the pitch of the note, or the highest sounding voice if it's a chord.","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""C#4""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q282","7","Chopin","Etude Op. 10 No. 4","SP","The performer uses the sostenuto pedal sparingly. Starting in bar 1, up until the first beat of bar 4 (inclusive), on which 3 beats in which bars does the performer most use the pedal to broaden the sound? Consider the bars to contain 4 beats each.","Bar / beat","Bar and beat","List ordered by appearance","[""bar 1 beat 2, bar 3 beat 2, bar 3 beat 3""]","[""bar 1 beat 1, bar 3 beat 4, bar 4 beat 1""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q283","7","Chopin","Etude Op. 10 No. 4","SP","In bars 41-44, the performer emphasizes a few notes, creating a melodic line stand out amidst the rapid flow of sixteenth notes. Which are these notes? ","Pitch","Pitch class without octave number","List ordered by appearance","[""A, G#, Bb, Abb, F""]","[""Fx, Gx, B, B#, C#"", ""F##, G##, B, B#, C#"", ""Fx, Gx, G#, B#, C#"", ""F##, G##, G#, B#, C#""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q284","8","Debussy","Reflets dans l'eau","SP","In bars 82 and 83, the composer writes three unison chords, each consisting of a single pitch class (Ab, F, Eb), in a descending line. In what order are the low, middle, and high notes within these chords played in the performance? If the notes are played from low to high, write 'low, middle, high'.","Category label","Given label written in full","List ordered by appearance","[""low, middle, high""]","[""middle, high, low""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q285","8","Debussy","Reflets dans l'eau","SP","The piece has different characters. At some point, the music takes on a heroic quality, perhaps creating the impression of surging waves. Which two consecutive measures are played with the most grand, epic intensity?","Bar / beat","Bar number (digits)","Pair","[""18, 42""]","[""58, 59""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q286","9","Glinka","The Lark","SP","Between 2:47 and 3:40, the five opening notes of the main melody recur several times. In which bar does the performer give the melodic Ab the greatest expressive weight, creating a moment of quiet pain through a sudden retreat and the strongest rubato contrast with the preceding melodic notes?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""00:32""]","[""3:30"", ""3:29""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q287","9","Glinka","The Lark","SP","The phrase in bars 57-60 builds toward which note?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""F6""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q288","9","Glinka","The Lark","SP","In bar 50, the left hand makes four rapid upward jumps between an octave and a triad higher-up. The upper voices within each chord form a tiny two-note melody. However, sometimes, the second note does not come out as clearly. Which of those second notes is played the softest? Answer with the name of that softest-played upper note.","Pitch","Pitch with octave number","Single","[""A1"", ""C#3"", ""Bb7""]","[""Bb3""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q289","9","Glinka","The Lark","SP","The composer concludes the piece with right-hand motives first presented in the introduction. At what time was this material first played?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""22:21""]","[""00:12"", ""00:13""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q290","10","Haydn","Keyboard Sonata 48, movement 2","SP","Approximately how long, in seconds, does the final passage marked piano last? Round down.","Duration / ratio","Integer","Single","[""10""]","[""5"", ""6""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q291","10","Haydn","Keyboard Sonata 48, movement 2","SP","Purely rhythmically speaking, the motif in the right hand in bar 38 is played equivalently to which sequence of note values?","Duration / ratio","Count followed by note value","List ordered by appearance","[""4 quarter notes, 6 eighth notes""]","[""8 sixteenth notes""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q292","10","Haydn","Keyboard Sonata 48, movement 2","SP","The repeat sign in measure 33, to what measure does it go back to, and does the performer actually go back?","Composite answer","Bar number, yes-or-no","Single","[""1, yes""]","[""14, yes""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q293","10","Haydn","Keyboard Sonata 48, movement 2","SP","In measures 225-228, the performer plays six upper-voice notes very staccato: which ones?","Pitch","Pitch with octave number","List ordered by appearance","[""F1, A4, G#3, Bb2""]","[""D5, G4, E5, C5, E5, E5""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q294","10","Haydn","Keyboard Sonata 48, movement 2","SP","Before the final reprise of the main theme, the composer creates suspense with an ascending line of thirds. At what time is the last third creating this tension played?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""3:19""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q295","11","Liszt","Ballade No. 2","SP","The performer plays the notes in overall descending line starting in bar 230 until the fermata relatively equally, except for a few notes. Which note of that line is played the softest? Identify it by its bar and beat number.","Bar / beat","Bar and beat","List ordered by appearance","[""bar 99 beat 1.25, bar 100 beat 4""]","[""Bar 233 beat 1""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q296","11","Liszt","Ballade No. 2","SP","What is the main difference in how the two phrases (2:22-2:29 and 2:29-2:36) are performed, aside from their pitches and the F major chord on which they arrive? Answer with the musical term that best describes this change.","Short text","Literal text","Single","[""con fuoco""]","[""una corda""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q297","12","Mozart","Piano Sonata 12, movement 1","SP","Which of the three two-bar phrases, bars 31–32, 33–34, or 35–36, is played with the greatest force? Answer with the left-hand note that coincides with that phrase's highest note.","Pitch","Pitch class without octave number","Single","[""A"", ""G#"", ""Bb""]","[""Eb""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q298","12","Mozart","Piano Sonata 12, movement 1","SP","At what time does the development section start?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""01:58"", ""01:59""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q299","12","Mozart","Piano Sonata 12, movement 1","SP","At what time does the recapitulation first diverge from the exposition in terms of pitch or rhythm?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""3:30""]","[""3:28""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q300","12","Mozart","Piano Sonata 12, movement 1","SP","Which right-hand note is most emphasized in bar 212?","Pitch","Pitch with octave number","Single","[""A4""]","[""G5""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q301","13","Mozart","Piano Sonata 12, movement 3","SP","What performance instruction is written below the longer notes in 02:56-02:57?","Category label","Dynamic marking or term written in full","Single","[""mezzo-piano""]","[""Sforzando""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q302","13","Mozart","Piano Sonata 12, movement 3","SP","With which pitch does the ornamentation in measure 53 start?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""Eb5""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q303","13","Mozart","Piano Sonata 12, movement 3","SP","In measure 243, a particular note in the right hand gets a strong emphasis during the performance, perhaps accidentally, slightly breaking the flow of the melody. Which note?","Pitch","Pitch class without octave number","Single","[""G#"", ""Bb"", ""Fx""]","[""A""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q304","13","Mozart","Piano Sonata 12, movement 3","SP","If the tempo of bar 243 were maintained strictly, by how many eighth-note durations would the final chord be delayed? Round down.","Duration / ratio","Count of eighth-note durations","Single","[""4"", ""7.25""]","[""3""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q305","13","Mozart","Piano Sonata 12, movement 3","SP","At what time during the exposition does an authentic cadence to the piece's relative minor tonality first occur? Provide the time of when the leading tone within that cadence is struck. ","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""00:44""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q306","13","Mozart","Piano Sonata 12, movement 3","SP","In which 2 bars does the performer slow down most between bars 170 and 180?","Bar / beat","Bar number (digits)","Pair","[""170, 180""]","[""176, 177"", ""175, 176""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q307","14","Rachmaninoff","Prelude Op. 23 No. 4","SP","Which accentuated right-hand chord in measures 51-52 is played the longest? Answer with the name of the top note.","Pitch","Pitch class without octave number","Single","[""A"", ""G#"", ""Bb""]","[""A#""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q308","14","Rachmaninoff","Prelude Op. 23 No. 4","SP","In the first two bars, the performer uses rubato that creates the impression of two contrasting tempi, one broader and one faster. Which four notes in the first bar belong to the more broadly paced portion?","Pitch","Pitch with octave number","List ordered by appearance","[""F1, A4, G#3, Bb2""]","[""D2, F#3, A2, D4""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q309","14","Rachmaninoff","Prelude Op. 23 No. 4","SP","From bar 64 to the end of the piece, which melodic note forms the point of greatest tension within the largest and most intense crescendo in that last section?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""C#6""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q310","15","Schubert","Moment musical No. 3","SP","In bar 36, some notes in the melodic line are unclear or omitted in the performance. Which note played is the clearest of them all?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""Ab5""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q311","15","Schubert","Moment musical No. 3","SP","At some point in bar 75-78, the performer uses a rubato that significantly and unexpectedly delays the arrival of a particular beat, without a gradual slowdown preceding it. Divide each measure into four beats. In which bar and at which beat does this rubato take place?","Bar / beat","Bar and beat","Single","[""bar 18 beat 3"", ""bar 42 beat 1"", ""bar 24 beat 2""]","[""bar 75 beat 4""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q312","16","Schumann","Arabeske Op. 18","SP","Bar 95 is played starting at what time?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""00:37"", ""02:14"", ""11:05""]","[""2:25"", ""02:24""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q313","16","Schumann","Arabeske Op. 18","SP","Which passage has the most decisive/serious/forceful character, relative to the overall lyrical character of the piece? Indicate the first and last bar of this passage.","Bar / beat","Bar number (digits)","Pair","[""18, 42""]","[""148, 174""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q314","16","Schumann","Arabeske Op. 18","SP","In bars 224–226, a melodic note stands out expressively, shifting the tonal color to a much warmer sound compared with the preceding fragment. At what timestamp does this most significant change in color occur?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:37""]","[""5:55"", ""05:55""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q315","17","Scriabin","Etude Op. 8 No. 11","SP","Which bar was the performer playing at 4:20?","Bar / beat","Bar number (digits)","Single","[""4""]","[""47""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q316","17","Scriabin","Etude Op. 8 No. 11","SP","In bar 8, on which beat does the performer initiate a crescendo? For example, if they do it on the second half of the fourth beat, write '4.5'.","Bar / beat","Beat number (fraction)","Single","[""3.5""]","[""2.5""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q317","17","Scriabin","Etude Op. 8 No. 11","SP","Through pronounced rubato across measures 37–38, the performer creates a sense of temporal and harmonic suspension over a single chord. Which chord is responsible for this moment where time briefly seems to stand still?","Chord","Lead-sheet chord symbol in root position","Single","[""Esus2"", ""D#maj7"", ""B7b5""]","[""Gb"", ""Ebm7""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q318","17","Scriabin","Etude Op. 8 No. 11","SP","Which sixteenth note does the performer emphasize most through rubato in bar 20?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""E4""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q319","17","Scriabin","Etude Op. 8 No. 11","SP","From 1:47 onwards, which is the last melodic note before the music fades back into an F major chord?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""C5""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q320","18","Scriabin","Piano Sonata No. 5","SP","The work features two complete spellings of the composer's so-called mystic chord in the 'meno vivo' passage starting at 263. At which time is the mystic chord struck for the first time?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""6:28""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q321","18","Scriabin","Piano Sonata No. 5","SP","The passage played at 11:17-11:28 is a variation of which theme played earlier in the piece? Answer with the tempo/expression marking associated with that theme, the first time it is played.","Short text","Expressive term or phrase","Single","[""dolce""]","[""Languido""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q322","18","Scriabin","Piano Sonata No. 5","SP","Which of the upper-voice melodic notes from bar 219 until 225 is played with the most force?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""Ab5""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q323","18","Scriabin","Piano Sonata No. 5","SP","Before what bar does the performer lift the pedal (without sustaining any other notes) for the longest time in the passage between 07:57 and 8:41? I.e., when does the longest global silence take place within that period?","Bar / beat","Bar number (digits)","Single","[""4""]","[""325""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q324","18","Scriabin","Piano Sonata No. 5","SP","At what time does the exposition start, considering there is a long introduction and the first theme consists of 6-bar phrases.","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""02:54""]","[""1:23""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q325","1","Bach","Fugue BWV 875","S/P","After the secondary sixteenth-note motif is first presented as A4-Bb4-A4-G4-Bb4-A4-G4-F#4, what are the first notes of its next three appearances? List the three pitches in chronological order.","Pitch","Pitch with octave number","List ordered by appearance","[""A4, G#3, Bb2""]","[""D4, G5, C5""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q326","1","Bach","Fugue BWV 875","S/P","The piece's full theme is repeated. Numbering the voices from lowest (bass = 1) to highest (soprano), list the voices that play the full theme exactly like its first presentation (i.e. same pitch classes but potentially different register) in full (up until the fourth A). For example, if the lowest and then the second-lowest voice plays it, answer “1, 2”.","Integer","Positive integer","List ordered by appearance","[""1, 2""]","[""2, 1""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q327","1","Bach","Fugue BWV 875","S/P","After the full theme is first presented from the beginning through the first syncopated G, what are the first notes of its next three complete appearances, including transposed and mirrored forms? List the three pitches in chronological order.","Pitch","Pitch with octave number","List ordered by appearance","[""A4, G#3, Bb2""]","[""A4, D3, A4""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q328","3","Balakirev","Islamey","S/P","In the opening of the piece, up until the first clear endpoint on a long Db major chord, how many times does the sequence “C, C, Bb, C, Db, Eb, C, Db” occur? Count occurrences in either voice, octave, or rhythmical structure.","Integer","Positive integer","Single","[""4""]","[""6""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q329","3","Balakirev","Islamey","S/P","Consider the sequences of chords at the very end of the piece, starting right after the arrival of a chromatically descending line of octaves on Db major. Among the chordal events that follow this arrival, what is the ratio of chords played with all notes simultaneously to chords played with either a grace note or as an arpeggio? Count each chordal attack as one occurrence.","Duration / ratio","Ratio","Single","[""2:1""]","[""2:5""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q330","4","Beethoven","Piano Sonata 23, movement 1","S/P","When the first theme is played for the second time in a different texture, the color has changed. What emotion likely best describes the new nuance the composer and performer bring to the theme: despair, anger, serenity, triumph, ecstasy, tenderness, nervousness, consolation, nostalgia, vulnerability, hopefulness, resignation, or relief?","Choice","One choice copied exactly from the question","Single","[]","[""anger"", ""despair""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q331","4","Beethoven","Piano Sonata 23, movement 1","S/P","In what key is the second theme written when it is played immediately before the cadenza with arpeggiated chords spanning the keyboard takes over? Name the key in which this theme's statement starts (it modulates later on).","Key / tonality","Key (pitch class and mode)","Single","[""Eb major"", ""C# minor"", ""D Dorian""]","[""Db major""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q332","4","Beethoven","Piano Sonata 23, movement 1","S/P","Which two pitches form the first grace-note trill?","Pitch","Pitch with octave number","Pair","[""A4, B4""]","[""D5, E5""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q333","4","Beethoven","Piano Sonata 23, movement 1","S/P","What note creates the effect of a relentless pulse in the beginning of the recapitulation?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""C2""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q334","4","Beethoven","Piano Sonata 23, movement 1","S/P","The coda, which starts in bar 203, reviews the two main themes: in what order? For example, if the first theme is reviewed three times, separated by different musical material, and later the second theme, answer '1, 1, 1, 2'. Consider a theme to be evoked when it is played or varied for at least 4 bars.","Integer","Positive integer","List ordered by appearance","[""1, 1, 1, 2""]","[""1, 2, 2, 1""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q335","5","Beethoven","Piano Sonata No. 21, movement 1","S/P","On which note does the last descending line played only on the white keys of a piano start? Consider the note that initiates an uninterrupted sequence of at least 8 white-key notes.","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""F6""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q336","19","Beethoven","Symphony No. 2, movement 1","S/P","Before the first flute note, how many unique pitch classes do the violins play in total? Count each pitch class only once, regardless of octave or repetition.","Integer","Positive integer","Single","[""4""]","[""1""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q337","22","Beethoven","Symphony No. 5, movement 1","S/P","How many times does the Klopfmotiv (short-short-short-long) appear in total? Count simultaneous statements by multiple instruments as a single occurrence, and count only statements whose first three notes are identical.
","Integer","Positive integer","Single","[""4""]","[""9""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q338","24","Beethoven","Symphony No. 9, movement 1","S/P","How many times is the motif consisting of an eighth, a dotted sixteenth, a thirty-second, and an eighth note played in total? Consider an occurrence where instruments play it simultaneously as only one. Hint: the first occurrence is at the very beginning of the fragment.","Integer","Positive integer","Single","[""2""]","[""9""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q339","6","Chopin","Ballade No. 1","S/P","What specific scale is played in parallel thirds by both hands at the end of the piece? Identify its tonic, mode, and form.","Key / tonality","Scale (pitch class and mode)","Single","[""C major"", ""F# harmonic minor"", ""D Dorian""]","[""G melodic minor""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q340","6","Chopin","Ballade No. 1","S/P","At the very end of the piece, chromatic octaves in both hands move first in opposite, then in parallel direction. How many individual octaves (or pitch steps) are played in parallel direction?","Integer","Positive integer","Single","[""4""]","[""13""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q341","6","Chopin","Ballade No. 1","S/P","Which specific dance genre is evoked by the material following the short unison introduction?","Short text","Style or genre","Single","[""Mazurka""]","[""Waltz""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q342","7","Chopin","Etude Op. 10 No. 4","S/P","Consider the passage that starts after the left-hand octave sequence D-C#-A-F#-C#-D. At the start of this passage, the melody is G#-F#-E#-F#. From this point onward, which beat is most commonly emphasized? Consider the music up until a diminished seventh chord and a short global silence serve as a stop.","Bar / beat","Beat number (digits)","Single","[""1""]","[""4""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q343","8","Debussy","Reflets dans l'eau","S/P","In the opening of the piece up until the moment where the two hands start playing parallel octave-chords moving in opposite direction, decorative one-voiced lines that start on high pitches and move toward the center of the piano may create the impression of flickering light on the surface of the water. Which intervals are commonly formed between consecutive notes in this line?","Interval","Interval quality and size","Pair","[""major third, minor seventh""]","[""Perfect fourth, perfect fifth"", ""Perfect fifth, perfect fourth""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q344","8","Debussy","Reflets dans l'eau","S/P","What is the highest note of the piece?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""Bb7""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q345","9","Glinka","The Lark","S/P","How many times does the lark chirp at the beginning of the piece, before the melody is presented in full? Count each short, uninterrupted fragment separated from the others by silence as one chirp. Hint: the answer is greater than 3.","Integer","Positive integer","Single","[""4""]","[""9""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q346","9","Glinka","The Lark","S/P","Consider the passage that lasts approximately 10 seconds immediately before the return of the chirping at the end of the piece. Which natural element or phenomenon is most strongly evoked?

A. The weight of the earth
B. The movement of water
C. Strong gusts of wind
D. The sudden flare of fire
E. The gradual breaking of sunlight
F. The distant rumble of thunder
G. The suspended stillness of ice
H. The quiet rustling of leaves

Answer with the letter only.","Choice","One choice copied exactly from the question","Single","[]","[""B""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q347","9","Glinka","The Lark","S/P","Consider each complete musical fragment followed by a silence in all voices at the same time to be one phrase. Consider the very beginning up until the first arrival of a Schubert-like accompaniment. On which pitch does each phrase within this passage end? List the ending pitches in chronological order.","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""F7, Gb7, F7""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q348","10","Haydn","Keyboard Sonata 48, movement 2","S/P","Consider the descending line going from A5 to B4, passing through each note of the C major scale in-between those notes, played at the very beginning of the piece. How many times does it occur before an uninterrupted sequence of 16 thirds is played for the first time? Consider repeats. ","Integer","Positive integer","Single","[""6""]","[""4""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q349","10","Haydn","Keyboard Sonata 48, movement 2","S/P","The composer uses a motif to announce the beginning of the main melody of the piece. Given that the piece is written in 2/4, of which notes and note values does this motif consist?","Composite answer","Note value and pitch class without octave","List ordered by appearance","[""quarter note A, whole note B""]","[""eighth note G, eighth note G""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q350","10","Haydn","Keyboard Sonata 48, movement 2","S/P","To which two tonal centers does the music most significantly modulate?","Key / tonality","Scale (pitch class and mode)","List","[""C major, F# minor, D Dorian""]","[""G major, C minor"", ""G major, C minor, Ab major""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q351","11","Liszt","Ballade No. 2","S/P","How many times does the rumbling character and the associated melody introduced at the opening appear throughout the piece?","Integer","Positive integer","Single","[""3""]","[""4""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q352","11","Liszt","Ballade No. 2","S/P","At the beginning of the piece, transcribe the complete upper melody that starts “F#, G, A, B” and is heard above the rumbling accompaniment. Continue through the final B immediately before the separate ascending solo line peaks with an E4. What are the pitch names of this melody?","Pitch","Pitch class without octave number","List ordered by appearance","[""C#, Bb, F""]","[""F#, G, A, B, F#, A, G, G, F#, C#, D, E, F#, C#, D, E, F#, G, A, B""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q353","11","Liszt","Ballade No. 2","S/P","Which two notes form the piece's last retardation?","Pitch","Pitch class without octave number","Pair","[""A, B""]","[""G#, F#""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q354","12","Mozart","Piano Sonata 12, movement 1","S/P","What notes constitute the main theme of this piece?","Pitch","Pitch class without octave number","List ordered by appearance","[""C, D, E, G""]","[""F, A, C, A, Bb, G, F, E, E, F, A, D, G, C, A, F, G, A, Bb, D, D, C, Bb, A, G, F, G, Bb, E, F"", ""F, A, C, A, Bb, G, F, E, E""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q355","14","Rachmaninoff","Prelude Op. 23 No. 4","S/P","How many accompaniment notes are played before the melody first enters at the beginning of the piece?","Integer","Positive integer","Single","[""4""]","[""18""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q356","15","Schubert","Moment musical No. 3","S/P","How many beats precede the arrival of the second theme?","Duration / ratio","Count in number of beats (according to applicable meter)","Single","[""4.5"", ""7.25""]","[""36""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q357","15","Schubert","Moment musical No. 3","S/P","How many times is the main theme played in full in the second half of the piece?","Integer","Positive integer","Single","[""4""]","[""1""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q358","17","Scriabin","Etude Op. 8 No. 11","S/P","In the final gesture, which pitch is projected like a voice rising above the dark surrounding texture to make a forceful, attention-commanding proclamation?","Pitch","Pitch without octave number","Single","[""A"", ""G#"", ""Bb""]","[""F""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q359","17","Scriabin","Etude Op. 8 No. 11","S/P","During the main melody’s first presentation (up until its repeat), there are two fragments consisting of uninterrupted syncopated rhythmical structures in the upper melody. Which notes of this upper melody end these syncopated fragments by serving as the first next note in a non-syncopated structure? Consider the passage up to the theme’s first repeat.","Pitch","Pitch class without octave number","Pair","[""C#, Bb""]","[""Cb, F"", ""B, F""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q360","17","Scriabin","Etude Op. 8 No. 11","S/P","What would you say is the source for the main challenge for the pianist in this piece: polyphonic texture, complex polyrhythms, emotional depth, virtuosic arpeggios, large leaps, hand synchronization, or rapid scales?","Choice","One choice copied exactly from the question","Single","[]","[""Polyphonic texture"", ""Emotional depth""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q361","1","Bach","Fugue BWV 875","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Johann Sebastian Bach"", ""J. S. Bach"", ""Bach""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q362","1","Bach","Fugue BWV 875","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Fugue in D minor, BWV 875"", ""Fugue BWV 875"", ""The Well-Tempered Clavier, Book II: Fugue in D minor, BWV 875""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q363","1","Bach","Fugue BWV 875","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""D minor""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q365","2","Bach","Prelude BWV 848","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Johann Sebastian Bach"", ""J. S. Bach"", ""Bach""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q366","2","Bach","Prelude BWV 848","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Prelude in C-sharp major, BWV 848"", ""Prelude BWV 848"", ""The Well-Tempered Clavier, Book I: Prelude in C-sharp major, BWV 848""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q367","2","Bach","Prelude BWV 848","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""C# major"", ""C-sharp major""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q369","3","Balakirev","Islamey","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Mily Balakirev"", ""Balakirev""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q370","3","Balakirev","Islamey","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Islamey, Op. 18"", ""Islamey"", ""Islamey: Oriental Fantasy""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q371","3","Balakirev","Islamey","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""Db major"", ""D-flat major""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q373","4","Beethoven","Piano Sonata 23, movement 1","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Ludwig van Beethoven"", ""Beethoven""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q374","4","Beethoven","Piano Sonata 23, movement 1","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Piano Sonata No. 23 in F minor, Op. 57, movement I — Allegro assai"", ""Appassionata Sonata, movement I — Allegro assai"", ""Piano Sonata No. 23, movement 1 — Allegro assai"", ""Piano Sonata No. 23 in F minor, Op. 57 “Appassionata”""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q375","4","Beethoven","Piano Sonata 23, movement 1","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""F minor""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q377","5","Beethoven","Piano Sonata No. 21, movement 1","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Ludwig van Beethoven"", ""Beethoven""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q378","5","Beethoven","Piano Sonata No. 21, movement 1","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Piano Sonata No. 21 in C major, Op. 53, movement I — Allegro con brio"", ""Waldstein Sonata, movement I — Allegro con brio"", ""Piano Sonata No. 21, movement 1 — Allegro con brio"", ""Piano Sonata No. 21 in C major, Op. 53 “Waldstein”""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q379","5","Beethoven","Piano Sonata No. 21, movement 1","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""C major""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q381","6","Chopin","Ballade No. 1","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Frederic Chopin"", ""Frédéric Chopin"", ""Chopin""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q382","6","Chopin","Ballade No. 1","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Ballade No. 1 in G minor, Op. 23"", ""Ballade No. 1""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q383","6","Chopin","Ballade No. 1","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""G minor""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q385","7","Chopin","Etude Op. 10 No. 4","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Frederic Chopin"", ""Frédéric Chopin"", ""Chopin""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q386","7","Chopin","Etude Op. 10 No. 4","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Etude in C-sharp minor, Op. 10 No. 4"", ""Étude in C-sharp minor, Op. 10 No. 4"", ""Etude Op. 10 No. 4""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q387","7","Chopin","Etude Op. 10 No. 4","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""C# minor"", ""C-sharp minor""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q389","8","Debussy","Reflets dans l'eau","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Claude Debussy"", ""Debussy""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q390","8","Debussy","Reflets dans l'eau","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Reflets dans l'eau"", ""Reflets dans l’eau"", ""Images, Book I: Reflets dans l'eau""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q391","8","Debussy","Reflets dans l'eau","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""Db major"", ""D-flat major""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q393","9","Glinka","The Lark","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Mikhail Glinka"", ""Glinka"", ""Mikhail Glinka, transcribed by Mily Balakirev""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q394","9","Glinka","The Lark","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""The Lark"", ""The Lark, transcribed by Mily Balakirev""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q395","9","Glinka","The Lark","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""Bb minor"", ""B-flat minor""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q397","10","Haydn","Keyboard Sonata 48, movement 2","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Joseph Haydn"", ""Franz Joseph Haydn"", ""Haydn""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q398","10","Haydn","Keyboard Sonata 48, movement 2","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Keyboard Sonata in C major, Hob. XVI:48, movement II"", ""Keyboard Sonata 48, movement 2""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q399","10","Haydn","Keyboard Sonata 48, movement 2","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""C major""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q401","11","Liszt","Ballade No. 2","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Franz Liszt"", ""Liszt""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q402","11","Liszt","Ballade No. 2","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Ballade No. 2 in B minor, S. 171"", ""Ballade No. 2""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q403","11","Liszt","Ballade No. 2","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""B minor""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q405","12","Mozart","Piano Sonata 12, movement 1","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Wolfgang Amadeus Mozart"", ""W. A. Mozart"", ""Mozart""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q406","12","Mozart","Piano Sonata 12, movement 1","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Piano Sonata No. 12 in F major, K. 332, movement I — Allegro"", ""Piano Sonata K. 332, movement I — Allegro"", ""Piano Sonata 12, movement 1 — Allegro"", ""SONATE in F, KV 332 / 1""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q407","12","Mozart","Piano Sonata 12, movement 1","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""F major""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q409","13","Mozart","Piano Sonata 12, movement 3","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Wolfgang Amadeus Mozart"", ""W. A. Mozart"", ""Mozart""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q410","13","Mozart","Piano Sonata 12, movement 3","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Piano Sonata No. 12 in F major, K. 332, movement III — Allegro assai"", ""Piano Sonata K. 332, movement III — Allegro assai"", ""Piano Sonata 12, movement 3 — Allegro assai"", ""Piano Sonata 12, third movement — Allegro assai"", ""SONATE in F, KV 332""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q411","13","Mozart","Piano Sonata 12, movement 3","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""F major""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q413","14","Rachmaninoff","Prelude Op. 23 No. 4","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Sergei Rachmaninoff"", ""Sergey Rachmaninoff"", ""Rachmaninoff""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q414","14","Rachmaninoff","Prelude Op. 23 No. 4","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Prelude in D major, Op. 23 No. 4"", ""Prelude Op. 23 No. 4""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q415","14","Rachmaninoff","Prelude Op. 23 No. 4","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""D major""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q417","15","Schubert","Moment musical No. 3","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Franz Schubert"", ""Schubert""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q418","15","Schubert","Moment musical No. 3","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Moment musical No. 3 in F minor, D. 780"", ""Moment musical No. 3"", ""Moment Musicaux op. 94 no. 3 in F Minor""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q419","15","Schubert","Moment musical No. 3","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""F minor""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q421","16","Schumann","Arabeske Op. 18","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Robert Schumann"", ""Schumann"", ""R. Schumann""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q422","16","Schumann","Arabeske Op. 18","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Arabeske in C major, Op. 18"", ""Arabeske Op. 18""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q423","16","Schumann","Arabeske Op. 18","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""C major""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q425","17","Scriabin","Etude Op. 8 No. 11","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Alexander Scriabin"", ""Aleksandr Scriabin"", ""Scriabin""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q426","17","Scriabin","Etude Op. 8 No. 11","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Etude in B-flat minor, Op. 8 No. 11"", ""Étude in B-flat minor, Op. 8 No. 11"", ""Etude Op. 8 No. 11""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q427","17","Scriabin","Etude Op. 8 No. 11","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""Bb minor"", ""B-flat minor""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q429","18","Scriabin","Piano Sonata No. 5","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Alexander Scriabin"", ""Aleksandr Scriabin"", ""Scriabin""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q430","18","Scriabin","Piano Sonata No. 5","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Piano Sonata No. 5, Op. 53"", ""Piano Sonata No. 5""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q431","18","Scriabin","Piano Sonata No. 5","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""F# major"", ""F-sharp major"", ""tonally ambiguous""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q433","19","Beethoven","Symphony No. 2, movement 1","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Ludwig van Beethoven"", ""Beethoven""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q434","19","Beethoven","Symphony No. 2, movement 1","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Symphony No. 2 in D major, Op. 36, movement I, Adagio molto – Allegro con brio"", ""Symphony No. 2, movement 1 — Adagio molto – Allegro con brio""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q435","19","Beethoven","Symphony No. 2, movement 1","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""D major""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q437","20","Beethoven","Symphony No. 2, movement 3","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Ludwig van Beethoven"", ""Beethoven""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q438","20","Beethoven","Symphony No. 2, movement 3","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Symphony No. 2 in D major, Op. 36, movement III — Scherzo: Allegro"", ""Symphony No. 2, movement 3 — Scherzo: Allegro""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q439","20","Beethoven","Symphony No. 2, movement 3","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""D major""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q441","21","Beethoven","Symphony No. 4, movement 2","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Ludwig van Beethoven"", ""Beethoven""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q442","21","Beethoven","Symphony No. 4, movement 2","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Symphony No. 4 in B-flat major, Op. 60, movement II, Adagio"", ""Symphony No. 4, movement 2 — Adagio""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q443","21","Beethoven","Symphony No. 4, movement 2","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""Eb major"", ""E-flat major""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q445","22","Beethoven","Symphony No. 5, movement 1","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Ludwig van Beethoven"", ""Beethoven""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q446","22","Beethoven","Symphony No. 5, movement 1","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Symphony No. 5 in C minor, Op. 67, movement I, Allegro con brio"", ""Symphony No. 5, movement 1 — Allegro con brio""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q447","22","Beethoven","Symphony No. 5, movement 1","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""C minor""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q449","23","Beethoven","Symphony No. 8, movement 2","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Ludwig van Beethoven"", ""Beethoven""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q450","23","Beethoven","Symphony No. 8, movement 2","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Symphony No. 8 in F major, Op. 93, movement II, Allegretto scherzando"", ""Symphony No. 8, movement 2 — Allegretto scherzando""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q451","23","Beethoven","Symphony No. 8, movement 2","S/P","What is the principal tonality of this fragment?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""F major"", ""B-flat major""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q453","24","Beethoven","Symphony No. 9, movement 1","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","[""Ludwig van Beethoven"", ""Beethoven""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q454","24","Beethoven","Symphony No. 9, movement 1","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Waltz in E major, Op. 39 No. 5""]","[""Symphony No. 9 in D minor, Op. 125, movement I — Allegro ma non troppo, un poco maestoso"", ""Symphony No. 9, movement 1 — Allegro ma non troppo, un poco maestoso""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q455","24","Beethoven","Symphony No. 9, movement 1","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","[""D minor""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q457","1","Bach","Fugue BWV 875","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Baroque""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q458","2","Bach","Prelude BWV 848","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Baroque""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q459","3","Balakirev","Islamey","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Romantic"", ""Late Romantic""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q460","4","Beethoven","Piano Sonata 23, movement 1","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Romantic""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q461","5","Beethoven","Piano Sonata No. 21, movement 1","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Late Classical / Early Romantic""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q462","6","Chopin","Ballade No. 1","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Romantic""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q463","7","Chopin","Etude Op. 10 No. 4","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Romantic""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q464","8","Debussy","Reflets dans l'eau","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Impressionistic""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q465","9","Glinka","The Lark","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Late Classical / Early Romantic"", ""Romantic""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q466","10","Haydn","Keyboard Sonata 48, movement 2","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Classical""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q467","11","Liszt","Ballade No. 2","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Romantic"", ""Late Romantic""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q468","12","Mozart","Piano Sonata 12, movement 1","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Classical""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q469","13","Mozart","Piano Sonata 12, movement 3","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Classical""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q470","14","Rachmaninoff","Prelude Op. 23 No. 4","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Late Romantic""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q471","15","Schubert","Moment musical No. 3","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Late Classical / Early Romantic""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q472","16","Schumann","Arabeske Op. 18","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Romantic""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q473","17","Scriabin","Etude Op. 8 No. 11","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Late Romantic""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q474","18","Scriabin","Piano Sonata No. 5","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Expressionistic"", ""Late Romantic""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q475","19","Beethoven","Symphony No. 2, movement 1","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Late Classical / Early Romantic"", ""Classical""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q476","20","Beethoven","Symphony No. 2, movement 3","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Late Classical / Early Romantic""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q477","21","Beethoven","Symphony No. 4, movement 2","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Late Classical / Early Romantic""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q478","22","Beethoven","Symphony No. 5, movement 1","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Late Classical / Early Romantic""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q479","23","Beethoven","Symphony No. 8, movement 2","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Late Classical / Early Romantic""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q480","24","Beethoven","Symphony No. 9, movement 1","S/P","Which stylistic period is closest to this piece? Choose one: Baroque, Classical, Late Classical / Early Romantic, Romantic, Late Romantic, Impressionistic, Expressionistic, Post-modern.","Choice","One choice copied exactly from the question","Single","[]","[""Late Classical / Early Romantic""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q481","14","Rachmaninoff","Prelude Op. 23 No. 4","P","At what time does the second complete statement of the piece's main theme begin? Refer to the onset of the first melodic note.","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:37"", ""02:14"", ""11:05""]","[""1:03""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q482","14","Rachmaninoff","Prelude Op. 23 No. 4","P","The beginning of the piece is seemingly peaceful and to be played with a singing tone. Within the first statement of the theme, at what time does the music reach its first dramatic moment?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:37"", ""02:14"", ""11:05""]","[""0:33"", ""0:32""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q483","14","Rachmaninoff","Prelude Op. 23 No. 4","P","At what time does the piece reach its climax in terms of loudness, tension, and drama?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:37"", ""02:14"", ""11:05""]","[""2:42""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q484","15","Schubert","Moment musical No. 3","P","What is the largest interval between two consecutive notes in the melody up until 00:12?","Interval","Interval quality and size","Single","[""major third"", ""perfect fifth"", ""minor seventh""]","[""perfect fourth""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q485","15","Schubert","Moment musical No. 3","P","Near the end of the piece, from what time onward is the final chord repeatedly affirmed (i.e. from what time until the end is it played)?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:37"", ""02:14"", ""11:05""]","[""1:40""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q486","16","Schumann","Arabeske Op. 18","P","Three sections, each with distinct thematic material, precede 2:53. At which times do these start? Divide this passage into three, most coherent sections, according to their thematic material.","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","List","[""0:37, 02:14, 11:05""]","[""00:00, 00:53, 2:15""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q487","17","Scriabin","Etude Op. 8 No. 11","P","What is the name of the chord played at 00:38?","Chord","Lead-sheet chord symbol in root position","Single","[""Esus2"", ""D#maj7"", ""B7b5""]","[""Fsus4""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q488","17","Scriabin","Etude Op. 8 No. 11","P","At what times is the first part of the main melody, first played between 00:00-00:07, repeated exactly? ","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","List ordered by appearance","[""0:37, 02:14, 11:05""]","[""00:44, 2:45, 3:25"", ""00:43, 2:45, 3:25""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q489","18","Scriabin","Piano Sonata No. 5","P","The piece ends with a musical idea that was introduced earlier. Starting at what time was this last musical idea first introduced?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:37"", ""02:14"", ""11:05""]","[""00:07"", ""0:08""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q490","13","Mozart","Piano Sonata 12, movement 3","P","Which passage first suggests a humorous character through a clucking-like accompaniment? Identify the start of the passage matching the description the closest.","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:37"", ""02:14"", ""11:05""]","[""00:16""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q491","13","Mozart","Piano Sonata 12, movement 3","P","At what time does the main theme in a minor tonality start?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:37"", ""02:14"", ""11:05""]","[""1:46""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q492","12","Mozart","Piano Sonata 12, movement 1","P","What are the four harmonic functions up until the F5 played at 00:05? ","Category label","Harmonic-function label written in full","List ordered by appearance","[""dominant, tonic""]","[""Tonic, secondary dominant, predominant, dominant"", ""Tonic, secondary dominant, subdominant, dominant"", ""tonic, dominant of the subdominant, subdominant, dominant""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q493","12","Mozart","Piano Sonata 12, movement 1","P","From 4:43 until the end, how many ornaments are played in the upper voice?","Integer","Positive integer","Single","[""4""]","[""5""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q494","12","Mozart","Piano Sonata 12, movement 1","P","Name the three leading tones that drive the modulation between 3:18 and 3:33.","Pitch","Pitch class without octave number","List ordered by appearance","[""G#, Bb, Fx""]","[""C#, B, A""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q495","12","Mozart","Piano Sonata 12, movement 1","P","At what time does the lyrical opening passage give way for a new character? Hint: it occurs before 00:26.","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:37"", ""02:14"", ""11:05""]","[""00:14""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q496","11","Liszt","Ballade No. 2","P","Between 6:00 and a repeat of the rumble (the material with which the piece opens), at some point, the composer employs a technique called 'rhythmic augmentation'. Starting at what time is this technique effectively applied in the lowest voice?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:37"", ""02:14"", ""11:05""]","[""6:14"", ""6:11""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q497","9","Glinka","The Lark","P","After the introduction in which two characters alternate, at what time does the first complete statement of the sung melody begin?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:37"", ""02:14"", ""11:05""]","[""1:05""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q498","9","Glinka","The Lark","P","At what time does the first complete variation of the main melody begin?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:37"", ""02:14"", ""11:05""]","[""2:47""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q499","9","Glinka","The Lark","P","For a long time, the piece is mainly in a minor tonality. From what time onwards has the tonality definitely shifted to major?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:37"", ""02:14"", ""11:05""]","[""4:58"", ""4:57""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q500","8","Debussy","Reflets dans l'eau","P","Which four notes form the main melody through 1:15-1:20?","Pitch","Pitch with octave number","List ordered by appearance","[""A4, G#3, Bb2""]","[""F5, Fb5, Eb5, D5""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q501","8","Debussy","Reflets dans l'eau","P","The melody sounding on the foreground in 3:00-3:01 is played at three different registers before 3:12. Rank the occurrences of this melody from lowest register to highest register. For example, if the first time it is played, it is played the lowest, and the third time, the highest, write '1, 2, 3'. If the melody is doubled, take only the highest voice in consideration.","Category label","Given label written in full","List","[""1, 2, 3""]","[""2, 3, 1""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q502","8","Debussy","Reflets dans l'eau","P","Starting at 1:40, the composer introduces a melodic-rhythmic motif consisting of four notes: C, Db, Bb, C. That motif is developed. Which bass note marks the beginning of a new passage, concluding the development of the motif?","Pitch","Pitch with octave number","Single","[""A4"", ""G#3"", ""Bb2""]","[""Ab2""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q503","6","Chopin","Ballade No. 1","P","Which specific notes form the short middle voice highlighted by the performer between 3:37 and 3:43?","Pitch","Pitch with octave number","List ordered by appearance","[""A4, G#3, Bb2""]","[""Db4, Cb4, Bb3""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q504","6","Chopin","Ballade No. 1","P","Starting at what time is a continuous, fully chromatic scale (i.e. playing every note of the piano) going from G3 to C7 heard?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:37"", ""02:14"", ""11:05""]","[""8:01""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q505","5","Beethoven","Piano Sonata No. 21, movement 1","P","What type of cadence is played in 8:53-8:56?","Category label","Cadence name written in full","Single","[""half cadence""]","[""deceptive cadence"", ""interrupted cadence"", ""false cadence"", ""half cadence"", ""open cadence""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q506","4","Beethoven","Piano Sonata 23, movement 1","P","Starting at what time is the complete  and exact short-short-short-long rhythmic figure, associated with the composer’s Fifth Symphony, repeated, with transposition allowed, making it the main motif for at least 6 seconds for the first time?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:37"", ""02:14"", ""11:05""]","[""4:47""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q507","4","Beethoven","Piano Sonata 23, movement 1","P","At two points in the piece, a soft, wandering solo line descends before giving way to a sudden expressive outburst. At what times do these outbursts following the line immediately occur?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Pair","[""0:37, 02:14""]","[""1:58, 6:55""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q508","3","Balakirev","Islamey","P","At what time in the second half of the piece does the performer play a glissando? Identify the start time of the glissando. ","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:37"", ""02:14"", ""11:05""]","[""6:56""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q509","2","Bach","Prelude BWV 848","P","In what time does the prolonged dominant tension or pedal begin and then continue uninterrupted until the final cadence, without passing through another harmony or releasing its dominant function, before finally resolving?","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","Single","[""0:37"", ""02:14"", ""11:05""]","[""0:55""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q510","1","Bach","Fugue BWV 875","P","What is the largest interval between two consecutive notes within the theme played by the soprano voice, starting at 00:09?","Interval","Interval quality and size","Single","[""perfect fifth"", ""minor seventh"", ""perfect octave""]","[""perfect fourth""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q512","1","Bach","Fugue BWV 875","P","At what times does the first theme (up until the syncopated note G) appear with the exact same pitch classes but potentially in a different register? Disregard minor deviations.","Timestamp","Timestamp in M:SS or MM:SS (rounded down)","List ordered by appearance","[""0:37, 02:14, 11:05""]","[""0:00, 0:22, 1:45""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q513","5","Beethoven","Piano Sonata No. 21, movement 1","P","From 9:44 until the end of the movement, identify uninterrupted descending C-major scalar runs. Consider a run only when it consists of at least eight consecutive C-major scale tones in one direction, with each successive tone moving by one diatonic scale step. Report the highest note of each scale instance. ","Pitch","Pitch class without octave number","List ordered by appearance","[""C#, Bb, Fx""]","[""F, F, F""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q514","7","Chopin","Etude Op. 10 No. 4","P","Which beat of the bar played between 00:14 and 00:15 is not to be played with an arpeggio?","Bar / beat","Beat number (digits)","Single","[""8""]","[""4""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q515","16","Schumann","Arabeske Op. 18","P","The melodic line played between 1:28 and 1:34 is transposed a few seconds later. To which key?","Key / tonality","Key (pitch class and mode)","Single","[""C major"", ""F#m"", ""Bb major""]","[""A minor"", ""Am""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"